Bovie Movie

Viewers familiar with the 1996 Mel Gibson blockbuster Ransom may be disappointed that there are no smirking villains, car chases, or bloody fistfights in the original 1956 version of the same story. Even so, the earlier Ransom! has much to offer on a purely dramatic level. Based on the Richard Maibaum-Cyril Hume TV play Fearful Decision, the film stars Glenn Ford as self-made industrialist David Stannard. When his son is kidnapped and held for 500,000 dollars ransom, Stannard at first sets about to cooperate with the abductors and to raise the necessary funds. Somewhere along the line, however, Stannard’s outrage erupts and boils over. Buying air time on a local TV station, he pulls out the half-million dollars, then informs the kidnappers that they’ll never get their hands on a single penny. He further threatens to use the money as a reward for the kidnappers’ capture, dead or alive, should any harm befall his son. Despite the protests of his wife, Edith (Donna Reed), and the admonishments of his friends, family, business associates and even the police, Stannard sticks fast to his decision…but will he live to regret it? The boy’s abductors are never seen in Ransom!; instead, the film concentrates on the multitude of ramifications (including a few political ones) stemming from David Stannard’s bold stance. As such, the 1956 Ransom! is in its own way as tense and exciting as the more elaborate 1996 remake.

Superstars Mel Gibson and Danny Glover return with director Richard Donner for Lethal Weapon 3, the third in the phenomenally successful action series. In this film, Roger Murtaugh (Danny Glover) is only eight days away from retirement and his partner Martin Riggs (Mel Gibson) once again manages to get them both into hot water with the both LAPD and the bad guys, who this time are Jack Travis (Stuart Wilson) and a gang of hoodlums selling armor-piercing bullets. Joe Pesci returns as the fast-talking schmuck Leo Getz. A new addition to the cast is Rene Russo as Lorna Cole, a sergeant from internal affairs sent to investigate Riggs and Murtaugh, but who ultimately ends up falling in love with the caffienated Riggs.

Porter (Mel Gibson) is pulled into a heist by his old friend, Val (Brian De Palma regular, Gregg Henry). As they’re stealing $130,000 in laundered drug money from Chinese Triads, no one is going to call the police. Everything goes smoothly until Porter’s wife, Lynn (Deborah Kara Unger), shoots Porter in the back. After Val had shown Lynn a photo of Porter in the arms of another girl (Maria Bello), the two planned the double-cross together to pay off Val’s mob debts so he could return to “The Syndicate.” They didn’t plan well enough, though, because five months later Porter’s back, a complete sociopath who wants his $70,000. Brian Helgeland, the screenwriter for L.A. Confidential and Conspiracy Theory, makes his directing debut with this adaptation of the novel The Hunter by Donald E. Westlake writing under the pseudonym, Richard Stark. The same novel served as the basis for John Boorman’s Point Blank starring Lee Marvin.

A gunslinging con man develops a tricky scheme to make a killing at a major poker tournament in this comic Western inspired by the popular television show. Mel Gibson assumes the role of Bret Maverick, the handsome rogue who hopes to cheat his way to success. In need of a large stake to enter a major card competition on a Louisiana steamboat, Maverick decides to take advantage of a few small-town poker players. These include the seemingly sweet Annabelle Bransford (Jodie Foster) and the intimidating Angel (Alfred Molina), neither of whom is too happy about their loss. Things become even more complicated for Maverick when the law gets involved, with Marshal Zane Cooper (James Garner, who played the role of Maverick in the original television series) giving chase. A series of stagecoach chases, complicated cons, and gun battles ensues, with Annabelle and Maverick finding time for plenty of flirtation along the way.

A man finds himself getting an unexpected crash course in the psychology of contemporary women in this romantic comedy. Nick Marshall (Mel Gibson) is a successful advertising executive living in Chicago who has long fancied himself a ladies’ man, though he has precious little understanding of women beyond figuring out how to seduce them. One day, Nick receives a substantial electric shock in an accident in his bathroom; while he’s not seriously injured, when he comes to, he discovers something remarkable has happened — he can suddenly hear what women are thinking. At first, Nick finds himself learning all sorts of things he didn’t want to know, but he also realizes how this can be used to his advantage — especially after his old boss, Dan Wanamaker (Alan Alda) is replaced by a woman, Darcy Maguire (Helen Hunt). But Nick begins to feel differently about his unusual gift when he discovers Darcy is infatuated with him, and he finds himself falling for her. What Women Want also features Bette Midler as Nick’s analyst, Delta Burke and Valerie Perrine as two of his co-workers, and Marisa Tomei as one of Nick’s significant others.

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as “suppressed news” that’s surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone’s secret life as a government agent discrediting conspiracy theorists? Jerry’s heard ‘em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he’s been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real — but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are “real” (or at least appeared before this film was made) and which were the invention of the screenwriters.

Mel Gibson made his feature film directing debut with this drama, loosely based on the book by Isabel Holland, which combines elements from The Elephant Man, Mask, Scent of a Woman, and The Karate Kid in a study of the capacity for human trust and compassion. Gibson plays Justin McLeod, a former teacher who, after having his face and his body terribly disfigured in an automobile accident, has taken to living alone in a big house in an island off the coast of Maine. McLeod works as a free-lance artist who undergoes the humiliation of being shunned by his neighbors and called “hamburger head” behind his back. McLeod keeps to himself and wants nothing to do with his neighbors. But one day an adolescent boy, Chuck Norstadt (Nick Stahl), comes knocking at his door desperate for a tutor. At first suspicious, McLeod gradually warms up to Chuck and they become pals. But their burgeoning friendship is frowned upon by Chuck’s family and the local police chief, Stark (Geoffrey Lewis), apparently because of rumors circulating that McLeod had a record concerning child molestation. This piece of gossip threatens Chuck with the loss of his teacher and a new-found friend.

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, “loose cannon” LA detective Martin Riggs and Riggs’ partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what’s going on thanks to characterless character witness Joe Pesci, he can’t touch the villain because of “diplomatic immunity.” After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4.

Randall Wallace directs Mel Gibson in the Vietnam War drama We Were Soldiers, which comes to DVD with a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 2.35:1. Closed-captioned English soundtracks are rendered in both DD-EX 5.1 and Dolby Digital Surround, while a French soundtrack has also been recorded in Dolby Digital Surround. English subtitles are accessible. Supplemental materials include a commentary track recorded by the director, ten deleted scenes with director commentary, and a making-of featurette. This is a strong disc from Paramount.

The can’t-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don’t they usually alter your appearance when they put you in that program?) Curious over Gibson’s furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson’s embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin?