Bovie Movie

In this action thriller, a master car thief has his skills pushed to the limit. Randall “Memphis” Raines (Nicolas Cage) can steal practically any car that crosses his path. While he has done well in his life of crime, he knows that there’s a short future in theft, and he wants to get out of the business. But his retirement plans are interrupted when his younger brother Kip (Giovanni Ribisi) gets in trouble with a dangerous crime boss. To get his brother out of harm’s way, Randall agrees to a profitable but risky scheme to steal 50 luxury cars in one night, with the help of several other car thieves, including Sara “Sway” Wayland (Angelina Jolie). A rival group of thieves is trying to pull the same stunt at the same time, and detectives Castlebeck (Delroy Lindo) and Drycoff (Timothy Olyphant) are trying to shut down both operations. Also starring Robert Duvall as Otto Halliwell, and Scott Caan as Tumbler, Gone in Sixty Seconds is a remake of the 1974 low-budget action hit of the same name, best remembered for a 40-minute chase scene in which 90 cars were destroyed.

Cinema icon Al Pacino joins a powerhouse cast headed by of George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Don Cheadle, Bernie Mac, and series newcomer Ellen Barkin for this, the third installment of director Steven Soderbergh’s popular series of glitzy crime comedies. The only hotelier in Las Vegas who can claim that each and every one of his establishments has earned the Royal Review Board’s Five Diamond Award, Willy Bank (Pacino) has made more than his share of enemies during his impressive ascent. While most of Bank’s adversaries amount to little more than the occasional nuisance, however, this powerful player is about to find out that picking your enemies in Las Vegas can be a true gamble. In betraying Reuben Tishkoff (Elliott Gould), Bank has finally crossed the one man who could bring his entire empire crumbling to the ground — Danny Ocean (Clooney). Now Reuben is in critical condition, and Ocean is determined to strike back at the man who nearly murdered his mentor. Bank may have taken down one of the original Ocean’s Eleven, but his efforts only managed to unite the remaining ten closer than ever before. As the opening of Bank’s newest casino draws near, Danny and the crew set into motion a bold plan to humiliate the cocksure casino owner and forever tarnish his spotless reputation. It won’t be easy, but if Ocean and his team can get their elaborate plan together in time for the opening of The Bank, they just might be able to deliver some serious Las Vegas justice.

A rag-tag group of con artists and ex-cons team up for the heist to end all heists in this high-profile remake of the 1960 Rat Pack favorite. As with its predecessor, Ocean’s Eleven opens with its titular hero Danny Ocean (George Clooney stepping into the Frank Sinatra role) eager for a new challenge. The similarities to the original end there, as Ocean conspires with his old pal Rusty Ryan (Brad Pitt) to rob 150 million dollars from an underground vault that serves three of Las Vegas’ biggest casinos. Between the two of them, they recruit nine other men, each with his own criminal specialty, to assist in the mission: moneyman Reuben Tishkoff (Elliot Gould), card dealer Frank (Bernie Mac), pickpocket Linus (Matt Damon), aging con artist Saul (Carl Reiner), British explosives pro Basher (Don Cheadle), techie Dell (Eddie Jemison), rude-boy brothers Virgil (Casey Affleck) and Turk (Scott Caan), and professional acrobat Yen (Shaobo Qin). What Ocean doesn’t tell the group is that there’s another reason he’s coordinating the heist: the three casinos they’re robbing are all owned by ruthless gambling mogul Terry Benedict (Andy Garcia), who just happens to be married to Ocean’s former love Tess (Julia Roberts). Ocean’s Eleven was updated by scribe Ted Griffin and marked the third feature shot by director Steven Soderbergh under the alias Peter Andrews.

This loosely fact-based oater attempts to mimic the youthful heartthrobs in Western garb formula of Young Guns (1988), as well as the cheeky humor and some plot elements of Butch Cassidy and the Sundance Kid (1969). Colin Farrell stars as Jesse James, who returns home from the Civil War to his small hometown to find that a crooked railroad baron (Harris Yulin) has been illegally forcing the residents from the homesteads to make way for a new rail line. Enraged, James leads a band of outlaws including his brother Frank (Gabriel Macht), Cole Younger (Scott Caan), and Younger’s brothers Bob (Will McCormack) and Jim (Gregory Smith) on a criminal spree of bank robbing. Although their Robin Hood-style tactics soon make them local heroes, the James-Younger gang members find themselves pursued by the dogged Allan Pinkerton (Timothy Dalton), the world’s first “private eye.” Along the way, Jesse also finds romance with Zee Mimms (Ali Larter), the daughter of a local doctor (Ronny Cox).

Director Michael Corrente’s coming-of-age comedy-drama Brooklyn Rules unfurls in 1985, coincident with the early rise of John Gotti. Three young Brooklyn men of Italian-American heritage - Michael Turner (Freddie Prinze, Jr.), Carmine Mancuso (Scott Caan), and Bobby Canzoneri (Jerry Ferrara) - make the pivotal, potentially irreversible choices that will determine their directions in life. The boys’ periodic run-ins with a sadistic mobster-type who rules the neighborhood, Caesar Manganaro (Alec Baldwin suggest the everpresent option of drifting into a career of crime. On the surface, Michael courageously and doggedly bucks this choice, opting instead for the pre-law program at Columbia and a straight-laced romance with blonde-haired, blue-eyed co-ed Ellen (Mena Suvari), yet this path is not as antiseptic as it may seem, for he actually scammed his way into the law program. Meanwhile, Carmine idolizes Caesar, and his desire to emulate this thug not only compromises his own moral integrity, but threatens to jeopardize the stability of Michael’s life as well by drawing him into a sticky web of criminal activity. While the first two men navigate these treacherous paths, the third friend, Bobby, stakes out safer ground with a low-key job at the post office and married life with his intended. Over the course of it all, the boys’ bonds of friendship become stressed and strained given the divergence of their paths.

Greed turns an idyllic vacation into a nightmare in this action drama. Jared Cole (Paul Walker) makes his living salvaging wreckage from ships off the coast of the Bahamas. He shares a rattle-trap trailer home with his girlfriend, Samantha “Sam” Nicholson (Jessica Alba), a shark expert who works at a nearby resort. While both are happy with their lives in the islands, Jared dreams of finding a major score and living the high life. One day, Jared and Sam are paid a visit by Bryce Dunn (Scott Caan), a childhood friend of Sam’s who is now doing very well as a lawyer. Bryce and his girlfriend, Amanda (Ashley Scott), have come to the Bahamas for a few days of diving and fun, and Sam and Jared show them the waters while making use of his yacht. While diving with Sam, Bryce, and Amanda, Jared discovers the wreckage of a plane used to smuggle drugs, and thinks he may have found the big score he’s always dreamed of. While Sam persuades Jared that the cargo is too risky to move, Bryce and Amanda think there’s a fast buck to be made, and team up with Primo (Tyson Beckford), a local underground entrepreneur, to fence the contents of the plane. However, Bryce and Amanda have underestimated just how dangerous Primo and his henchmen can be, and now Sam and Jared must come to their rescue. Into the Blue was directed by John Stockwell, who previously took filmgoers to the seashore with the surfing drama Blue Crush.

Lonely Hearts is a modern film noir in which a lonely woman meets and falls for a man whom she refuses to let go. Alma (Beverly D’Angelo) is a wallflower who lives with her mother and works at a Social Security office. In her desperation to make some sort of social life for herself, she answers a personal ad and meets Frank (Eric Roberts) with whom she falls in love. Frank turns out to be a con man and a swindler, but Alma is obsessed with him. She begins to help him by posing as his sister while he cons other women, until she and Frank are forced to flee when one of the victims hires a private detective. Beverly D’Angelo plays Alma with the perfect mixture of both predator and victim and director Andrew Lane understands and directs his actors well, making Lonely Hearts a very well-thought-out and executed thriller despite a somewhat languid pacing.

Film superstar Nicolas Cage’s directing debut, Sonny follows a very unconventional family as they struggle to overcome personal and financial adversity. Young Sonny (James Franco) returns home to New Orleans from Army service to find his mother Jewel (Brenda Blethyn), a prostitute, in dire financial straits due to her marketability decreasing exponentially as her age increases. Jewel takes heart at her son’s return, however, as she had raised him to be a male prostitute and his mid-’20s vitality should be able to provide a much-needed boost to her family’s income — which until now has primarily been based on Jewel’s boyfriend Henry’s (Harry Dean Stanton) small-time thievery, as well as the income generated by Jewel’s new recruit, Carol (Mena Suvari). Sonny initially scoffs at the thought, having been offered a chance for a legitimate job from his Army buddy (Scott Caan), but when that possibility falls through, Sonny finds he has no choice but to work for his mother.

The action producing-directing team of Jerry Bruckheimer and Tony Scott is back with another thrill-a-minute ride called Enemy of the State. Taking its “innocent man accidentally caught up in political corruption” story from such films as Francis Ford Coppola’s The Conversation, Alfred Hitchcock’s The Man Who Knew Too Much, and Sydney Pollack’s Three Days of the Condor, they turn up the high-tech volume in an attempt to create the ultimate action film. Robert Clayton Dean, played by Will Smith, is a devoted father, husband, and attorney shopping for a sexy gift for his wife. What he doesn’t know is that he was given a videotape from a friend (Jason Lee) regarding the recent murder of a U.S. senator led by corrupt National Security Agency official Thomas Reynolds (Jon Voight). Now Reynolds is after Dean to cover his tracks or, as the audience soon finds out, frame Dean for Rachel’s murder. Since Dean isn’t up on his high-tech gadgetry, he needs the aid of ex-intelligence operative Brill (Gene Hackman). Between the explosions and chases is the subtext of George Orwell’s 1984 mantra “beware of big brother,” as Dean realizes that in the modern world, there is no such thing as total privacy.