Bovie Movie

The blurry line between a rumor and the truth is stretched to the breaking point in this drama. Three arrogant and self-centered college students, Jones (Lena Headey), Derek (James Marsden), and Travis (Norman Reedus), are brought together for a class project, in which they decide to start a rumor and keep track of how it spreads. Looking for possible gossip material, they see Naomi (Kate Hudson), a girl known for her high-minded views on saving sex for marriage, drunkenly making out with Bo (Joshua Jackson) at a party. The three students begin passing around the rumor that Naomi became a victim of date rape later that evening, embroidering the truth with allegations that Bo forcibly seduced Naomi after she was too inebriated to put up a fight. Before long, the rumor makes its way back to Naomi herself, who suffered a black-out on the night in question after too much alcohol. Naomi panics, and convinced that the rumor is true, contacts the police, who assign Detective Kelly (Sharon Lawrence) to investigate the charges of rape filed against Bo. Featuring a cast of young actors best known for their work on television, Gossip was an appropriate first feature film for director Davis Guggenheim, who previously distinguished himself on such TV series as ER, NYPD Blue, and Party of Five.

Wealthy teenager Charlie Bartlett is failing miserably at fitting in at a new public high school run by the world-weary Principal Gardner. As he begins to better understand the social hierarchy, Charlie’s honest charm and likability positions him as the resident “psychiatrist” dishing out advice, and the occasional prescription with his partner and fellow student, Murphy Bivens, to other students in need. Along the way, he decides to take some of his own advice, find romance, and learn to accept who he is, thus wielding a witty dark comedy about the angst-filled years before college.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. A film noir reminiscent of the stories of Elmore Leonard, ALL HAT is adapted from the novel by Brad Smith; Smith also penned the screenplay. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn. Sonny Stanton, gambling addict and spoiled heir to a thoroughbred dynasty, is in the process of buying up an entire concession of farmland to build a casino and golfing resort, and the only one brave enough to stand in the way of Sonny is Etta Parr, Ray’s old flame, who might be willing to forgive Ray if it wasn’t for her pride and common sense. The situation is a minefield, one Ray is determined to avoid. He hooks up with Chrissie, a sexy, sassy and talented jockey and steers clear of Sonny. But when a ten-million-dollar thoroughbred goes missing from the Stanton Stables, Sonny pushes things too far and forces the sale of the community’s remaining farms. Ray reacts by coming up with a plan to stop Sonny in his tracks and right a few wrongs in the process. The scheme is unlikely and audacious; the players are as unpredictable as nitroglycerin. One false move and Ray will land back in jail. And the smart money is against him.

Following up the 2002 horror flick Wes Craven Presents: They, director Robert Harmon took on this cat-and-mouse thriller written by Craig Mitchell and Hans Bauer, the writing team behind 1999’s Komodo. Jim Caviezel stars as Rennie, a man who suddenly finds his life destroyed by tragedy when his wife is murdered by a mysterious serial killer (Colm Feore). The culprit, it seems, is a psychopath with a penchant for hunting down and killing random women, using his green 1972 Cadillac El Dorado as his weapon. With revenge on his mind, Rennie sets out on the road in search of the elusive car and its homicidal driver. Along the way, Rennie meets a singer named Molly (Rhona Mitra) who suddenly finds herself embroiled in his unending quest for retribution. Frankie Faison also stars.

Three women living in Toronto find themselves confronting emotional crises regarding the men in their lives in this drama. Olivia (Sophia Loren) is a woman who spends her days looking after her husband, John (Pete Postlethwaite), who is confined to a wheelchair. Olivia has long aspired to a career as an artist, but John, not emotionally generous, refuses to hear of her wasting her time on such things. However, Olivia does find encouragement from an unlikely source — Max (G?rard Depardieu), an eccentric French gardener. Natalia (Mira Sorvino) is a news photographer who, while on assignment in Angola, took a memorable portrait of a crying child orphaned by war. Her father, Alexander (Klaus-Maria Brandauer), also a well-known photojournalist, is understandably proud of Natalia when her photo is used on the cover of a major news magazine, but she is haunted by the knowledge that while she made the child famous, she couldn’t save its life. And Catherine (Deborah Kara Unger) is a woman whose father, Alan (Malcolm McDowell), beat her mother to death when she was young. Catherine has never been able to resolve her hatred of her father, and when Alan is released from prison, she’s willing to abandon her husband, her children, and her career as a musician to track him down and kill him, unable to accept the notion that he’s a changed man. Between Strangers was directed by Edoardo Ponti, whose mother happens to be Sophia Loren; it marks the first time the two have worked together.