Bovie Movie

Washington Irving’s tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee’s appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay.

Based on J.G. Ballard’s autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes.

Actor and author Richard E. Grant made his directorial debut with this period comedy drama inspired by his own experiences growing up in colonial Africa in the sixties. Ralph Compton (Zachary Fox) is the 11-year old son of Harry (Gabriel Byrne), the minister of education in the British-controlled African nation of Swaziland. While Harry is a likeable and well-connected man, his marriage to Lauren (Miranda Richardson) is on shaky ground, and when he learns she’s been having an affair with one of his best friends, she leaves him and he begins drinking heavily. Harry sends Ralph to boarding school when things start to get unpleasant, and after two years he returns home to discover that some changes have been made. Ralph (now played by Nicholas Hoult) finds that his father is still drinking, but seems a more relaxed and better adjusted man — and has just remarried, having tied the knot with Ruby (Emily Watson), a former stewardess from America. Ralph naturally resists Ruby’s presence in the house, but the two become close, as Ruby indicates that she understands Ralph better than anyone else (and he senses the same). Meanwhile, the British start to withdraw from Swaziland. Wah-Wah received its world premiere at the 2005 Edinburgh Film Festival.

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg’s stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider’s recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival.