Bovie Movie

Mel Gibson made his feature film directing debut with this drama, loosely based on the book by Isabel Holland, which combines elements from The Elephant Man, Mask, Scent of a Woman, and The Karate Kid in a study of the capacity for human trust and compassion. Gibson plays Justin McLeod, a former teacher who, after having his face and his body terribly disfigured in an automobile accident, has taken to living alone in a big house in an island off the coast of Maine. McLeod works as a free-lance artist who undergoes the humiliation of being shunned by his neighbors and called “hamburger head” behind his back. McLeod keeps to himself and wants nothing to do with his neighbors. But one day an adolescent boy, Chuck Norstadt (Nick Stahl), comes knocking at his door desperate for a tutor. At first suspicious, McLeod gradually warms up to Chuck and they become pals. But their burgeoning friendship is frowned upon by Chuck’s family and the local police chief, Stark (Geoffrey Lewis), apparently because of rumors circulating that McLeod had a record concerning child molestation. This piece of gossip threatens Chuck with the loss of his teacher and a new-found friend.

This badly-dated but interesting variant on the vampire subgenre is loosely based on the Simon Raven novel Doctors Wear Scarlet. The story details the seduction of an Oxford resident (Patrick Mower) into a satanic vampire society while studying in Greece. The chief twist here is that vampirism is treated not as a supernatural affliction, but as a bizarre form of sexual gratification — an alternative lifestyle in which Mower is soon immersed, thanks to the manipulations of an exotic Greek siren. After some silly scenes featuring a lot of groovin’ hippie orgies and silly psychedelic lighting effects, Mower returns to England to continue his sanguinary obsession in earnest, focusing his bloodthirsty desires on his prudish fiancee — who is not so willing to embrace this new lifestyle. Despite the aforementioned painful attempts at hipness, this film shapes up to be an effective thriller — perhaps the first to put a psychological spin on the vampire pantheon. Peter Cushing and Patrick Macnee are on hand in very small but effective supporting roles. Released also under the more “trendy” title Incense for the Damned.