Bovie Movie

First-time screenwriter Stelios Pavlou enjoyed a major success with this script that he wrote while working in an English liquor store by sending it to actor Samuel L. Jackson, who signed on for one of the lead roles. Jackson is Elmo McElroy, a kilt-wearing, golf club-wielding Los Angeles native who has invented an illegal drug formula that he hopes will provide him with a last major score of 20 million dollars before he retires from a life of crime. He travels to Liverpool, England, where he hopes to find a buyer for his creation among the denizens of the city’s rave scene, but his plans go awry when those who are in on the deal start turning up dead. Elmo’s only protector is a chain-smoking, Yank-hating local hood named Felix De Souza (Robert Carlyle), who reluctantly partners with the violence-prone American to finish the deal and cash in, sparking a gang war between Elmo’s vengeful one-time employer, The Lizard (Meat Loaf); Felix’s boss, Durant (Ricky Tomlinson); crooked cop Virgil Kane (Sean Pertwee); a beautiful assassin, who also happens to be Felix’s ex-girlfriend (Emily Mortimer); and an offbeat, yoga-practicing nightclub owner and mobster named Iki (Rhys Ifans). For its U.S. release, the title of The 51st State was changed to Formula 51.

The war against the forces of darkness becomes a family affair in this cinematic prequel to the popular video game Bloodrayne. In 16th century Europe, Lord Kagan (Ben Kingsley) is an evil ruler who holds more power than any man alive, but he still dreams of having more, and when he’s told of three magic talismans who, when united, will give him intense supernatural strength and the gift of immortality, he will stop at nothing to attain them. However, three warriors who have learned how to battle the forces of darkness — Vladimir (Michael Madsen), Katarin (Michelle Rodriguez), and Sebastian (Matt Davis) — have formed the Brimstone Society, with the goal of stripping Kagan of his power and restoring justice to their land. They can’t accomplish this on their own, though, so they enlist the aid of Rayne (Kristanna Loken), a half-human, half-vampire who can approach Kagan’s sinister gifts while having a desire to do good. However, Rayne is torn about signing on with the Brimstone Society, and for a good reason — Kagan is her father. Scripted by actress, screenwriter, and video-game enthusiast Guinevere Turner, BloodRayne also stars Geraldine Chaplin, Udo Kier, Billy Zane, Michael Par?, and Meat Loaf Aday.

In this darkly comic drama, Edward Norton stars as a depressed young man (named in the credits only as “Narrator”) who has become a small cog in the world of big business. He doesn’t like his work and gets no sense of reward from it, attempting instead to drown his sorrows by putting together the “perfect” apartment. He can’t sleep and feels alienated from the world at large; he’s become so desperate to relate to others that he’s taken to visiting support groups for patients with terminal diseases so that he’ll have people to talk to. One day on a business flight, he discovers Tyler Durden (Brad Pitt), a charming iconoclast who sells soap. Tyler doesn’t put much stock in the materialistic world, and he believes that one can learn a great deal through pain, misfortune, and chaos. Tyler cheerfully challenges his new friend to a fight. Our Narrator finds that bare-knuckle brawling makes him feel more alive than he has in years, and soon the two become friends and roommates, meeting informally to fight once a week. As more men join in, the “fight club” becomes an underground sensation, even though it’s a closely guarded secret among the participants. (First rule: Don’t talk about fight club. Second rule: Don’t talk about fight club.) But as our Narrator and Tyler bond through violence, a strange situation becomes more complicated when Tyler becomes involved with Marla (Helena Bonham Carter), whom our Narrator became infatuated with when they were both crashing the support-group circuit. Based on the novel by Chuck Palahniuk, Fight Club was directed by David Fincher, who previously directed Pitt in the thriller Seven.