Bovie Movie

Pat Proft directed this satire on The Fugitive with a plot parody of the 1993 Harrison Ford movie, which in turn was inspired by the 1963-67 ABC television series with David Janssen. Violinist Ryan Harrison (Leslie Nielsen) romances the wife (Kelly Le Brock) of his benefactor (Michael York), a man murdered by mercenaries. Naturally, Ryan gets blamed. Headed for Death Row, he’s on a bus involved in a train accident and escapes in order to locate the real killer — a one-armed, one-legged, one-eyed man. Tracking Ryan is Lt. Fergus Falls (Richard Crenna). Other movies lampooned here include Titanic, Clear and Present Danger, Chinatown, Mission Impossible, and North by Northwest.

The third entry in the ultra-macho Rambo action movie series finds muscle-bound warrior John Rambo (co-writer and star Sylvester Stallone) refusing a request from his former Vietnam superior, Green Beret Colonel Trautman (Richard Crenna). Trautman is to lead a mission to aid the mujahedeen rebels fighting the Soviet invasion of Afghanistan, but the Buddhist Rambo turns his friend down. When the mission goes awry and Trautman is subsequently captured and tortured within a prison fortress, Rambo launches a rescue effort of his own, armed with his trademark bow and exploding arrows. Along the way, he allies himself with the freedom fighters and runs afoul of the villainous Russian commander Zaysen (Marc de Jonge). At the time of its release, Rambo III — released in the same month in 1988 that Russian troops began withdrawing from Afghanistan — was the most expensive film ever made, at $63 million.

Wait Until Dark is an innovative, highly entertaining and suspenseful thriller about a blind housewife, Susy Hendrix (Audrey Hepburn). Independent and resourceful, Susy is learning to cope with her blindness, which resulted from a recent accident. She is aided by her difficult, slightly unreliable young neighbor Gloria (Julie Herrod) with whom she has an exasperated but lovingly maternal relationship. Susy’s life is changed as she is terrorized by a group of criminals who believe she has hidden a baby doll used by them to smuggle heroin into the country. Unknown to Susy, her photographer husband Sam (Efrem Zimbalist Jr.) took the doll as a favor for a woman he met on an international plane flight and unwittingly brought the doll to the couple’s New York apartment when the woman became afraid of the customs officials. Alone in her apartment and cut-off from the outside world, Susy must fight for her life against a gang of ruthless criminals, led by the violent, psychotic Roat (Alan Arkin). The tension builds as Roat, aided by his gang, impersonates police officers and friends of her husband in order to win Susy’s confidence, gaining access to her apartment to look for the doll. The climax of the film, a violent physical confrontation between Susie and Roat in her dark kitchen, is one of the most memorable and frightening scenes in screen history. All performances are outstanding, particularly those of Audrey Hepburn who plays a vulnerable, but self-reliant woman, and Alan Arkin, in perhaps his best role, as the ruthless, manipulative Roat.

Movie references, sight gags, silly puns, and double entendres abound in Hot Shots! Part Deux, Jim Abrahams’ sequel to Hot Shots — only now the object of the skewering is the Stallone Rambo movies instead of Top Gun. Charlie Sheen returns as the lunk-headed Topper Harley, who has retreated to a Buddhist monastery after being dumped by Ramada Rodham Hayman (Valerie Golino). In this far-off retreat, the monks have “taken a vow of celibacy, just like their fathers and their fathers before them.” But Topper bulks up and goes back into action when his superior officer, Colonel Denton Walters (Richard Crenna) is captured by a Saddam Hussein look-alike, missing somewhere between “Iraq and a Hard Place.” Topper charges into Iraq (after barreling through a Beverly Hills barbecue) along with sexy CIA operative Michelle Rodham Huddleston (Brenda Bakke) in tow, his guns ablazing.