Bovie Movie

In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe’s back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge’s mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA’s assistant Rosie O’Donnell, who’s brought her “darling” little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O’Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman.

Inspired by a familiar Chinese folk tale, this $90 million animated Disney drama follows the adventures of a young woman in ancient China. Character animator Tony Bancroft and 17-year Disney veteran Barry Cook (Captain EO, Tron, Trail Mix-Up) formed the directing team with production design by Hans Bacher (Balto), and work on the film began 2 January 1995 under the working title The Legend of Mulan. While the merciless Shan-Yu (Miguel Ferrer) leads invading Huns over the Great Wall, young Mulan (Ming-Na Wen, with singing by Lea Salonga) sees a matchmaker about her matrimonial future. Mulan’s views on accepted marriage traditions prompt the ballad, “Reflection,” as she hopes for a recognition of her true self. To repel the Huns, a man from each family is required to join the Imperial Army. When Mulan’s elderly father Fa Zhou (Soon-Tek Oh) volunteers, she objects. He warns, “I know my place. It is time you learned yours.” Mulan, however, cuts her hair, dresses as a man, and is ready for military camp, prompting the concern of her First Ancestor (George Takei), who converts an inanimate incense burner into the 18-inch high comedic dragon Mushu (Eddie Murphy). With Mushu hidden in her clothing, she joins a group of raw recruits under the command of Captain Shang (B.D. Wong, singing by Donny Osmond). During an ambush by the Huns in a mountain pass, Mulan steps in to turn defeat into a victory. Mulan was the first Disney feature from the company’s 200,000-square-foot Orlando facility (now known as Walt Disney Feature Animation Florida).

Movie references, sight gags, silly puns, and double entendres abound in Hot Shots! Part Deux, Jim Abrahams’ sequel to Hot Shots — only now the object of the skewering is the Stallone Rambo movies instead of Top Gun. Charlie Sheen returns as the lunk-headed Topper Harley, who has retreated to a Buddhist monastery after being dumped by Ramada Rodham Hayman (Valerie Golino). In this far-off retreat, the monks have “taken a vow of celibacy, just like their fathers and their fathers before them.” But Topper bulks up and goes back into action when his superior officer, Colonel Denton Walters (Richard Crenna) is captured by a Saddam Hussein look-alike, missing somewhere between “Iraq and a Hard Place.” Topper charges into Iraq (after barreling through a Beverly Hills barbecue) along with sexy CIA operative Michelle Rodham Huddleston (Brenda Bakke) in tow, his guns ablazing.

Director John Badham’s remake of French action thriller La Femme Nikita moves the action to the U.S., where Maggie (Bridget Fonda) is a strung-out Washington, D.C. drug addict who kills a policeman in a pharmaceutical-induced haze. Sentenced to death, Maggie is rescued by a shady operative, Bob (Gabriel Byrne), who offers to save her life if she’ll become a covert government assassin. Maggie agrees and trains for a life as a professional killer under a new name, Claudia. Her classes include weaponry, martial arts, explosives, and even social graces under the tutelage of Amanda (Anne Bancroft). Claudia is transformed into a classy sophisticate and is assigned to Venice, California, where she falls for J.P. (Dermot Mulroney), an attractive photographer who lives downstairs. Claudia’s highly dangerous job soon interferes when she’s ordered to carry out a series of clever assassinations, including a hit in a restaurant and a hotel bombing. When one particular killing goes horribly wrong, she gets some assistance from Victor the Cleaner (Harvey Keitel), a disposal artist who may have also been ordered to get rid of Claudia.