Bovie Movie

Eddie Murphy gets way, way out in this futuristic sci-fi comedy. In the year 2087, the Earth’s natural resources have been largely depleted, and an increasingly large number of people have taken up residence on the moon, where the pioneering attitude of the new residents has created a culture not unlike the old west. Pluto Nash (Eddie Murphy) is one such lunar exile who formerly made his living outside the law, but has since gone straight and now runs the hippest nightclub in the moon colony known as “Little America.” Pluto is approached by Mogan (Joe Pantoliano), a gangster who wants to buy the nightclub; Pluto has no interest in selling, but it seems Mogan isn’t about to take no for an answer. Pluto also discovers Mogan is in cahoots with Max Crater, a crime boss whose goal is to take over the entire moon. The Adventures Of Pluto Nash also features Randy Quaid as Pluto’s robot bodyguard, Rosario Dawson as a naive singer who has just arrived on the moon, Peter Boyle as Rowland the pool hustler, Jay Mohr as old-school lounge singer Tony Francis, Illeana Douglas as a cloning technician, and Pam Grier as Pluto’s mother.

This latter-day romantic screwball comedy stars Sandra Bullock as a love-starved subway toll booth operator, Lucy. Lucy pines for regular customer Peter Callaghan (Peter Gallagher), but the self-absorbed attorney pays her no heed. One day, Peter is beaten by a gang of thugs and tossed onto the tracks. Lucy rescues him from death. While he is comatose in the hospital, a comment she makes at his bedside is misinterpreted, and she then allows his family members, who haven’t seen Peter in awhile, to believe that she is his fianc?e. Peter’s parents, Ox (Peter Boyle) and Midge (Micole Mercurio), take a liking to Lucy. But Lucy takes a liking to Peter’s brother Jack (Bill Pullman), though Jack is suspicious about her claim to be Peter’s intended.

Arnold Schwarzenegger plays a taciturn law-enforcement officer from Russia. James Belushi co-stars as a wise-lipped Chicago cop. Though they go together like caviar and White Castles, they are forced to team up to collar the Soviet Union’s most notorious drug lord. Thus does director Walter Hill recycle his 48 Hours formula for another unlikely star team. Unfortunately, Red Heat isn’t half as enjoyable as the earlier film, owing to a lack of rapport between the two leading men and an overall lack of inspiration infecting the whole project. The one notable aspect of Red Heat is that it was the first commercial American film to stage scenes in Moscow’s Red Square. Watch for Laurence Fishburne (still billed as “