Bovie Movie

When a crusading chairperson of the military budget committee pressures the would be Navy secretary to begin full gender integration of the service, he offers the chance for a test case for a female trainee in the elite Navy SEALS commando force. Lt. Jordan O’Niel is given the assignment, but no one expects her to succeed in an inhumanly punishing regime that has a standard 60% dropout rate for men. However, O’Niel is determined to prove everyone wrong.

Truman Capote wrote the ‘non-fiction novel’ from which the film is drawn, using the novelist’s craft to render reality. The reality was that at two a.m. on November 15, 1959 in the rural town of Holcomb, Kansas, the four members of the Clutter family were roused from their sleep, bound and gagged, and then brutally murdered by two unknown assailants. After the latters’ capture, sentencing and imprisonment prior to execution, Capote researched the case thoroughly, spent weeks talking with the prisoners, Perry Smith and Richard Hickock, jurors, police, friends and neighbors, trying to unearth why such a senseless act was committed, and what society’s response might have been.

The film revolves around Park Hee-bong, a man in his late 60s. Park runs a small snack bar on the banks of the Han River and lives with his two sons, one daughter, and one granddaughter. The Parks seem to lead a quite ordinary and peaceful life, but maybe a bit poorer than the average Seoulite. Hee-bong’s elder son Gang-du is an immature and incompetent man in his 40s, whose wife left home long ago. Nam-il is the youngest son, an unemployed grumbler, and daughter Nam-joo is an archery medalist and member of the national team. One day, an unidentified monster suddenly appears from the depths of the Han River and spreads panic and death, and Gang-du’s daughter Hyun-seo is carried off by the monster and disappears. All the family members are in a great agony because they lost someone very dear to them. But when they find out she is still alive, they resolve to save her.

Small-time crook Mickey Rourke is mockingly named Johnny Handsome because of his grotesquely deformed face. While in stir on a robbery rap, Rourke is knifed by convicts in the employ of his former partner–and now bitter enemy–Lance Henriksen. While in the prison hospital, Rourke is cared for by a kindly doctor (Forrest Whitaker), who believes that the key to Rourke’s rehabilitation might be a literal change of face. Undergoing plastic surgery, Rourke emerges as virtually unrecognizable to everyone but the audience. Paroled, Rourke seems to be willing to follow a straight and narrow path. Seems to be. Only Morgan Freeman, playing a hard-bitten law officer, sees through Rourke’s “new leaf.”

Model-turned-actress Charlize Theron leaves her glamorous image behind for this gritty drama, in which she plays a disturbed prostitute who becomes a serial killer. Aileen Wuornos (Theron) was a woman who survived a brutal and abusive childhood in Michigan to become a thick-skinned but emotionally damaged adult. Homeless most of her life, Wuornos subsisted by working as a street prostitute; later, when she was in Florida, down to her last five dollars and pondering suicide, she stopped into a bar for a beer. There, Aileen met Selby Wall (Christina Ricci), a woman in her early twenties who had been sent to live with relatives after her Christian parents became aware of her lesbian lifestyle. Selby is immediately attracted to Aileen, and while Aileen tells Selby she’s never been in a lesbian relationship, she soon finds herself equally infatuated with her. Selby runs away from her family and moves into a cheap hotel with Aileen, who initially pays the bills by hooking. However, as their money runs low and Aileen finds herself unable to land a regular job, tensions mount between the two. One night, after a john attacks her, Aileen pulls a gun and kills the man. Although her first murder can be categorized as self-defense, Aileen’s loathing for the men who pay her for sex becomes so extreme that she begins killing her customers regardless of their behavior. Meanwhile, Selby slowly becomes aware of the full extent of her lover’s instability and the bloody consequences of her actions. Monster was inspired by the true story of Aileen Wuornos, whose life and death was chronicled in two documentaries by filmmaker Nick Broomfield, Aileen Wuornos: The Selling of a Serial Killer, and Aileen: The Life and Death of a Serial Killer.