Bovie Movie

George Clooney pays homage to one of the icons of American broadcast journalism, Edward R. Murrow, in this fact-based drama, which was Clooney’s second feature film as a director. In 1953, Edward R. Murrow (played by David Strathairn) was one of the best-known newsmen on television as host of both the talk show Person to Person and the pioneering investigate series See It Now. Joseph McCarthy, a U.S. senator from Wisconsin, was generating no small amount of controversy in the public and private sectors with his allegations that Communists had risen to positions of power and influence in America, and an Air Force pilot, Milo Radulovich, had been drummed out of the service due to McCarthy’s charges that he was a Communist agent. However, Radulovich had been dismissed without a formal hearing of the charges, and he protested that he was innocent of any wrongdoing. Murrow decided to do a story on Radulovich’s case questioning the legitimacy of his dismissal, which was seen by McCarthy and his supporters as an open challenge to his campaign. McCarthy responded by accusing Murrow of being a Communist, leading to a legendary installment of See It Now in which both Murrow and McCarthy presented their sides of the story, which was seen by many as the first step toward McCarthy’s downfall. Meanwhile, Murrow had to deal with CBS head William Paley (Frank Langella), who was supportive of Murrow but extremely wary of his controversial positions, while Murrow was also trying to support fellow newsman Don Hollenbeck (Ray Wise), battling charges against his own political views, and working alongside Fred Friendly (George Clooney), the daring head of CBS News. Good Night, and Good Luck also stars Jeff Daniels, Robert Downey Jr., Patricia Clarkson, and Robert John Burke; the film won Best Film honors after its world premiere at the 2005 Venice Film Festival.

An unremarkable administrative assistant finds her life going to the dogs both literally and figuratively in actor/screenwriter-turned-director Mike White’s dark comedy drama. An inexplicably cheerful office worker whose somewhat sad excuse for a life seems to revolve around her pet beagle Pencil, Peggy (Molly Shannon) seems to relate better to her four-legged friend than she does to most humans. Most of her person-to-person interaction revolves around doting on other people’s children and treating her co-workers to daily donuts, and Peggy just doesn’t find much solace in the company of her know-it-all sister-in-law Bret (Laura Dern) or her anxiety-prone boss Robin (Josh Pais). When Peggy’s dog Pencil is taken before his time, the devastated dog-lover is wracked with guilt. Now desperate to fill the gaping void that has suddenly opened in her life, Peggy agrees to a date with her gun-nut neighbor Al (John C. Reilly) that ends in disaster when she begins to suspect that the boorish brute may have in fact poisoned her ill-fated pooch. Later, after adopting every dog at the local pound and transforming herself into an overzealous animal-rights activist, the increasingly unhinged Peggy reaches out to asexual activist Newt (Peter Sarsgaard) in a last-grasp attempt at forming a human connection that is met with casual indifference.

In this comedy from Austin Powers director Jay Roach, Ben Stiller plays a young man who endures a disastrous weekend at the home of his girlfriend’s parents. Greg Focker (Stiller) is completely in love with Pam Byrnes (Teri Polo), and views their upcoming trip to her parents’ house on Long Island (where her sister is to be married during the weekend) as a perfect opportunity to ask her to marry him. Once Greg is introduced to Pam’s parents, however, things stampede steadily downhill. Pam’s father, Jack (Robert De Niro), takes an instant and obvious dislike to his daughter’s boyfriend, lambasting him for his job as a nurse and generally making Greg painfully aware of the differences between him and Pam’s family. Where Greg is grubby, relatively unambitious, and Jewish, Pam comes from a long line of well-mannered, blue-blooded WASPs. Things go from bad to worse in less time than it takes to spin a dreidel, with Greg incurring the wrath of both Pam’s father — who, it turns out, worked for the CIA for 34 years — and the rest of her family, and almost single-handedly destroying their house and the wedding in the process.

Clint Eastwood’s adaptation of the non-fiction book Flags of Our Fathers concerns the lives of the men in the famous picture of soldiers raising the American flag over Iwo Jima during that historic WWII battle. Battle scenes are intercut with footage of three of the soldiers - played by Ryan Phillipe, Jesse Bradford, and Adam Beach — who survived the battle going on a goodwill tour of the United States in order to sell war bonds. Many evening they are forced to reenact their famous pose, something each of them finds more and more difficult to do as they suffer from survivor’s guilt. Eastwood frames the story by having one of the men’s grown son (Tom McCarthy) interview his father’s old comrades in order to find out more about what happened to his father. Eastwood followed this film with Letters from Iwo Jima, a second film about the battle of Iwo Jima, but told from the Japanese perspective. Flags of Our Fathers was produced by Eastwood and Steven Spielberg.