Bovie Movie

The DVD of Goodfellas has got to be one of the very first DVDs ever released by Warner Brothers because they make a critical error in the release. While many films offer widescreen on one side and full screen on the other, this film offers only one version — a widescreen film broken into two sides. Viewers have to flip the DVD over to watch the second half of the film; 19 chapters are on side A and the last 15 chapters are on side B. Goodfellas is a classic film, and the DVD offers a great video transfer and excellent Dolby Digital 5:1 Surround, but no DVD fan will accept the two-sided format. In terms of extras, there are very few, limited only to theatrical trailers, production notes, and cast bios. For many, this Martin Scorsese classic is a must-have for any collection, but those who can wait for a future, corrected release of this film are better off watching the widescreen VHS tape. Language option in English and French and subtitles in English, French, and Spanish.

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter’s congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn’t cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital’s compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital’s emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed.

Point of Origin, produced by HBO, marks the feature directorial debut of accomplished cinematographer Newton Thomas Sigel (Three Kings, X-Men). The film is based on an actual serial arson investigation that took place in Glendale, CA, in the late ’80s and early ’90s. Ray Liotta stars in the film as John Orr, a skilled arson investigator with a sixth sense for finding the “point of origin,” the place where a fire was started. Orr also has a knack for locating the devices used to start the fires. Keith Lang (John Leguizamo), his ambitious young prot?g?, calls Orr “Professor.” Orr is stumped by a series of big fires, some fatal, which seem to have been set by the same arsonist. A commission is appointed to investigate the case, headed up by ATF agent Mike Matasso (Colm Feore) and fireman Mike Camello (Cliff Curtis). Orr uses his influence to get Lang appointed to the panel. But Matasso and Orr are immediately at odds with each other, as the ATF man seems to resent Orr’s efforts to maintain control of the investigation. Orr is also dealing with his troubled marriage to Wanda (Bai Ling) and is having an affair with the volatile Kate (Illeana Douglas). As he gets deeper into the case, trying to get inside the head of the criminal, Orr begins to worry that the arsonist has some kind of personal involvement with him. Then the commission uncovers a link to an earlier string of fires, and uncovers evidence that the arsonist may actually be a fireman. The actual investigators, Matasso and Camello, have cameos in the film, and Camello also served as one of the film’s technical advisors. These events were also the basis for Joseph Wambaugh’s book Fire Lover: A True Story.

A mismatched group of bored suburbanites longing to escape the stress of their daily lives and embrace the freedom of the open road finds that it takes more than polished chrome and leather jackets to truly experience the biker lifestyle in this revved-up road comedy starring John Travolta, Tim Allen, Martin Lawrence, and William H. Macy. Upon trading the comfort of their couches for the thunderous rumble of two-wheeled street machines, these four adventurous riders cross paths with the notorious Del Fuegos — an authentic biker gang that doesn’t take kindly to the weekend warrior type.

When a shifty magician turns state’s evidence against a Las Vegas underworld heavy, the high price placed on his head sparks a fevered race to rub the snitch out and collect a tidy paycheck in Narc director Joe Carnahan’s dark action comedy. Buddy “Aces” Israel (Jeremy Piven) is a small time scammer who has somehow managed to get the goods on big time mobster Primo Sparazza. Upon discovering that Buddy is about to deliver the evidence needed to get him thrown in jail for life, Primo takes out a sizable contract on Buddy that entices every two-bit thug, grizzled bounty hunter, deadly vixen, skilled assassin, and ladder-climbing Mafioso within a hundred mile radius into taking a shot at the prize. Now holed up in his luxurious Lake Tahoe hideout with only two FBI Agents (Ryan Reynolds and Ray Liotta) standing between him from a virtual army of money-hungry rogues, Buddy is about to found out just how far this motley crew of killers is willing to go in order to take him out and hit the jackpot. Ben Affleck, Jason Bateman, Andy Garcia, Alicia Keys, and Martin Henderson co-star in a bullet-strewn, ensemble crime comedy that never stops to reload.

Writer/director Paul Schrader explored his well-documented interest in film noir with this modern-day crime story. A horribly disfigured man named Manuel Esquema (Joseph Fiennes) is called upon to help out Mark Brice (Ray Liotta), a former city councilman in a wealthy New York community. Brice has been accused of some serious financial irregularities, and Esquema is the sort of “fixer” who might be able to make his problems go away. Mark, however, doesn’t recognize Esquema as the former Alan Ripley, who was working as a towel boy at the Florida resort where Mark and his wife Ella (Gretchen Mol) were honeymooning shortly after their marriage. Alan became obsessed with Ella the moment he saw her, and before long the two were engaged in a torrid affair. Ripley urged Ella to leave Mark for him, but she refused; Ripley followed them to New York, and when Ella eventually confessed her infidelity to Mark, he responded by shooting off half of Alan’s face. Alan survives and builds a new (and sinister) life for himself, but when Mark hires Esquema to help him, the former Alan’s obsession with Ella blooms anew. Forever Mine was screened in competition at the 1999 Toronto Film Festival.

After the little white lies of Romy and Michele’s High School Reunion (1997), director David Mirkin focuses on scheming of a different sort in Heartbreakers. Sigourney Weaver and Jennifer Love Hewitt play Max and Page Conners, a mother and daughter who share everything with each other: relationship advice, hair and makeup hints, and the money they win in costly divorce settlements with rich men. When the film opens, the Conners are putting the finishing touches on conning Dean (Ray Liotta), an auto-body shop owner. When the dust from that scam clears, Page announces she’s ready to move away from her mother and set up shop on her own — but in order to clear an outstanding debt, Max insists they bankrupt one more bachelor together. They settle upon phlegmatic Palm Springs widower William B. Tensy (Gene Hackman), a chain smoker with a heart of gold and a similarly bountiful bank account. Only two things stand in their way: Tensy’s Teutonic caretaker Miss Madress (Nora Dunn) and beachfront bartender Jack (Jason Lee), a wry stargazer with whom Page becomes unexpectedly smitten. Heartbreakers is the third collaboration from writers Steven Mazur and Paul Guy, whose previous screwball comedy was 1997’s international hit, Liar Liar.

Based on the controversial sequel novel of the same name, Hannibal is the much-anticipated follow-up to the Oscar-winning The Silence of the Lambs (1991). Anthony Hopkins returns as Dr. Hannibal Lecter, one of the world’s most cunning and feared serial killers, who resurfaces after a decade in hiding to toy with FBI agent Clarice Starling (Julianne Moore). As Starling’s career flounders thanks to a drug bust gone wrong, Lecter attempts to elude a greedy Italian police detective (Giancarlo Giannini) who’s willing to alert the authorities to his presence in Florence for a price. In the meantime, a maimed but wealthy former victim of Lecter’s named Mason Verger (Gary Oldman) plots to get his revenge on the doctor in a most unusual and grisly fashion. The novel by Thomas Harris was adapted for director Ridley Scott by David Mamet and Steven Zaillian.

Ten strangers are brought together during a weather emergency, only to discover a far greater danger awaits them in this suspense-drama. A sudden rainstorm in a remote desert town strands a disparate variety of people at a rundown motel. A convict sentenced to death, Malcolm Rivers (Pruitt Taylor Vince), is stuck in transit with his lawyer (Alfred Molina). Ginny and Lou (Clea DuVall and William Lee Scott) are a not-especially-happy pair of young marrieds on their honeymoon. Ed (John Cusack) is a bright and resourceful chauffeur working for actress Caroline Suzanne (Rebecca De Mornay). George York (John C. McGinley) is a concerned husband trying to find help for his wife (Leila Kenzle, who was struck by Caroline’s limo. Paris (Amanda Peet) is a prostitute who wants to move on to a better life. And Rhodes (Ray Liotta) is a police detective who has in his custody Robert Maine (Jake Busey), a dangerous and deranged criminal. As the rain pours down and motel manager Larry (John Hawkes) tries to care for his customers, one by one the unexpected guests begin losing their lives at the hands of a murderer. As the body count mounts, the stranded travelers struggle to find out who the killer is; however, they also learn each of them has a secret, and that their arrival at the motel has not been a matter of mere chance.

In this made-for-TV actioner, a stray bullet forced a secret service agent into a wheelchair and early retirement. Much of the story centers on his attempts to adjust to his new life. The rest chronicles his revenge against the gangster that destroyed his life.