Bovie Movie

An idyllic wildlife cruise disintegrates into terror when a party of tourists are stalked by a massive man-eating crocodile. Pete McKell, a cynical American travel writer, joins a disparate group of holiday-makers on a river cruise through the waters of Kakadu National Park. Initially Pete clashes with their tour captain, Kate, a feisty young woman who assumes he is just another ‘city-slicker’ in search of a quick thrill. After an uneventful day cruising the river, Kate is reluctantly persuaded to steer their boat into unexplored territory. They discover a secluded lake but terror strikes when their craft receives a powerful blow from beneath the murky depths and begins to sink. With little choice, she beaches the vessel on the closest dry land -a tiny mud island. With a rising tide and only half an hour of daylight left, fear grips the group as they realize they are trapped in the lair of a ‘rogue’ crocodile, governed only by its need to hunt and kill. Begrudgingly, Pete and Kate join forces to keep hysteria at bay and in the process start to see beyond their initial impressions. Their first attempt to escape fails, but then Pete has an idea - they must trap the crocodile to enable the group to flee to the other side of the island whilst Kate swims for help. Pete volunteers to stand guard, but without warning, the beast breaks free and targets Kate who fails to resurface. As darkness descends and the muddy waters rise, a terrifying struggle ensues with only one probable outcome death.

In the gathering dusk of 18 August 1966, 108 young, inexperienced Australian and NZ soldiers are separated and surrounded, fighting for their lives, holding off an overwhelming force of 2,500 battle-hardened Viet Cong and North Vietnamese soldiers. And, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, with their ammunition running out and another Vietnamese battalion massing for the final assault, the digger’s situation seemed hopeless. Long Tan is the true story of ordinary boys who became extraordinary men.

John Dahl directed this war drama based on the true story of one of the most daring military actions of World War II. In the waning days of World War II, General Douglas MacArthur chose to make good on a pledge that he made in 1942 — that he would return to the Philippines after he and his troops were forced to retreat. However, MacArthur’s determination was more than a matter of pride. Over 500 American soldiers were being held in Cabanatuan, a notoriously brutal prisoner of war camp in the Philippines operated by the Japanese army, and MacArthur wanted to see to it that they made it home. MacArthur chose Lt. Col. Henry Mucci (Benjamin Bratt) to lead the Sixth Ranger Battalion on a mission 30 miles behind enemy lines to infiltrate Cabanatuan and liberate the American prisoners. With the help of Capt. Prince (James Franco), Mucci leads his men on a life-or-death raid against forces known for their savagery. The Great Raid was based on William B. Breuer’s book The Great Raid on Cabanatuan: Rescuing the Doomed Ghosts of Bataan and Corregidor, and also stars Joseph Fiennes, Connie Nielsen, and Marton Csokas.

Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude — it was this X-rated scene and the film’s much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski’s 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski’s version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare’s play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on “the witches of Cawdor.” The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects.