Bovie Movie

The cynical son of an upper-class New York family bedeviled by booze, pills and mental illness strikes out on his own in this caustic, darkly comic drama. Igby Slocomb (Kieran Culkin) and his older brother, Oliver (Ryan Phillippe), are are in the process of killing their mother, Mimi (Susan Sarandon). Flashbacks delineate Igby’s troubled childhood: Speed-freak Mimi and her depressed husband, Jason (Bill Pullman), snipe at each other endlessly until Jason attempts suicide before Igby’s very eyes and takes up residence in a mental hospital. Igby grows into a rebellious youth, gets kicked out of several boarding schools and ends up in a hellish military academy. After one failed escape attempt, he heads to New York City and hides out in the apartment of Rachel (Amanda Peet), the heroin-addled mistress of his godfather, D.H. (Jeff Goldblum). Oliver locates the young scoundrel and informs him that Mimi is suffering from cancer. Unperturbed, Igby continues his slacker existence — and his romance with Sookie (Claire Danes), a hipper-than-thou undergraduate who finds herself torn between Igby and Oliver. As Igby gets drawn further into the mind games and hypocrisy of the adult world, his already jaded outlook grows even darker. He takes to dealing smack and hanging out with a cross-dressing performance “artist” (Jared Harris). Ultimately, though, Mimi’s impending death draws him back into the family fold for unexpected revelations and realizations. Written and directed by first-time filmmaker Burr Steers, Igby Goes Down features Rory Culkin, Kieran’s brother, as the young Igby.

A man whose life has been touched by tragic illness is drawn into the life of another victim whose story has an unsettling twist in this drama. Gabriel Noone (Robin Williams) is a radio talk show host who has developed a loyal following for his deeply personal on-air monologues, many of which deal with his relationship with his companion Jess (Bobby Cannavale), who is HIV-positive and struggling with his health. When Jess’ condition improves, he surprises Gabriel by announcing he needs his space and has decided to break up with him. Gabriel is shaken and feels creatively blocked until Ashe (Joe Morton), a friend in the publishing business, gives him an advance copy of a memoir by Pete Logand (Rory Culkin), a 14-year-old boy living with AIDS. Pete’s book is a harrowing memoir of a childhood fraught with abuse of all sorts meted out at the hands of his parents, and Gabriel is deeply moved by his story. One night, Gabriel gets a phone call from Pete, who claims to be a big fan of his radio show, but the call is cut off by Donna (Toni Collette), Pete’s stern and protective stepmother. While Gabriel admires Pete’s book, he begins to question its veracity, and with the help of Anna (Sandra Oh) tries to research the facts behind the story. As he uncovers more loose ends, Gabriel begins to suspect that Pete isn’t the true author of the work, and that Donna has created his terrible past in the name of literary celebrity. The Night Listener was adapted from the novel by Armistead Maupin.

A determined California detective attempts to crack one of the most mysterious cases in modern crime as the tale of the fearsome Zodiac Killer comes to the screen in director Alexander Bulkley’s cinematic account of the crimes that rocked San Francisco’s Bay Area from December of 1968 to October of the following year. As the citizens of the small California town of Vallejo prepare for their holiday celebrations, the discovery that two teens have been viciously gunned down at a remote lover’s lane leaves the citizens of a once tight-knit community fearing for their lives. In the months that follow the brutal crimes, Vallejo police inspector Matt Parish devotes his entire existence to revealing the identity of the elusive killer and ensuring that no more innocent lives are taken. With pressure from both his superiors and the local press mounting, lack of sufficient evidence and increased tensions at home lead Inspector Parish down a series of frustrating dead-end roads. When the killer strikes yet again, this time shooting a young couple in a darkened parking lot, investigators are shocked to receive a phone call from a man confessing to the crime. A letter sent to the local newspapers by the confessed killer states that if it is not published, a dozen more people will die in the coming weekend. Even more curious, the letter contains a mysterious code that, if deciphered correctly, will supposedly reveal the true identity of the man behind these shocking crimes. Though a suspect is questioned following yet another killing, this time in broad daylight, the frustrated police department fails to make an arrest as the elusive killer continues to taunt both the police and the media with a series of menacing letters.

Following the smash hit The Sixth Sense (1999) and the under-performing follow-up Unbreakable (2000), directing phenom M. Night Shyamalan returns to the summer box office landscape that served as the backdrop for his cinematic breakthrough. In Signs, another paranormal outing for the writer-director, Shyamalan explores the eerie implications of a 500-foot crop circle that mysteriously appears on the Bucks County, PA farm of reverend Graham Hess (Mel Gibson). As Hess and his family (Joaquin Phoenix, Rory Culkin, Abigail Breslin) try to take stock of what the sign means, and how its message incorporates into their faith, they start to get the feeling they are not alone in the fields behind their house. Shyamalan re-teams with producers Frank Marshall, Sam Mercer and Kathleen Kennedy, and produces the project in association with his Blinding Edge Pictures banner and Touchstone Pictures.

Independent filmmaker Jacob Aaron Estes makes his feature debut with the coming-of-age drama Mean Creek. Rory Culkin, Ryan Kelley, Scott Mechlowicz, Josh Peck, Trevor Morgan, and Carly Schroeder are teenagers living in small-town Oregon. Some of the boys take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they’re forced to deal with the unexpected consequences of their actions. Mean Creek was workshopped at the Eugene O’Neill Center’s National Playwrights Conference and premiered at the Sundance Film Festival as part of the American Spectrum program.