Bovie Movie

Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O’Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O’Donnell’s sympathetic supporting role and Pacino’s powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna.

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire’s sexy young wife Bunny (Tara Reid). Later, Jeffrey (”The Big”) Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine — except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski’s daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers.

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-’50s New York City as a men’s room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he’s living a carefree life with his father’s money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie’s father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.

Screenwriter John Hamburg directs his second film (since his 1998 debut Safe Men) with the romantic comedy Along Came Polly. Ben Stiller plays Reuben Feffer, a professional risk assessor who never takes chances in any aspect of his life. When his new bride Lisa (Debra Messing) leaves him for a European scuba instructor named Claude (Hank Azaria), he finally decides to a risk of his own. At a party, he meets free-spirited Polly Prince (Jennifer Aniston), whom he remembers from his seventh-grade Model U.N. Unlike the control-freak Reuben, she’s spent her life living on the edge. They reluctantly begin a romance and Polly introduces him to a new world of spicy food and suggestive dances. Along Came Polly also stars Philip Seymour Hoffman as Reuben’s washed-up best friend Sandy Lyle and Alec Baldwin as the obnoxious insurance company boss Stan Indursky.

Writer/director Paul Thomas Anderson followed his critical and commercial breakthrough Boogie Nights with this wildly ambitious story of lives intertwining on a single day in California’s San Fernando Valley. Earl Partridge (Jason Robards), a successful producer of television game shows, left his wife when she contracted cancer to marry the younger and more beautiful Linda (Julianne Moore). Now, Earl has cancer himself, and Linda spends her day fetching medicines and trying to deal with the imminent death of her husband, whom she has only now come to love. Earl asks his nurse Phil (Philip Seymour Hoffman) to arrange a meeting with his estranged son, Frank Mackey (Tom Cruise), known for his self-help program “Seduce and Destroy,” in which he preaches the importance of male sexual prowess; he cared for his mother after Earl left her, and he has no desire to see his father again. Earl’s best-known show is hosted by Jimmy Gator (Philip Baker Hall), who also learns that he is dying. Jimmy’s show pits bright adults against unusually smart kids; one of Jimmy’s child contestants, Stanley (Jeremy Blackman), arrives late for a taping after being left stranded by his father Rick (Michael Bowen), who is supported by his more successful son. Meanwhile, Donnie Smith (William H. Macy), who was a champ on Jimmy’s show as a child, is not having as much luck as an adult; he’s just lost his job and needs to pay for some expensive dental work. Jimmy wants to reconcile with his estranged and emotionally fragile daughter Claudia (Melora Walters), who despises him and who will become involved with well-meaning police officer Jim Kurring (John C. Reilly), who has been desperately lonely since his divorce three years ago. Magnolia reunites much of the cast and crew of Boogie Nights and features eight original songs by singer/songwriter Aimee Mann and a musical score by Jon Brion.

Following the phenomenal success of The Silence of the Lambs and Hannibal, Anthony Hopkins returns as brilliant madman Hannibal Lecter in this thriller based on the novel in which author Thomas Harris introduced the character. Will Graham (Edward Norton) is an FBI agent with a rare gift for tracking serial killers who brought Hannibal Lecter to justice; however, his confrontation with Lecter proved to be a bloody, near-death experience, and afterward Graham retired from the Bureau, moving to Florida to spend his time with his wife, Molly (Mary-Louise Parker), and their son. However, a particularly grisly killer is on the loose, and Jack Crawford (Harvey Keitel), Graham’s one-time mentor at the Bureau, asks him to return to duty to find him. The “Tooth Fairy” is a vicious murderer who kills entire families at once, covering the eyes of his victims with bits of a shattered mirror. Graham finds he needs help putting together the pieces of the “Tooth Fairy” case, and he calls upon Lecter looking for advice. Lecter, at once vaguely helpful and self-serving, as usual, offers scraps of information to Graham which help him zero in on the killer. But Lecter knows more than he’s telling; the “Tooth Fairy” is actually Francis Dolarhyde (Ralph Fiennes), a troubled and withdrawn man who admires Lecter’s violent panache and corresponds with him. Dolarhyde works at a film processing lab, where one of his co-workers, a blind woman named Reba McClane (Emily Watson), seems to be quite attracted to him. As Dolarhyde wrestles with both his murderous impulses and his feelings for McClane, Lecter plays Graham and Dolarhyde against one another so that, as the FBI agent comes closer to catching “the Tooth Fairy,” Dolarhyde moves in on his next victim — Graham’s family. Red Dragon marked the second time Harris’ novel of the same name had been brought to the screen; five years prior to The Silence of the Lambs, Michael Mann adapted the book for the screen as Manhunter, which starred William Petersen as Graham and Brian Cox as Lecter.

Bill Paxton, Helen Hunt and Carey Elwes may be billed as the stars of Twister, but the film’s real attractions are the cyclones themselves. Best experienced in a theater, the nail-biting, blow-the-audience-out-of-their-seats computer generated graphics, cutting edge sound and other special effects are designed to take viewers straight into the roaring funnel of a gigantic tornado. In order to focus on special effects and action, the story is simple and the characters are drawn in broad strokes with little depth. Jo Harding (Hunt) became a storm chaser (a meteorologist who photographs and scientifically studies tornadoes in the field) after a large twister sucked her hapless daddy into oblivion when she was a girl. Bill (Paxton) was a storm chaser too, but left to become a successful weatherman. His change of profession ruined his marriage to Jo. Before separating, the Hardings invented DOROTHY, a gizmo designed to release thousands of tiny sensors when a tornado passes over it. The Hardings hope the information transmitted by the sensors will provide insight into the nature of the whirling windstorms. Backed by a large corporation, the villainous Dr. Jonas Miller (Elwes) has created a similar machine. Neither gadget has been field tested and both groups of storm chasers are anxious to find tornadoes. At the peak of the worst twister season in decades, Bill shows up at Jo’s truck with his prissy fiancee Melissa (Jami Gertz) so Jo can sign divorce papers. Suddenly a twister is spotted. With little hesitation, Bill rejoins the mad rush to reach it in time to activate DOROTHY. Jonas and his team are right behind them. Throughout the day the storms become worse and the rivalrous race becomes more intense. As they continue facing incredible dangers together Jo and Bill find renewed love while poor Melissa finds only an intense desire to get away from these storm-obsessed lunatics.

Adam Sandler and Emily Watson star in Punch-Drunk Love, an odd romantic comedy from gifted young director Paul Thomas Anderson. Sandler plays Barry Egan, a shy sad-sack with a great deal of repressed anger that occasionally bursts forth in sudden violent outrages, who falls in love with Lena Leonard (Emily Watson), a co-worker of one of Barry’s seven sisters. After calling a phone-sex line, Barry is extorted by bad-guy Dean Trumbell (Anderson regular Philip Seymour Hoffman), who eventually sends four goons to assault Barry and get the money. This film was screened in competition at the 2002 Cannes Film Festival, where Paul Thomas Anderson was named Best Director.