Bovie Movie

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

Jonathan English’s action-adventure film Minotaur concerns a young man who sets out to slay the title creature after the man’s love was sacrificed to the half-man, half-bull.

The sophomore film from former music video and commercial director Michael Bay, this fast-paced action yarn featured rapid-fire editing, a cutting-edge rock soundtrack and liberal use of shots awash in a haze of burnished hues, all trademarks of producers Don Simpson and Jerry Bruckheimer. Nicolas Cage stars as Stanley Goodspeed, an FBI chemical weapons expert handed a unique assignment. Francis X. Hummel (Ed Harris), an insane Marine Corps general, has taken 81 tourists hostage on the abandoned island prison of Alcatraz. He and his men are threatening to bomb San Francisco with deadly gas unless $100 million is paid in war reparations to the families of servicemen killed in covert operations. Goodspeed is teamed with former British spy John Patrick Mason (Sean Connery), the only man ever to escape “The Rock,” as well as a Navy SEAL team. When their military escorts are ambushed, it’s up to odd couple Goodspeed and Mason to break into Alcatraz and stop Hummel. The Rock was the last film produced by Simpson, who died of a drug overdose before the film’s release. Solo, his partner Bruckheimer continued making the sort of glossy, frenetic films for which the duo was famed.

I was fortunate to see a special preview of Shadow Puppets. I don’t want to give away anything but I will say this: The movie keeps you in suspense from beginning to end, has a believable script, unique special effects, an original premise, and many jump-out-of-your-seat moments. The soundtrack and unusual sound effects increase the terror-level in many scenes. Jolene Blalock and James Marsters are excellent but newcomer Mark Winnick is an actor to watch: he has the best lines and delivers them with adorable ingenuousness. I will definitely see this movie again when it is released in theaters, and look forward to more films by director Michael Winnick.

In this teenage horror film, a young man avoids the hand of death, only to find that he can’t get away from it so easily. On the way to Paris with his high-school French club, Alex Browning (Devon Sawa) has a vivid premonition of the plane crashing and killing all its passengers. After Alex and some other passengers demand to be let off the flight, his premonition turns out to be true, and the jet explodes during takeoff. While the FBI is convinced that Alex was involved in some kind of foul play, the passengers who got off the flight are all dying in horrible ways, as if whoever determined that the passengers would perish is punishing those who cheated death. Final Destination marked the feature directorial debut of James Wong, a producer and director for the TV series The X Files.

In the tradition of such psychologically-charged sci-fi outings as The Next One (1982) and K-PAX (2001) comes the cerebral science fiction opus The Man From Earth (2007). The story concerns Professor John Oldman, a scientist who summons a group of associates to a cabin one freezing night, and strikes them with a fantastic revelation: he is not a traditional human, but a 14,000 year-old immortal, who has survived centuries of evolution from the Cro-Magnon Era to the present. In the hours to follow, Professor Oldman’s earth-shaking assertion about himself challenges the men on spiritual, scientific and historical levels. But the most incredible is yet to come - an even more astonishing truth in which the men’s discussions culminate.

Built more on suspense and audience imagination than on cheap thrills, genre-cliches, and gore, this Canadian horror movie centers on the evil doings of a murderous demon and the determination of a courageous priest (Michael Rooker) to stop it. The smoke-like demon arises from the netherworld in response to a satanic ritual held in an empty warehouse. The priest showed up in time to destroy the worshipers but not soon enough to stop the devil’s minion from escaping into the city’s labyrinthine sewer system. Travelling underground, the demon eventually resurfaces in Grand River, a peaceful little town. Meanwhile, the priest investigates the bodies of the dead satanist and on one of them finds papers that lead him to a young boy in the aforementioned town. This fatherless child has been divinely marked for greatness, and the demon has been called forth to destroy him, but before he can, the creature must consume large quantities of human blood to build up its power. His presence and the rising body count drives the locals insane, something that only hinders the priest on his desperate quest to save the child and return the demon to his fiery domain.

Death lurks, and two teenage girls try to figure out where he’s heading, in this sequel to the unexpected teen horror hit Final Destination. As Clear Rivers (Ali Larter), the only surviving passenger of the ill-fated Flight 180, waits in a mental institution, certain Death will claim her, Kim (A.J. Cook), who has begun to display precognitive powers, is driving along the highway when she sees a terrible accident in which several cars crash into a logging truck. Moments later, the horrible vision is gone, but Kim is certain she saw an accident that was supposed to happen but didn’t…and now Death will track down the souls he meant to take that day who slipped through his fingers. A police officer, Thomas Burke (Michael Landes), believes there’s a germ of truth in Kim’s story, and teams her up with Clear in hopes that together they can help prevent Death from snuffing out any more of the people involves in the accident that wasn’t. Tony Todd also returns from the first film as Mr. Bludworth.