Bovie Movie

Scary Movie screenwriters Jason Friedberg and Aaron Seltzer join forces to parody the “biggest” movies ever to hit the silver screen in this comedy that gives such popular box-office hits as Pirates of the Caribbean and Chronicles of Narnia: The Lion, The Witch, and the Wardrobe the same treatment that Scary Movie gave to the slasher subgenre. A virtual smorgasbord of spoof, Epic Movie tells the tale of four fully grown orphans: one the victim of snakes that attacked her plane, another raised by a kindly Louvre curator, the third a Mexican “libre” wrestling refuge, and the last an average mutant from an “X”-community. When the curious quartet visits a sprawling chocolate factory, they stumble across a magical wardrobe which transports them to the enchanted land of Gnarnia. It seems that the wondrous fantasy land has recently fallen under the spell of the evil White Bitch (Jennifer Coolidge), and in order to bring peace back to Gnarnia these four bumbling mortals will have to join forces with a charismatic pirate, a painfully sincere group of aspiring wizards, and one particularly libidinous lion.

At this late date, it should hardly be necessary to inform viewers that The Ewok Adventure was inspired by those fuzzy little space muppets seen in the 1983 Star Wars sequel Return of the Jedi. This costly made-for-TV film was executive-produced by George Lucas, with special effects provided by Industrial Light and Magic. It was first telecast with great fanfare November 25, 1984; its soundtrack was simulcast on regional FM radio stations to provide a “full stereo” effect. The plot (frankly the least fascinating element of this project) concerns two young kids searching through space for their missing parents. The kids wind up on the forest moon of Endor, where dwell the courageous little Ewoks, commandeered by Wicket (Warwick Davis). The winner of an Emmy Award for Outstanding Children’s Program (though not necessarily aimed exclusively at kids), Ewok Adventure was released theatrically as Caravan of Courage. It was followed in 1986 by a TV-movie sequel, Ewoks: The Battle for Endor, and by a Saturday-morning cartoon series.

When the street-smart, down-with-it rapper C-Note (Big Boi) applies for membership to the snotty, all-white Carolina Pines Country Club, the establishment’s proprietors are hardly ready to oblige him. Undeterred and unwilling to take the rejection dished out, C-Note smacks down a fat escrow on the crib next door to the 17th green — which virtually guarantees membership to the musician, and sets the stage for an outrageous assault on the country club and its stuck-up members. Horrified, club president Cummings (Jeffrey Jones) and his cronies try desperately to have C-Note’s membership revoked. Meanwhile, C-Note decides to bring in a crew of his in-your-face homeboys, who turn the club upside down and inside out with their boisterous hip-hop antics.

The Christmas season just got a lot less joyous in this very dark comedy. Willie T. Stokes (Billy Bob Thornton) is a con man and a thief who teams up with his friend Marcus (Tony Cox), a midget, for a very special scam each year during the holiday season. Willie gets a job as Santa Claus at a shopping mall, his pal tags along as an elf, and they use their employee status to crack mall security and rob stores blind just before Christmas. However, there’s one flaw to this plan — Willie is a bitter, foul-mouthed and perpetually grouchy alcoholic who doesn’t care for kids, and it’s all he can do to keep himself from getting fired while on the job. The mall’s manager (John Ritter, in his last film appearance) is certain something’s wrong with the Santa he’s hired, so he asks the mall’s chief of security (Bernie Mac) to do some research on Willie. Meanwhile, one of the kids Willie is forced to talk to becomes a regular customer; overweight, awkward, and the frequent target of bullies, the boy manages to arouse something like sympathy from Willie, who tries to give him some advice and develops something vaguely resembling Christmas sprit along the way. Bad Santa was directed by Terry Zwigoff, who enjoyed previous success with Crumb and Ghost World.