Bovie Movie

Two generations of radical bikers face off in this rubber-burning action drama. Manuel “Smoke” Galloway (Laurence Fishburne) is the leader of the Black Knights, an underground motorcycle club. Smoke, like most of his fellow Knights, is a successful white collar worker who can afford fancy leathers and top quality bikes, and Smoke has earned a reputation as the “King of Cali,” willing take on anyone in a drag race, legal or no. Kid (Derek Luke) is a gifted young rider whose father was once Smoke’s mechanic; when Kid’s dad died after an accident, Kid set out to become the best biker he could be to carry on his father’s name and reputation. Smoke, however, has no room in the Black Knights for Kid, and so he and several fellow outcast riders start their own club, the Biker Boyz, and challenge Smoke to prove once and for all who is the fastest rider on the scene. Biker Boyz also features appearances from Orlando Jones, Lisa Bonet, Djimon Hounsou, Larenz Tate, and Kid Rock.

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer’s whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn’t know that he had the answer all along — even before Louis entered his office. Also available in the “unrated” video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.

The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its “innocent man accidentally caught up in political corruption” story from such films as Francis Ford Coppola’s The Conversation, Alfred Hitchcock’s The Man Who Knew Too Much, and Sydney Pollack’s Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn’t know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel’s murder. Since Dean isn’t up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell’s 1984 mantra “beware of big brother,” as Dean realizes that in the modern world, there is no such thing as total privacy.