Bovie Movie

Director Terry Gilliam adroitly applies his Monty Python sensibilities upon the “career” of famed German prevaricator Baron von Munchausen. Played herein by John Neville, the baron is seen quelling a war that he himself started, flying into the stratosphere on the back of a cannonball, ballooning to the moon, exploring the innards of a volcano, being swallowed by a whale….In short, all of Munchausen’s fabulous lies are here presented as “truth,” played out in full view of nonplussed witnesses Eric Idle, Charles McKeown, Jack Purvis, and Sarah Polley. Fringe benefits include several loving medium shots of jaybird-naked Uma Thurman as Boticelli’s Venus and an extended unbilled cameo by Robin Williams — that is, by the head of Robin Williams — as the King of the Moon. Filmed under considerable duress on a budget eventually exceeding 45 million dollars, The Adventures of Baron Munchausen never quite caught on with moviegoers, though it has enjoyed a lucrative afterlife on videocassette.

Perhaps the most highly anticipated film of 2003, Kill Bill Vol. 1 marked the return of renowned filmmaker Quentin Tarantino after a six-year hiatus. Re-teaming the director with Uma Thurman for the first time since 1994’s Pulp Fiction, the film was originally the first half of what was to be a three-hour-plus movie before being split into two films. Thurman stars as The Bride, one-fifth of a team of assassins called DiVAS. When The Bride opts to leave the outfit for a life of marital bliss, it doesn’t sit well with her boss, Bill (David Carradine), so he has her former cohorts, played by Lucy Liu, Vivica A. Fox, Daryl Hannah, and Michael Madsen, show up at the nuptials, leaving behind a blood bath. Miraculously, The Bride survives a bullet to the head and, four years later, she sets out for revenge against her four assassins and their employer. The story is concluded in Kill Bill Vol. 2, released six months later.

Quentin Tarantino’s sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003’s ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

New Zealand screenwriter Andrew Niccol (The Truman Show) made his feature directorial debut with this science fiction drama, set in a future when one’s life is determined by genetic engineering rather than education or experience. The wealthy can choose the genetic makeup of their descendants. People are designed to fit into whatever role is decided before birth. But what happens when someone desires another way of life? Citizens in this impersonal future-world are fashioned as perfect specimens, so those in the natural-born minority are viewed as inferior to the pre-planned perfect specimens (aka “Valids”) who dominate. One of the natural-borns (aka “In-Valids”), Vincent Freeman (Ethan Hawke), has several defects (poor vision, emotional problems, and short 30-year life expectancy), but he also develops a different outlook on his pre-ordained fate. He yearns to break free from society’s constraints, and he dreams of a journey into space as a Gattaca Corp. navigator. To accomplish his goal, he enlists the aid of DNA broker German (Tony Shalhoub) and makes contact with Jerome Morrow (Jude Law), who was paralyzed in an accident and is willing to sell his superior genetic materials. Vincent assumes Jerome’s identity and is scheduled for a flying mission. However, a week before his flight, a Gattaca mission director is murdered, and all members of the program are the suspects. Meanwhile, he develops a romantic interest in a beautiful Valid, Irene (Uma Thurman), prevented from going into space because of her heart defect. Tracked by a relentless investigator who is methodically jigsawing all the pieces together, Jerome finds his aspirations dissolving into stardust.

This was the third follow-up to Tim Burton’s Batman (1989), the original revisionist look at the Gotham City legend, as well as the second in the Batman series directed by Joel Schumacher and the first featuring George Clooney as the Caped Crusader; it features not one but two super-villains, and a new heroine to fight crime alongside Bruce Wayne (aka Batman) and Dick Grayson (aka Robin) (Chris O’Donnell). The experiments of Dr. Victor Fries (Arnold Schwarzenegger) to preserve his late wife cryogenically have gone horribly wrong, turning him into the evil genius Mr. Freeze, who must keep his body at sub-zero temperature in order to say alive — and he wants to put Gotham City on ice. Shy horticulturist Pamela Isley (Uma Thurman) goes a bit wild with a Venus Fly Trap-like creation she’s been working on and mutates into Poison Ivy, who wants to kill all the people on Earth so plants can take over. Can Batman and Robin stop these fiends before their plans go too far? Meanwhile, Bruce and Dick’s faithful butler Alfred (Michael Gough) isn’t feeling well, so his niece Barbara (Alicia Silverstone) comes to pay a visit. When Barbara finds out what her uncle’s employers do in their spare time, she decides she wants in on the action, and she joins the crime fighting twosome as Batgirl. Batman & Robin also features Jesse Ventura in a small role as a prison guard; it would be his last film role before becoming Governor of Minnesota in 1998.

In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana’s sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts).

A regular guy finds out just how hard breaking up can truly be when attempting to call it quits with a clingy female crime fighter who doesn’t want to let love die in director Ivan Reitman’s super-powered romantic comedy. Matt Saunders (Luke Wilson) was looking for love when he first met pretty brunette Jenny Johnson (Uma Thurman), and at the time it seemed as if he may had finally actually found it. Jenny isn’t just your typical girl, though, because despite her outwardly normal appearance she is actually a powerful superhero dedicated to ridding the streets of crime. Her outward strength betrays a deep-rooted insecurity, too, and when Jenny begins to become a bit too possessive for Matt’s laid-back taste, the troubled boyfriend does his best to end the relationship amicably. They say that breaking up isn’t easy to do, however, and when your girlfriend is a superhero, that sentiment holds twice the truth as it does under any normal circumstances. Matt is determined to get on with his life, though, and as his budding romance with beautiful co-worker Hannah (Anna Faris) begins to get serious, jealous Jenny scornfully slips into G-Girl mode to prove that hell hath no fury like a woman superhero scorned.

Two women get a new and unusual perspective on the doctor/patient relationship in this romantic comedy. Rafi Gardet (Uma Thurman) is a woman in her mid-thirties who has recently gone through a messy divorce. Rafi has been seeing an analyst, Lisa Metzger (Meryl Streep), as she struggles to get back on her feet emotionally and look for new love. Rafi meets a man named David Bloomberg (Bryan Greenberg), and the two quickly hit it off, but Rafi isn’t sure if she should pursue the relationship, since David is only 23 years old. After discussing the burgeoning romance during one of their weekly sessions, Lisa urges Rafi to take a plunge with David, and not be afraid to seek out the companionship she needs. However, there’s something about David that Lisa doesn’t know — he’s her son. Rafi doesn’t know that Lisa is David’s mother, either, and both psychiatrist and patient are thrown for a loop when they learn the truth. Prime was originally intended to star Sandra Bullock as Rafi, but she dropped out of the project shortly before filming began, reportedly due to disagreements with the director over the script, with Thurman taking her place.

John Woo directs the sci-fi action thriller Paycheck, based on a story written by Philip K. Dick in 1953. Waking up with his short-term memory erased, engineer Michael Jennings (Ben Affleck) learns that he has been doing highly secretive work for the last three years in exchange for billions of dollars. But when he tries to get paid, he finds out that he himself had previously exchanged the money for an envelope of random clues to his life. Chased by an FBI agent (Michael C. Hall) and his old boss Rethrick (Aaron Eckhart), Michael uses the clues to find out his identity and prove his innocence. Uma Thurman appears as his love interest and partner, Rachel.