Bovie Movie

Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You’ve Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City’s Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they’re known only by screen names “NY152″ and “Shopgirl”), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his “Foxbooks” chain that risks putting Kathleen’s “Shop Around the Corner” out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others’ names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all.

Though equally respected in their field, divorce lawyers Audrey Woods (Julianne Moore) and Daniel Rafferty (Pierce Brosnan) are opposites inside and out of the courtroom. Audrey is meticulous and by the book, while Daniel relies on personality and luck to get by. Despite the difference in methods, neither lawyer has lost a case, and neither plan on ending their streak after being respectively hired by Serena (Parker Posey) and Thorne (Michael Sheen), a celebrity power couple gone wrong. The divorce settlement hinges on a particularly spectacular Irish castle, which both parties would like to keep for themselves. Audrey and Daniel hurry to Ireland with depositions in their eyes, but a growing mutual attraction manages to squirm out from beneath, and, after being immersed in a romantic Irish festival, the rival lawyers wake up married. Reeling, potentially in love (to Audrey in particular’s dismay), and faced with the type of media explosion capable of leading to the end of their careers, the mismatched lawyers contemplate how to go about their clients’ divorce hearings as man and wife.

The Man of Steel returns to the big screen with this continuation of the icon’s film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn’t need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his. Directed by Bryan Singer from a script by the writing team of X-Men 2, Superman Returns marks a return to the screen for the man in tights, whose production history has seen many failed attempts including a famous near-miss from Tim Burton and Kevin Smith with Nicolas Cage in the lead role, along with another from director McG and writer J.J. Abrams (Lost). Singer eventually won the prestigious gig when he pitched the idea to not tackle the origin story again, but continue with director Richard Donner’s original vision.