Bovie Movie

A year after their first adventure in Narnia, Peter, Susan, Edmund, and Lucy are pulled back in by Susan’s magic horn. They find that hundreds of years have passed, and Narnia is now ruled by the bloodthirsty General Miraz, uncle to the true heir, Prince Caspian, now in exile. Now the children must find Caspian and help him depose Miraz…but how will they get home after it’s done?

For his sophomore stab at directing, actor/writer/director Jon Favreau (Swingers, Made), took on this holiday comedy starring Saturday Night Live-alum Will Ferrell. Ferrell stars as Buddy, a regular-sized man who was raised as an elf by Santa Claus (Edward Asner). When the news is finally broken to Buddy that he’s not a real elf, he decides to head back to his place of birth, New York City, in search of his biological family. Elf also stars James Caan, Mary Steenburgen, Zooey Deschanel, and Bob Newhart.

This is the story of a named Penelope, who is the victim of a curse placed on a wealthy family by a witch. After generations ago, a witch placed a curse on the Wilhern family that would result in the next girl being born into the clan having the face of a pig. The otherwise-normal girl Penelope is forced to endure life with a pig’s snout instead of a conventional nose, which has sent many a potential suitor running off into the streets, shouting in terror. Eventually, she runs away from her sheltered existence and overprotective parents, to explore the world on her own. As she meets new friends and a potential lover who doesn’t run away, she begins to discover happiness - while all the while her parents believe the only way she can be happy is through an arranged marriage, which will hopefully break her curse.

This nutty British comedy observes with jet black humor the myriad of outrageous calamities that befall an eccentric English clan with more than a few skeletons in its closets, when its patriarch dies an unexpected death. Soon, every complication imaginable - including the wrong corpse in the coffin, the accidental consumption of hallucinogenic drugs and the disclosure of the deceased’s closeted homosexuality - befall the grief-stricken mourners. The funeral commences at the family estate, with the arrival of younger son Daniel (Matthew MacFayden), a Manhattanite who has long felt uncomfortable around his cocky, licentious novelist brother Robert (Rupert Graves) - and thus dreads seeing him. Meanwhile, Daniel is also struggling to adhere to promises he’s made to his wife (Keely Hawes). Also arriving at the house are cousin Martha (Daisy Donovan) and her intended, Simon (Alan Tudyk), who embarrasses just about everybody, including himself, by accidentally consuming a strange drug that imparts him with wild delusions and gives him an uncontrollable penchant for exhibitionism. But the event that truly turns the family members onto their ears is the arrival of a dwarf (Peter Dinklage) who speaks openly of the patriarch’s secret passions, which included dressing up in a kinky gladiator outfit and watching young men skinny-dip. Frank Oz (In and Out, Bowfinger) helms; Dean Craig authored the script.

A bomb-sniffing beagle is fired from the mayor’s office for a faux pas. That night a mad scientist dognaps him and injects him with an elixir. The dog escapes, but now has superpowers. He’s adopted by a security guard - an ex-cop, who’s a widower with a moody teen son, Jack. The boy discovers that the dog, named Shoeshine by dad, has super powers, but it’s their little secret. While Underdog saves people in distress, the mad scientist and his underling continue their plot to catch him and take over the city. There’s also a girl Jack likes who has a dog that Shoeshine takes a shine to. Will every dog have his day?

The director of such off-beat independent films as In the Soup, director Alexandre Rockwell once again teams with that film’s star to deliver this Los Angeles-based comedy concerning superstition and intersecting lives. Things aren’t looking so good for television clown Banana’s (Steve Buscemi) career, and the fact that his estranged wife, Suzi (Jennifer Beals), has just been arrested for assaulting his girlfriend, Lily (Karyn Parsons), just serves to compound Banana’s despair. Teaming with sidekick Binky (Peter Dinklage) to enlist the aid of bail-bondsman Mo (David Proval), Banana and Binky discover that Mo is currently negotiating the release of hip-hop mogul Lenny’s (Daryl Mitchell) wife, Sandra (Rose Rollins). The hapless group soon teams to help Mo by finding a suitable kidney donor for the bail-bondsman’s ailing son, and though they quickly happen across a drunk (Peter Stormare) who fits the bill, the trouble comes in keeping the prospect in the hospital. Doing their best to help Mo’s son under increasingly chaotic circumstances, personal tensions flare as each character desperately tries to simultaneously battle their own inner demons.

Video director Michel Gondry and scriptwriter Charles Kaufman — who shot to fame after penning Being John Malkovich — collaborate on this bizarre fable about human behavior in and out of society. The film opens by quickly introducing the three leads — Lila (Patricia Arquette) who is locked away in prison; Puff (Rhys Ifans) who is testifying before Congress; and Nathan Bronfman (Tim Robbins) who is sitting in a glowing white afterlife waiting room with a bullet hole in his head. Rewinding to the beginning of the story, the film shows Lila as a girl about to enter womanhood. Unfortunately, puberty goes horribly awry and she starts to grow thick hair all over her body. After performing as Queen Kong in a circus freak show, she chucks it all and goes to live in the forest, where she becomes the best-selling author of a misanthropic hard-line ecological tome. At age 30, her itch for male companionship becomes overwhelming and she ventures back into the city. She is helped by electrolysis guru Louise (Rosie Perez), who not only makes Lila presentable to society, but introduces her to Nathan, a 35-year-old virgin who, as a scientist, has devoted his life to teaching table etiquette to lab mice. While showing Nathan the joys of the wild outdoors, Lila and her new beau discover an extremely hirsute feral man whom they dub Puff. Placing him a cage in his lab, Nathan sets out to teach Puff the ways of polite society while dreaming of fame and fortune. The first task is to curb Puff’s enormous sexual appetite — any time he catches sight of a female, Puff either tries to hump her or masturbates vigorously. Nathan yokes him with an electric collar that shocks him any time he acts unseemly. Unfortunately, the humans on the other side of the cage can’t quite control their libidos either: Nathan succumbs to the incessant double entendres of his saucy French assistant Gabrielle (Miranda Otto) while Lila finds an animalistic lust for Nathan’s science experiment. This film was screened at the 2001 Cannes Film Festival.