Bovie Movie

When Todd Anderson (Storm P) signs a 30-million-dollar contract with the New Jersey Nets after being named the number one NBA draft pick of the year, his mother (Jenifer Lewis) vows to prevent her son from forgetting his roots. Not used to balancing his new life with his old, Todd mistakenly invites family and friends from his old neighborhood to his multi-million-dollar house for a cookout on the same day of an important endorsement interview. Though his extravagant family cookouts were welcome at his old digs, Todd’s stuffy new neighbors — particularly the conservative Republican Judge Halsted Crowley (Danny Glover) — are less than thrilled with the arrival of Todd’s massive family. Complicating the situation further is the eccentric neighborhood security guard (Queen Latifah), who takes on the heady assignment of ensuring that none of the private community’s rules are broken, as well as two thugs who, determined to get an autographed pair of sneakers, hold up the cookout at gunpoint. Directed by Lance Rivera, The Cookout also features performances from Ja Rule, Eve, Farrah Fawcett, and Jonathan Silverman.

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

Hyperactive mayhem results when a mild-manned banker discovers an ancient mask that transforms him into a zany prankster with superhuman powers in this special-effects-intensive comedy. The wildly improvisational Jim Carrey plays Stanley Ipkiss, a decent-hearted but socially awkward guy who one night finds a strange mask. Carrey’s trademark energy reveals itself after Stanley puts on the mask and the banker transforms into The Mask, a green-skinned, zoot-suited fireball. The rubber-faced Mask possesses the courage to do the wild, fun things that Stanley fears, including romancing Tina Carlyle (Cameron Diaz). In addition to Carrey’s physical talents, the film makes effective use of digital visual effects that bestow the Mask with superhuman speed, insane flexibility, and popping eyes out of a Tex Avery cartoon. The larger narrative, involving the efforts of Tina’s gangster boyfriend to destroy Stanley and use the mask’s powers for evil, prove less interesting than the anarchic comic set pieces, including a particularly memorable dance number to “Cuban Pete.” The film delivered enough laughs to become a surprise hit and, along with the same year’s Dumb and Dumber, establish Carrey’s status as a comedy superstar.

Director David Fincher’s dark, stylish thriller ranks as one of the decade’s most influential box-office successes. Set in a hellish vision of a New York-like city, where it is always raining and the air crackles with impending death, the film concerns Det. William Somerset (Morgan Freeman), a homicide specialist just one week from a well-deserved retirement. Every minute of his 32 years on the job is evident in Somerset’s worn, exhausted face, and his soul aches with the pain that can only come from having seen and felt far too much. But Somerset’s retirement must wait for one last case, for which he is teamed with young hotshot David Mills (Brad Pitt), the fiery detective set to replace him at the end of the week. Mills has talked his reluctant wife, Tracy (Gwyneth Paltrow), into moving to the big city so that he can tackle important cases, but his first and Somerset’s last are more than either man has bargained for. A diabolical serial killer is staging grisly murders, choosing victims representing the seven deadly sins. First, an obese man is forced to eat until his stomach ruptures to represent gluttony, then a wealthy defense lawyer is made to cut off a pound of his own flesh as penance for greed. Somerset initially refuses to take the case, realizing that there will be five more murders, ghastly sermons about lust, sloth, pride, wrath, and envy presented by a madman to a sinful world. Somerset is correct, and something within him cannot let the case go, forcing the weary detective to team with Mills and see the case to its almost unspeakably horrible conclusion. The moody photography is by Darius Khondji; the nauseatingly vivid special effects are by makeup artist Rob Bottin, best known for more fantasy-oriented work in films like The Howling (1981).

This crime comedy from director Craig Singer is the filmmaker’s third independent feature and his second outing with screenwriter Robert Dean Klein and star Gary Stretch, who had contributed to 2001’s Dead Dogs Lie, Singer’s sophomore effort. Stretch plays Ronnie, a hitman who, three years prior, vouched for his pal and fellow contract killer, August, played by Michael Rapaport (Zebrahead, Mighty Aphrodite). Unfortunately for Ronnie, over the years, August has gotten himself into some trouble and made a few enemies. Now, over the course of one day, Ronnie has to somehow clean up all of August’s messes or both men will be facing the consequences of their unhappy bosses. In addition to Frank Whaley and Seymour Cassel, the supporting cast boasts a bevy of 1980s artifacts including Ralph Macchio, Robin Givens, Deborah Harry, and Ally Sheedy. A Cold Day in August screened at Robert De Niro’s 2003 Tribeca Film Festival under the title A Good Night to Die.