Bovie Movie

What if virtual reality wasn’t just for fun, but was being used to imprison you? That’s the dilemma that faces mild-mannered computer jockey Thomas Anderson (Keanu Reeves) in The Matrix. It’s the year 1999, and Anderson (hacker alias: Neo) works in a cubicle, manning a computer and doing a little hacking on the side. It’s through this latter activity that Thomas makes the acquaintance of Morpheus (Laurence Fishburne), who has some interesting news for Mr. Anderson — none of what’s going on around him is real. The year is actually closer to 2199, and it seems Thomas, like most people, is a victim of The Matrix, a massive artificial intelligence system that has tapped into people’s minds and created the illusion of a real world, while using their brains and bodies for energy, tossing them away like spent batteries when they’re through. Morpheus, however, is convinced Neo is “The One” who can crack open The Matrix and bring his people to both physical and psychological freedom. The Matrix is the second feature film from the sibling writer/director team of Andy Wachowski and Larry Wachowski, who made an impressive debut with the stylish erotic crime thriller Bound.

Three brothers who would argue that crime does pay have a hard time getting their fair share of the proceeds in this witty action thriller from Australia. Dale Twentyman (Guy Pearce) and his brothers, Mal (Damien Richardson) and Shane (Joel Edgerton), are serving time together in prison for robbery. Dale is the brains and the cool head of the group, Mal is the eager-to-please nice guy, and Shane is something of a loose cannon. Dale and his siblings are eager to get out of jail, and their lawyer, Frank Malone (Robert Taylor), has pulled a deal that could pare some time off their sentences, though the arrangement is strictly off the books. Mick Kelly (Vince Colosimo) and Jack O’Riordan (Paul Sonkkila) are a pair of crooked police detectives who have arranged with Malone to give the Twentyman brothers day passes from jail in order to pull bank robberies, with the siblings’ share held in escrow until they’re released. Dale thinks something a bit off in this operation, and his suspicions are confirmed when Malone tells the brothers after they’re granted their early release that they won’t get their money until they pull one last job — an ambitious robbery at a Melbourne race track on the day of the nation’s biggest horse race. Dale is convinced he smells a rat — especially since he has good reason to suspect that Malone is having an affair with his wife, Carol (Rachel Griffiths). The Hard Word marked the directorial debut for writer/director Scott Roberts.

Family differences and personal grudges add drama to an already tense situation as the lives of a team of mountain climbers hang in the balance in this action drama. Peter Garrett (Chris O’Donnell) and his sister Annie (Robin Tunney) are the children of Royce Garrett (Stuart Wilson), an avid outdoorsman and climbing enthusiast who died when an accident left all three hanging from a single rope; Royce ordered Peter to cut him loose to save the lives of his kids, even though he knew it would mean his death. Years later, Peter has given up climbing and become a respected nature photographer, while Annie, who holds Peter responsible for her father’s death, is a famous world-class mountain climber who is hired by Elliot Vaughn (Bill Paxton), a self-made billionaire, to help him scale K2, a mountain in the Himalayas that’s the second-highest peak in the world. In the midst of the climb, dangerous weather strikes, and Elliot, Annie, and their crew find themselves trapped in a cavern that’s been sealed tight by an avalanche. Peter, who is near K2 working on an assignment, quickly organizes a crew of expert climbers to save Annie and the other mountaineers, who must work under a tight deadline before the trapped climbers run out of air. Peter’s partners in the rescue include beautiful medic Monique (Izabella Scorupco), radical climbers Cyril (Steve Le Marquand) and Malcolm (Ben Mendelsohn), disciplined Pakistani crewman Kareem (Alexander Siddig), and Montgomery (Scott Glenn), an eccentric outdoorsman who has a score to settle with Elliot. While backgrounds were shot on location in Pakistan, most of the climbing sequences in Vertical Limit were actually filmed on mountain ranges in New Zealand.