Bovie Movie

When Mona’s key won’t fit in her Yugo, she tries it in her son’s; when it works, she borrows his car. The brakes fail; she goes through the guard rail, into the river, and drowns. When police chief Rash learns that the brake lines were cut, he looks for a murderer. Suspect one: Mona’s dim son Jeff, whom she constantly denigrated. Suspect two: her husband Phil, whom she constantly belittled and who’s having an affair with Rona, a waitress with a secret of her own. Suspect three: Jeff’s landscape partner Bobby, who wants Jeff out, has yelled at Mona that he’d like to rip out her ovaries, and who is soon to be Rash’s son-in-law. Can Rash find the killer and keep Bobby out of jail?

Jayne Ferré needs to get out of Los Angeles fast. A strikingly beautiful woman, yet ruthless assassin for the mob; she is on the run with a suitcase full of a million dollars in blood money, stolen from mob boss Frank Bianci. Sixteen-year-old Kerry is on the run from a drug dealer set on payback. His mother Emily decides to take Kerry and start a new life in Texas, but doesn’t have enough money to get there. Jayne, who is now carrying a price on her head, must take out one would-be assassin at the train station before she offers to cover Emily’s expenses if she can hitch a ride to San Antonio. Emily and her son gladly accept the offer. The unlikely trio’s car breaks down and needs parts. They are left without a choice, so they check into a small motel for one night. While Jayne is showering, kerry sneaks a look through her belongings and discovers the case of cash. During the night, a well-meaning Kerry snakes into Jayne’s room and steals the briefcase, then hitches a ride back to Los Angeles. Jayne realizes what happened but first has to deal with Bianci’s men in a blazing gun battle outside the motel. Jayne forces Emily into a car and heads back to L.A. until Emily makes a daring escape. Alex Tyler, an FBI agent and seemingly Good Samaritan, picks Emily up and takes her back to L.A. At Emily’s house mob boss Frank Bianci is dead, along with a crooked detective, when Alex gets a call from Jayne, and it becomes clear that they are working together. Jayne has Kerry hostage and Emily must bring her money or she’ll kill him. But when Emily gets her hands on a gun, she turns the tables and a deadly standoff ensues between two trained killers, a couple of dirty cops, the mob, and a mother and son in what becomes a deadly game of wits to stay alive.

Neil Simon forgoes his typical urban East Coast kvetchers and replaces them with sunny Californian kvetchers in The Marrying Man, a film which became a beacon of gossip in 1991 due to the alleged shenanigans of stars Alec Baldwin and Kim Basinger), who fell in love during production. Simon based his script on a true story concerning the love affair between shoe tycoon Harry Karl and actress Marie (The Body) McDonald during the 1950s. Married to each other four times, McDonald still managed to carry on an affair with mobster Bugsy Siegel. In this Simon-ized version, Baldwin plays Charley Pearl, a sharp and handsome Hollywood millionaire, engaged to Adele Horner (Elisabeth Shue), the daughter of dyspeptic movie studio executive Lew Horner (Robert Loggia). The day before their wedding, Charley heads off to Las Vegas for a bachelor party, and in a sleazy casino on the outskirts of town, he sets his eyes on sexy singer Vicki Anderson (Basinger) and falls for her hard. He wants her immediately and even though she warns him she’s the property of Bugsy Siegel (Armand Assante), he crawls into her bedroom window to be with her. Caught with his pants down by Siegel, Bugsy, instead of killing him, forces him to marry Vicki (”I was about to dump her anyway,” he says). But after their marriage, Charley and Vicki discover they’re more attracted to the danger of their relationship than in each other. Charley’s friends — Phil (Paul Reiser), Sammy (Fisher Stevens), Tony (Peter Dobson), and George (Steve Hytner) — form a Greek chorus commenting on the crazed love affair and are reportedly inspired by Phil Silvers, Sammy Cahn, Tony Martin, and Leo Durocher.