Bovie Movie

In an adaptation of Choderlos de Laclos’ novel, Les Liaisons Dangereuses, Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are step-brother and step-sister living in Manhattan. With their absent parents travelling in Europe, the wealthy pair have the family penthouse to themselves as they while away their summer break before beginning senior year at a private high school. Sebastian, bad-boy lothario, has apparently slept with all the girls in town and appears numb to it all. Kathryn, who appears to be the good girl class president, is actually far more amoral and malicious than Sebastian, but maintains appearances to the contrary. When she is dumped by her boyfriend, Court Reynolds (Charlie O’Connell), for the innocent Cecile Caldwell (Selma Blair), she schemes revenge by destroying Cecile’s reputation. She challenges Sebastian to deflower Cecile and transform her into a tramp to humiliate Court. Sebastian isn’t as interested as Cecile — she’s spent her whole life in a Catholic girl’s school and presents no challenge. The girl who has caught his attention is Annette Hargrove (Reese Witherspoon), the new headmaster’s daughter. Annette had written an article for Seventeen Magazine on her plans to stay a virgin until she finds her one true love. Kathryn makes a wager. If Sebastian fails to lure Annette into bed before the summer is over, Kathryn gets his car. If he succeeds, Sebastian gets Kathryn, whom he wants anyway. Sebastian accepts the bet, but Annette turns out to be more than either of them bargained for.

1950. Rural Alabama. Cotton harvest. It’s a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone “Pine Top” Purvis. Deep in debt to the liquor man, the chicken man, and the landlord, Tyrone is desperate to lure the young cotton pickers and local Army base recruits into his juke joint, away from Touissant’s, the rival joint across the way. After laying off his regular talent, blues singer Bertha Mae, Tyrone announces to his sidekick Maceo that he has hired the famous electric guitar player, Guitar Sam, for a special one night only gig: pack em in and save the club. On the day of the show, the train arrives and Guitar Sam is no where to be found. Tyrone is forced to take drastic action. He makes a deal with Sheriff Pugh to release Sonny, the kid who hopped off a freight car here in Harmony, and turned up in the club claiming he could play the guitar as well as any Guitar Sam. Tyrone cleans Sonny up and launches a last ditch scheme to pass off the young guitar picker as Guitar Sam just long enough to cut the lights and run off with cash box. When Sonny takes the stage and launches into his first scalding electric licks, Tyrone will learn if it’s lights out for the Honeydripper or if his luck has changed: he might just be another man saved by rock n’ roll. Honeydripper features an all-star cast including Danny Glover, Charles S. Dutton, Lisa Gay Hamilton, Stacy Keach, Mary Steenburgen,Yaya DaCosta and Sean Patrick Thomas; as well as such notable musicians as Keb’ Mo’ and Dr. Mable John. It also introduces a major new talent, Gary Clark Jr. who makes his electrifying film debut as Sonny.

Requiem for a Dream director Darren Aronofsky switches gears from drug-induced urban malaise to abstract science fiction with this time-tripping symbolic tale of a man’s thousand-year quest to save the woman he loves. Moving between representational stories and images, this meditation on life and death focuses on the concept of the mythical Tree of Life that is said to bestow immortality to all who drink of its sap. In one of the film’s allegorical timelines, a 16th century Spanish conquistador played by Hugh Jackman sets out to find the tree in order to save his queen (Rachel Weisz) from the Inquisition. Another conceptual story finds Jackman centuries later, struggling with mortality as a modern-day scientist desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi. The third and most abstract concept finds Jackman as a different incarnation of the same character-idea, this time questing for eternal life within the confines of a floating sphere transporting the aged Tree of Life through the depths of space. Still more avant-garde than his breakthrough film Pi, The Fountain finds Aronofsky almost completely abandoning conventional story structure in favor of something more cinematically abstract. Though the film was originally slapped with an R by the MPAA, Aronofsky & co. re-edited it to conform to a PG-13 rating.