Bovie Movie

After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her acquaintance with Nicolo Donati, a young boy with whom she fell in love on her last visit four years ago. She also is trying tosolve the riddle left in a diary written by her dead mother, Sara. Directed by Bernardo Bertolucci (Last Tango in Paris).

The futuristic tale unfolds in a Great Britain that’s a fascist state. A freedom fighter known as V (Weaving) uses terrorist tactics to fight the oppressive society. He rescues a young woman (Portman) from the secret police, and she becomes his unlikely ally.

The mysterious and charismatic Russian-born Nikolai Luzhin is a driver for one of London’s most notorious organized crime families of Eastern European origin. The family itself is part of the Vory V Zakone criminal brotherhood. Headed by Semyon, whose courtly charm as the welcoming proprietor of the plush Trans-Siberian restaurant impeccably masks a cold and brutal core, the family’s fortunes are tested by Semyon’s volatile son and enforcer, Kirill, who is more tightly bound to Nikolai than to his own father. But Nikolai’s carefully maintained existence is jarred once he crosses paths at Christmastime with Anna Khitrova, a midwife at a North London hospital. Anna is deeply affected by the desperate situation of a young teenager who dies while giving birth to a baby. Anna resolves to try to trace the baby’s lineage and relatives. The girl’s personal diary also survives her; it is written in Russian, and Anna seeks answers in it. Anna’s mother Helen does not discourage her, but Anna’s irascible Russian-born uncle Stepan urges caution. He is right to do so; by delving into the diary, Anna has accidentally unleashed the full fury of the Vory. With Semyon and Kirill closing ranks and Anna pressing her inquiries, Nikolai unexpectedly finds his loyalties divided. The family tightens its grip on him; who can, or should, he trust? Several lives - including his own - hang in the balance as a harrowing chain of murder, deceit, and retribution reverberates through the darkest corners of both the family and London itself.

Deliverance and Tailor of Panama director John Boorman returns to the director’s chair for this tale of a hawkish businessman who slowly finds his life being taken over by the twin brother he never knew he had. Liam O’Leary (Brendan Gleeson) is a no-nonsense real-estate developer who isn’t above greasing the politician’s wheels a bit to get the permits he needs. His 20-year marriage to Jane (Kim Cattrall) has been stale for over a decade, and his adolescent son, Connor (Brian Gleeson), has most recently taken to communism as a means of showcasing his rebellious streak. Though Liam still dotes on his aging mother (Moira Deady), it’s plain to see that his sister, Oona (Sin?ad Cusack), is the favored child in the family. One day, stuck in traffic on the way home from work and frustrated at his inability to obtain planning permission for a multi-million pound stadium, Liam is shocked to see his spitting image approach his car and begin cleaning the windshield while begging for change. Now, after discovering that he was not only adopted but has an identical twin as well, Liam finds his life rapidly being taken over by a cunning doppelganger who has had enough of life on the streets, and has finally found a means of turning his luck around by simply stepping into the shoes of his more successful counterpart.