Bovie Movie

A dark, bitter commentary on modern American life cloaked in the form of a surrealist western, Jim Jarmusch’s Dead Man stars Johnny Depp as William Blake, a newly-orphaned accountant who leaves his home in Cleveland to accept a job in the frontier town of Machine. Upon his arrival, Blake is told by the factory owner Dickinson (Robert Mitchum) that the job has already been filled. Dejectedly, he enters a nearby tavern, ultimately spending the night with a former prostitute. A violent altercation with the woman’s lover (Gabriel Byrne), also Dickinson’s son, leaves Blake a murderer as well as mortally wounded, a bullet lodged dangerously close to his heart. He flees into the wilderness, where a Native American named Nobody (Gary Farmer) mistakes Blake for the English poet William Blake and determines that he will be Blake’s guide in his protracted passage into the spirit world.

This lucrative, elephantine-budgeted sci-fi opus paved the way for director Roland Emmerich’s mega-hit Independence Day (1996). The story commences in Giza, Egypt, circa 1928, where an archaeological expedition unearths an ancient ring with cryptic hieroglyphs. The film then moves to the present day, where Egyptologist Daniel Jackson (James Spader) is busily trying to convince a group of skeptics that the pyramids were not built by man, but by an extraterrestrial force. After the lecture, a military man approaches him and offers him a job translating the said ring; its inscriptions actually constitute a map to a massive stargate (or interstellar portal). The army sends over resident crackpot colonel Jack O’Neill (Kurt Russell) to travel through the stargate and see what’s on the other side; Jackson accompanies him, and the two men turn up in a desert planet on the other side of the universe, with three moons in its sky. The world in question is ruled by Ra (Jaye Davidson), a hermaphroditic Egyptian sun god, who oppresses hordes of slave workers. Jackson and O’Neill then join forces to help the said workers revolt against their oppressor.

For his first film since 1998’s Twilight, acclaimed director Robert Benton helmed this tense drama written by Fatal Attraction co-scribe Nicholas Meyer and based on the novel of the same name by Philip Roth. Set in the late ’90s at the height of the Clinton sex-scandal, The Human Stain stars Anthony Hopkins as Coleman Silk, a respected professor at a New England college who suddenly finds his life unraveling after a comment he makes about some African-American students is misinterpreted as a racial slur. As the scandal heats up, Nathan Zuckerman (Gary Sinise), a writer researching a biography of Silk, begins to dig deeper and deeper into Silk’s life. Eventually, matters are made worse when an affair with a young married janitor named Faunia Farley (Nicole Kidman) is exposed. But amid the controversy, Silk must struggle to keep his greatest secret, a secret he’s held for the majority of his life, from becoming public. Ed Harris, who previously worked with Benton in 1984’s Places in the Heart, also stars.