Bovie Movie

Combining drama, comedy, and romance, Jerry Maguire was a critical and commercial success built on an original script by writer/director Cameron Crowe and an Oscar-nominated performance by Tom Cruise. Jerry Maguire (Tom Cruise) is an agent with a major sports management firm. He’s enthusiastic, successful, a great negotiator and people like him. But it begins to dawn on Jerry that there’s something wrong with what he’s doing, and not long after a troubling encounter with the son of an injured athlete he represents, Jerry has a serious crisis of conscience. In the midst of a sleepless night, Jerry writes a memo calling on himself and his colleagues to think more about the long-term welfare of the clients they represent and less about immediate profits. While everyone around him applauds the sentiment, Jerry’s superiors think his ideas are bad for business; Jerry is fired, and, rather than standing in solidarity with him, his “friends” in the firm scramble like sharks to claim Jerry’s clients. At the end of his last day, the only people willing to join Jerry as he strikes out on his own are staff accountant Dorothy (Renee Zellweger), a single mother secretly in love with him, and Rod Tidwell (Cuba Gooding Jr.), a football player whose pride and arrogance have gotten in the way of his reaching his potential. Jerry Maguire earned an Academy Award for Cuba Gooding Jr.’s performance as Tidwell and provided a breakthrough role for Renee Zellweger; it also made “Show me the money!” an unavoidable catchphrase for several months.

Taking home a paycheck that nearly rivals the budget of the first film, Reese Witherspoon reprises the role of Elle Woods in this sequel to 2001’s surprise blockbuster Legally Blonde. When she’s fired from her job at an upscale law firm for voicing her stance against the testing of cosmetics on animals, Elle heads to Capitol Hill to fight for her cause before Congress, leaving her boyfriend, Emmett (Luke Wilson, reprising his role from the film’s predecessor), behind. Once there, she runs into plenty of adversity and red-tape and can’t seem to find anyone who will listen to her proposals. While staying at the Watergate hotel though, she meets and befriends an elderly bellman (Bob Newhart in his first theatrical role since 1997’s In & Out) who’s been around politicians long enough to know the ins and outs of the political machine. With his help, Elle attempts to convince disillusioned U.S. Representative Rudd (Sally Field) to help her get her voice heard in front of the stodgy old coots of the legislative branch. Directed by Charles Herman-Wurmfeld hot off the success of his critically acclaimed indie comedy Kissing Jessica Stein, Legally Blonde 2: Red, White and Blonde boasts a supporting cast led by Jennifer Coolidge (Best in Show, American Pie) and Regina King (Jerry Maguire, Daddy Day Care).

Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O’Hara. While in Africa looking for authentic decorations for his new night club, O’Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O’Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill’s musical act (he lifts her grand piano while she plays “Beautiful Dreamer”) and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong’s assistant, and an uncredited Irene Ryan as a cocktail-lounge patron.

An unremarkable administrative assistant finds her life going to the dogs both literally and figuratively in actor/screenwriter-turned-director Mike White’s dark comedy drama. An inexplicably cheerful office worker whose somewhat sad excuse for a life seems to revolve around her pet beagle Pencil, Peggy (Molly Shannon) seems to relate better to her four-legged friend than she does to most humans. Most of her person-to-person interaction revolves around doting on other people’s children and treating her co-workers to daily donuts, and Peggy just doesn’t find much solace in the company of her know-it-all sister-in-law Bret (Laura Dern) or her anxiety-prone boss Robin (Josh Pais). When Peggy’s dog Pencil is taken before his time, the devastated dog-lover is wracked with guilt. Now desperate to fill the gaping void that has suddenly opened in her life, Peggy agrees to a date with her gun-nut neighbor Al (John C. Reilly) that ends in disaster when she begins to suspect that the boorish brute may have in fact poisoned her ill-fated pooch. Later, after adopting every dog at the local pound and transforming herself into an overzealous animal-rights activist, the increasingly unhinged Peggy reaches out to asexual activist Newt (Peter Sarsgaard) in a last-grasp attempt at forming a human connection that is met with casual indifference.

Two fathers get a crash course in caring for kids other than their own in this family-friendly comedy. Charlie Hinton (Eddie Murphy) is an advertising executive whose job monopolizes his time, making it difficult for him to stay in touch with his young son, Ben (Khamani Griffin). However, after Charlie and his partner, Phil (Jeff Garlin), are given their pink slips in the wake of a disastrous campaign for a new breakfast cereal, Charlie’s wife, Kim (Regina King), goes back to work, and with the family budget tighter than before, Charlie becomes a stay-at-home dad. After pulling Ben out of an expensive and exclusive daycare center run by the humorless Gwyneth Harridan (Anjelica Huston), Charlie comes up with a brainstorm — since he and Phil watch their own children every day, how much harder could it be to watch a few more kids and open their own day care center? Charlie and Phil discover there’s much more to running a daycare center than they ever imagined, but after a very rough start, with the help of likable slacker Marvin (Steve Zahn) their new business becomes a success — so much so that Harridan finds herself losing customers to the upstart fathers, and she starts searching for a way to shut them down.

The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its “innocent man accidentally caught up in political corruption” story from such films as Francis Ford Coppola’s The Conversation, Alfred Hitchcock’s The Man Who Knew Too Much, and Sydney Pollack’s Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn’t know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel’s murder. Since Dean isn’t up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell’s 1984 mantra “beware of big brother,” as Dean realizes that in the modern world, there is no such thing as total privacy.

Cute but geeky high-school student Samantha Martin (Hilary Duff) is knocked off her feet by her father’s untimely death, which leaves his diner and Samantha’s well-being in the care of Fiona (Jennifer Coolidge), Sam’s thoroughly wicked stepmother. Not one to take on such menial tasks as dishwashing and mopping floors, Fiona exploits Sam’s dependence as a method of hoisting any dirty work off her own shoulders. School is hardly a break for Samantha, particularly when Shelby (Julie Gonzalo) is around; spoiled, wealthy, and popular, Shelby treats Samantha nearly as badly as Fiona does. Samantha’s life is irrevocably changed, however, by two events: a makeover of epic proportions and a sudden electronic correspondence with a mysterious young man. Due to a misplaced cell phone and a series of fateful coincidences, Samantha and her Prince Charming develop a romance through text messages and e-mails, and ultimately promise to meet face-to-face at the biggest school dance of the year. Of course, getting there doesn’t go smoothly, and Samantha may miss her chance to meet her dream date — none other than Austin (Chad Michael Murray), the most popular boy in school.