Bovie Movie

Mimi Leder (The Peacemaker) directed this science-fiction disaster drama about the possible extinction of human life after a comet is discovered headed toward Earth with the collision only one year away. Ambitious MSNBC reporter Jenny Lerner (Tea Leoni) stumbles onto the story, prompting a White House press conference. United States President Beck (Morgan Freeman) announces the government’s solution: a team of astronauts will travel to the comet and destroy it. The team leader aboard the spaceship Messiah is Spurgeon Tanner (Robert Duvall), who was once the last man to walk on the moon. However, the mission fails, splitting off a chunk of the comet, now due to land in the Atlantic with the impact sending a 350-foot tidal wave flooding 650 miles inland, destroying New York and other cities. The larger part of the comet, hitting in Canada, will trigger an E.L.E. (Extinction Level Event), not unlike a “nuclear winter” as dust clouds block out the sun and bring life to an end. President Beck reveals Plan B: a cavernous underground retreat constructed to hold one million Americans, with most to be selected through a national lottery. Since teenage amateur astronomer Leo Biederman (Elijah Wood) discovered the comet, his family gets a pass to enter the cave, but his girlfriend Sarah (Leelee Sobieski) and her parents will be left behind. Meanwhile, still in space, Spurgeon Tanner devises a plan for a kamikaze-styled operation that could possibly save the Earth. Special visual effects by Scott Farrar and Industrial Light & Magic.

A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter’s congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn’t cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital’s compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital’s emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed.

Robert Altman directed this John Grisham tale that begins at a party where Savannah attorney Rick Magruder (Kenneth Branagh) celebrates his successful defense of a man who shot a local cop. The partygoers include his ex-wife Leeanne (Famke Janssen), the mother of his two children; his law partner Lois Harlan (Daryl Hannah); and caterer Mallory Doss (Embeth Davidtz). After Mallory finds her car stolen, Rick gives her a ride home where things turn sexual. Attracted to Mallory, he learns that her crazed father Dixon Doss (Robert Duvall) has been threatening her. Getting too closely involved with this woman he hardly knows, Rick has the police round up her unstable father, and he next subpoenas her ex-husband Pete (Tom Berenger) to testify against Dixon, who is institutionalized.

The crazed Dixon manages to escape from the asylum, intent on revenge against all his betrayers and enemies. As a potent hurricane blows into Savannah, Mallory’s car is torched, and Rick receives threats. Believing his children are in danger, Rick removes them from school, prompting a warrant for his arrest. When his children disappear, Rich goes on the counterattack against Dixon. Chinese cinematographer Changwei Gu (of Chen Kaige’s Farewell My Concubine and Zhang Yimou’s Ju Dou) captured the soaked Savannah sites. The script is not an adaptation from a John Grisham novel; Grisham wrote it as an original screenplay just before the success of The Firm (1993), and it was acquired by producer Jeremy Tannenbaum. After Island Pictures came into the project at $1.4 million, Grisham returned for rewrites. Altman did even more drafts, so the pseudonym Al Hayes was created as the scripting credit. When Polygram suggested to Altman that the electronic score could be replaced with a traditional score, Altman had friends call reporters to say he had been dismissed. Polygram began re-editing the $25 million movie, but their edit didn’t test much better than Altman’s version, so they handed the reins back to Altman.

In this action thriller, a master car thief has his skills pushed to the limit. Randall “Memphis” Raines (Nicolas Cage) can steal practically any car that crosses his path. While he has done well in his life of crime, he knows that there’s a short future in theft, and he wants to get out of the business. But his retirement plans are interrupted when his younger brother Kip (Giovanni Ribisi) gets in trouble with a dangerous crime boss. To get his brother out of harm’s way, Randall agrees to a profitable but risky scheme to steal 50 luxury cars in one night, with the help of several other car thieves, including Sara “Sway” Wayland (Angelina Jolie). A rival group of thieves is trying to pull the same stunt at the same time, and detectives Castlebeck (Delroy Lindo) and Drycoff (Timothy Olyphant) are trying to shut down both operations. Also starring Robert Duvall as Otto Halliwell, and Scott Caan as Tumbler, Gone in Sixty Seconds is a remake of the 1974 low-budget action hit of the same name, best remembered for a 40-minute chase scene in which 90 cars were destroyed.

In this science-fiction thriller set in the very near future, DNA cloning has been perfected and has become an accepted part of everyday life — cattle and fish are cloned for sale at the market, genetically engineered fruit and vegetables are found in most family’s kitchens (nacho-flavored bananas, anyone?), and if your pet dies, you can even order a cloned replacement. But laws have been passed that strictly forbid the cloning of human beings. However, helicopter pilot Adam Gibson (Arnold Schwarzenegger), who believes people should live and die the old-fashioned way, discovers that someone has been violating these regulations. After Adam luckily avoids being on a copter that crashes, he comes home to discover someone has duplicated him. Now Adam is on a mission to find out who cloned him and why, as he struggles to take back his life from a scientifically created impostor, his boss Michael Drucker (Tony Goldwyn), and a pair of thugs (Sarah Wynter and Rod Rowland) who have been cloned into near-indestructibility. The 6th Day also stars Robert Duvall as cloning expert Griffin Weir, Michael Rooker as Drucker’s right-hand man Robert Marshall, and Michael Rapaport as Adam’s partner, Hank Morgan.

Kevin Costner stars in and directs the Western Open Range. Robert Duvall stars as Boss Spearman, a rugged old-timer who free-grazes cattle. He and Charley Waite (Costner) have been partners for ten years. As the film opens in the 1880s, the pair and their employees — the beefy, rugged, likable Mose (Abraham Benrubi) and the impetuous Mexican teenager Buttons (Diego Luna) — are driving cattle across the West. Mose is attacked and thrown in jail during a visit to a town. The local cattle rancher Baxter (Michael Gambon) wants the free grazers off his land and warns Charley and Boss when they retrieve Mose that they have until the next day to be out of the area. Boss decides to fight back, especially after Baxter’s men do harm to the foursome. Charley confesses his past as a killer during the Civil War and strikes up a tentative romance with Sue Barlow — the sister of the town doctor. The film’s centerpiece is an extended gunfight between the duo (with some assistance from sympathetic townsfolk) and Baxter’s hired gunmen.

The directorial debut from Jason Reitman, the media satire Thank You for Smoking stars Aaron Eckhart as Nick, a man who has turned spinning news and information into a successful career for the tobacco lobby. He plots strategies with his colleagues (Maria Bello and David Koechner) on how to make other dangerous products more appealing to the American public. Nick ends up going to Hollywood with his young son (Cameron Bright) in order to get a movie producer to include characters smoking in his newest film. Nick is kidnapped by a vigilante group concerned about the harmful nature of his product. The cast includes William H. Macy as a Senator who runs on a strong anti-tobacco position, Rob Lowe as the Hollywood bigwig, and Robert Duvall as the king of the tobacco industry. The film is an adaptation of the novel of the same name by Christopher Buckley.

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola’s Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz’s compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz’s insane dictum to “Drop the Bomb. Exterminate them all.” Coppola himself was not certain either, and he tried several different endings between the film’s early rough-cut screenings for the press, the Palme d’Or-winning “work-in-progress” shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker’s Apocalypse. Despite the studio’s fears and mixed reviews of the film’s ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall’s psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro’s cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a “godfather” or “don,” the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family “business.” A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones’ political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael’s life. Sonny is also butchered, having been betrayed by Connie’s husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family’s power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels.

A professional poker player whose astounding luck at the table fails to translate into his lonesome love life attempts to win the World Series of Poker while simultaneously earning the affections of a beautiful Las Vegas singer in a high-stakes emotional drama from L.A. Confidential director Curtis Hanson and Munich screenwriter Eric Roth. When his personal problems threaten to distract him from what could be his biggest win ever, seasoned poker pro Huck Cheever (Eric Bana) finds comfort in the company of singer Billie Offer (Drew Barrymore). Upon preparing for the biggest card game in the country, however, Huck soon realizes that his problems have only just begun when he finds that his opponent at the table will be none other than his estranged father, L.C. (Robert Duvall), a poker legend whose mythical reputation makes him a more than worthy opponent for his troubled son.