Bovie Movie

A wave twisting tale of a soul searching surfer experiencing an existential crisis.

A Russian immigrant arrives in the Unites States to discover that the American dream has dampened somewhat in writer-turned-director Len Richmond’s satirical look at America’s preoccupation with all things sexual. Despite enthusiastic Alex’s (Michael York) best efforts, the only job he can find upon arriving in the United States is a low-paying stint in a sex-toy factory. When elderly factory owner Eppy (Nancy Fish) takes pity on the struggling newcomer and introduces him to has-been adult film star Catherine (Prunella Gee) in hopes of making a match, the romantic bachelor finds that true love doesn’t always arrive in the most conventional form.

A thesp-turned-crook gets a chance at career in movies as well as crime scene investigation in this offbeat action comedy with nods to Raymond Chandler. Harry Lockhart (Robert Downey Jr.) is a struggling New York actor who high-tails it to Los Angeles. Once there, Lockhart winds up at the posh home of the aptly-named homosexual private eye Gay Perry (Val Kilmer) amid a lavish Hollywood party, hoping to score a life-changing role in a Hollywood feature. Harry becomes reacquainted with Harmony (Michelle Monaghan), a girl he had a major crush on in his small-town Indiana high school, who may be a bit more interested in him now than she was years ago. He takes both her and her girlfriend home with him, but - in a moment of drunken stupor - accidentally sleeps with the wrong woman. Meanwhile, when a series of female bodies turns up across L.A., Harry slowly breaks into detective work, mentored by Perry. The biggest twist? Black riffs Adaptation and other films by having Harry (via satirical narration) write the movie while he is living it. Harry assures the audience that unlike Lord of the Rings, this one won’t have seventeen endings. Kiss Kiss, Bang Bang marks the first directorial credit for Shane Black, who created the Lethal Weapon franchise.

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey’s trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey’s physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina’s gangster boyfriend to destroy Stanley and use the mask’s powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to “Cuban Pete.” The film delivered enough laughs to become a surprise hit and, along with the same year’s Dumb and Dumber, establish Carrey’s status as a comedy superstar.

Feeling that something is lacking in their lives, the family of suburbanite Charles Grodin adopts a stray St. Bernard puppy. The cute lite beast grows up to be the less-than-cute Beethoven, a sloppy, slobbery, oversized and extremely destructive animal. Beethoven also brings with him a lot of hidden baggage in the form of evil veterinarian Dean Jones, who’ll stop at nothing to steal Beethoven for the purposes of his insidious lab experiment. Several sequels followed, beginning with 1993 Beethoven’s Second.