Bovie Movie

Despite his status as a major action star, Sylvester Stallone has made a number of attempts to remodel himself as a comic actor; one of his more infamous efforts in this direction was Stop! or My Mom Will Shoot!. Police detective Joe Bromowski (Sylvester Stallone) has just broken off his relationship with his girlfriend (and fellow police officer) Gwen Harper (JoBeth Williams), so Joe’s mother Tutti (Estelle Getty) decides it’s time to pay him a visit. Tutti proceeds to make Joe’s life miserable by nagging him about his clothes, cleaning his apartment, washing his gun, tagging along on investigations, and somehow getting involved with a gun-running organization that the police have been trying to infiltrate. After this film, Stallone would stay away from comedy until 1997, when he played a cameo in another unenthusiastically received film, An Alan Smithee Film — Burn, Hollywood, Burn.

Directed by Martyn Burke, Avenging Angelo centers around the life of bodyguard Frank (Sylvester Stallone) and his client, neurotic socialite Jennifer (Madeleine Stowe). Frank must constantly fight his emotions in order to maintain a strictly professional relationship with Jennifer, who has recently broken if off with her unfaithful husband. Matters are complicated further when Frank accidentally leads the sworn enemies of Jennifer’s father, Mafia bigwig Angelo (Anthony Quinn), to her doorstep. Things are looking up for Jennifer, or so she thinks, when she meets Marcello (Raoul Bova), whom she believes to be a novelist. Unfortunately, Marcello is not what he claimed to be, and she finds herself in danger once more. With Frank by her side, she takes on the mob, and eventually, her feelings. Avenging Angelo was the late Anthony Quinn’s final role.

French/Israeli filmmaker Eyal Sivan has fashioned an unusual documentary about the Holocaust from video footage (originally shot for American television) of the 1961 trial of Nazi war criminal Adolf Eichmann. Using sophisticated editing techniques and digital image manipulation to give the visuals a distinctive look, Un Specialiste/The Specialist focuses less on Eichmann as the monstrous architect of one of the 20th century’s most heinous crimes, and more on a subtly terrifying notion: Eichmann was a seemingly ordinary and mild-mannered fellow who was also capable of planning the mass evacuation of Jews and other “undesirables” to extermination camps, denying any legal responsibility with the words: “That was unfortunate, but it wasn’t my fault.” Along with extensive footage of Eichmann’s testimony, Sivan also devotes significant screen time to testimony of survivors of the death camps. Un Specialiste/The Specialist was screened at the 1999 Berlin Film Festival’s as part of a special program entitled “Documents Against Forgetting.”

Sylvester Stallone tries his luck with his first cop buddy movie in Tango and Cash, directed by Andrei Konchalovsky. Stallone is Ray Tango, a Los Angeles narcotics cop who dresses in fancy suits, wears wire-rim glasses, and talks to his stockbroker more than he talks to his mother. Kurt Russell is Gabriel Cash, another Los Angeles narcotics cop who has long, disheveled blonde hair and dresses in worn-out sweatshirts. Together, Tango and Cash are the two best narcs in LA, which causes drug baron Yves Perret (Jack Palance) no end of distress. Since Yves controls a billion-dollar drug empire, Tango and Cash have to be taken out of the picture in some way. So Yves arranges for Tango and Cash to be framed for a crime. But the duo accepts a plea bargain that will give them 18 months in a minimum-security prison. Unfortunately, Yves arranges for their destination to be diverted to a maximum-security hell-hole where Yves’s minions proceed to torture Tango and Cash –although they still have time to trade quips with each other. Ultimately, they escape from their torture chamber and seek out Yves and his gang.

The third entry in the ultra-macho Rambo action movie series finds muscle-bound warrior John Rambo (co-writer and star Sylvester Stallone) refusing a request from his former Vietnam superior, Green Beret Colonel Trautman (Richard Crenna). Trautman is to lead a mission to aid the mujahedeen rebels fighting the Soviet invasion of Afghanistan, but the Buddhist Rambo turns his friend down. When the mission goes awry and Trautman is subsequently captured and tortured within a prison fortress, Rambo launches a rescue effort of his own, armed with his trademark bow and exploding arrows. Along the way, he allies himself with the freedom fighters and runs afoul of the villainous Russian commander Zaysen (Marc de Jonge). At the time of its release, Rambo III — released in the same month in 1988 that Russian troops began withdrawing from Afghanistan — was the most expensive film ever made, at $63 million.

A violent, effects-heavy science fiction adventure, Judge Dredd depicts a nightmarish future in which overcrowded cities are terrorized by brutal gun battles and policed by “Judges,” law officers who act as judge, jury, and executioner. Sylvester Stallone stars as Judge Dredd, a punishing enforcer with an unswerving dedication to law and order. Little does Dredd know that a nasty villain (Armand Assante) and a corrupt Judge (Jurgen Prochnow) are plotting to take over the city and plan to frame Dredd for murder in order to prevent him from interfering. Dredd winds up in prison, but he fights back with the help of Judge Hershey (Diane Lane), his partner and romantic interest, and Fergie (Rob Schneider), his friend and comic relief, developing a plan to clear his name and stop the bad guys.

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD’s most notorious cops, John Spartan (Sylvester Stallone), known as “the demolition man,” is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture.

In Cliffhanger, Sylvester Stallone plays Gabe Walker, a member of a mountain-climbing rescue team. Gabe is haunted by an incident from his past when he couldn’t save the girlfriend of his best friend, Hal Tucker (Michael Rooker), from falling to her death. As the story begins, Gabe has left mountain-climbing rescue work and has set up business in Denver. He returns to the mountain rescue office to persuade his lover, Jessie (Janine Turner), to quit and come back to Denver with him. While he is begging Jessie to head out to Denver, things are happening in the skies overhead. A gang of professional crooks headed by psychotic Eric Qualen (John Lithgow) has hijacked a U.S. Treasury plane carrying millions of dollars. But the plane crashes, and the bad guys find themselves stranded on top of a mountain with the money (put into three cases) scattered around the wreckage and with no way to get down off the pinnacle to retrieve the cases. They put in a phony distress call that is received by the mountain rescue team. Gabe agrees to take part in one last rescue attempt, and they head up to help rescue the thieves. But Qualen has plans for the rescuers — to force them to climb through the dangerous snow-covered peaks to find the three suitcases of cash.

The first American theatrically released 3-D movie from a major studio since 1991’s Freddy’s Dead: The Final Nightmare, Spy Kids 3-D: Game Over is the third entry in three years in Robert Rodriguez’s family-oriented action-adventure series. Along with the four members of the Cortez family, played by Antonio Banderas, Carla Gugino, Alexa Vega, and Daryl Sabara, most of the characters from the first two films have returned, including Fegan Floop (Alan Cumming), Romero (Steve Buscemi), Machete (Danny Trejo), Dinky Winks (Bill Paxton), and Donnagon (Mike Judge). This time around, Carmen (Vega) is kidnapped by the evil Toymaker (Sylvester Stallone) and imprisoned inside a virtual-reality game. It’s then up to Juni (Sabara) to venture into the game and save his sister from the villain’s clutches. The film’s three-dimensional segments take place inside the game. Also starring Salma Hayek, Spy Kids 3-D: Game Over is actually the first of two 2003 films directed by Rodriguez that complete a trilogy, the other being Once Upon a Time in Mexico, the third installment in the El Mariachi saga.

Crime is the disease and Sylvester Stallone is the cure in Cobra, a high-octane rehash of the Clint Eastwood/Dirty Harry films, burnished to a 1980s action sheen. Stallone is Marion Cobretti, a cop called in when regular police methods have failed. Cobra is sent to get a cult of Charles Manson-like serial killers and to protect Ingrid (Brigitte Nielsen), a beautiful, statuesque witness who is set to testify against them. Cobra deposits Ingrid in an out-of-the-way town for safe-keeping, but a mole in the police department tips off the killers. The gang comes racing into town to get Ingrid, but Cobra is there waiting for them, ready to spring into action.