Bovie Movie

Abel Ferrara directed this erotic thriller adapted by Ferrara and Christ Zois from a short story by science fiction author William Gibson (in his Burning Chrome collection). Global corporations rule the world, and corporate raider Fox (Christopher Walken) and his deputy X (Willem Dafoe) could pocket $100 million if they can get top scientist Hiroshi (Yoshitaka Amano) to defect from one corporation to another. Fox offers singer Sandii (Asia Argento) $1 million to seduce Hiroshi away from his wife, family, and employer. An affair develops between Sandii and X, while she studies facts about Hiroshi’s life. She departs on her assignment, but betrayals ensue, with Fox and X soon becoming targets themselves. With opening credits in three languages (English, German, Japanese), the soundtrack features the score-composition debut of hip-hopper Schoolly D, music which plays over a blank screen at the wrap-up (since the film has no closing credits). This Gibson short story was a property once in development by director Kathryn Bigelow. The title story of Gibson’s Burning Chrome collection was planned as the second Heavy Metal movie, intended for live-action and scripted but never filmed. Shown in competition at the 1998 Venice Film Festival.

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who’s been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship’s computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit.

Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje’s novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he’s known simply as “the English Patient,” thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn’t be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient’s story from the shards of his memories; he’s actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy’s team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo’s most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche).

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

The Bold Ones was the umbrella title given a group of rotating hour-long TV series, which ran from 1969 to 1973. Joining established Bold Ones components The Doctors and The Lawyers in 1970 was The Senator, starring Hal Holbrook as RFK-like Senator Hays Stowe. The pilot for The Senator was A Clear and Present Danger, which first aired March 21, 1970. In this 2-hour “problem drama”, Senator Stowe tackles the issue of air pollution after a close friend dies of emphysema. The Emmy-nominated Hal Holbrook, Sharon Acker (as Erin Stowe) and Cindy Eilbacher (as Norma Stowe) carried their roles over to the “Senator” series proper, while Michael Tolan was cast as Stowe’s aide Jordan Boyle, the role played in A Clear and Present Danger by Joseph Campanella.

With The Walker, Paul Schrader unofficially updates themes and tropes first explored by his controversial erotic thriller American Gigolo (1980). Woody Harrelson stars as Carter Page III, an overtly gay, Virginian senator’s son, paid as an asexual escort of middle-aged women in the upper-crust circles of Washington, D.C. Carter’s regular clients include three politicos’ wives: Natalie Van Miter (Lauren Bacall), Abigail Delorean (Lily Tomlin), and Lynn Lockner (Kristin Scott Thomas), to whom Carter is closest - so close that he squires her, regularly, to sexual rendezvous with her lover, the lobbyist Robbie Kononsberg (Steven Hartley). When an unknown perpetrator stabs Robbie to death, and Lynn discovers his murdered body at his condo, Carter attempts to protect Lynn and her husband, Larry (Willem Dafoe), from media intrusion by informing the police that he found the body himself, despite the fact that it makes him an immediate suspect. In time, Carter discovers from the women (during their gossip over a canasta game) that Robbie was involved with a shady insurance company, on the verge of being investigated - and that the investigation would have uncovered dirt and scandal on each woman. To shield Lynn from trouble, and deliver himself from incrimination, Page ultimately decides to investigate the crime himself, with the close assistance of his lover, the German-Turkish photographer Emek (Moritz Bleibtreu). Schrader authored the original script.

The life and sordid, untimely death of Hogan’s Heroes star Bob Crane are explored by director Paul Schrader in this biopic, which marks one of the few times the filmmaker has not scripted his own film. Auto Focus chronologically traces the meteoric rise of Crane’s show business career, beginning with his early success as a jokey deejay on Los Angeles morning radio in the early ’60s. A devout family man, Crane lives in Southern Californian comfort with his wife Anne (Rita Wilson) and their young children, relishing the modicum of celebrity his job provides him. His life begins to change, however, when his agent Lenny (Ron Leibman) proposes that he take a breakthrough role on the CBS POW-camp sitcom Hogan’s Heroes. Initially reluctant to take the job, Crane signs on with the production and, to his and everyone else’s surprise, the show becomes a smash hit. With celebrity comes a new set of friends, and Crane falls in with audio-visual guru John Carpenter (Willem Dafoe), a Sony sales rep who spends his days setting up home entertainment systems for the Hollywood elite, and his nights cruising strip clubs for anonymous sexual encounters. Already a pornography buff, Crane starts using his fame to secure him and Carpenter an endless parade of affairs, which they videotape and then obsessively review. It isn’t long before Anne demands a divorce, and Crane marries his Hogan’s co-star Patti Olsen (aka Sigrid Valdis, here played by Maria Bello), who’s more accepting of his escapades. When the sitcom is canceled, however, Crane has trouble securing acting jobs, and recedes further and further into his life of amateur porn with Carpenter. Auto Focus premiered at the Telluride and Toronto Film Festivals before its art-house run in the fall of 2002.

After incorporating elements of comic book style and design into many of his films, director Sam Raimi helms this straight-ahead, big-budget comic book adaptation, which also marks acclaimed young actor Tobey Maguire’s first dip into live-action blockbuster filmmaking. Spider-Man follows the template of the original Stan Lee/Steve Ditko source material, with hero Peter Parker an orphaned, intellectual teen loner living in Queens with his aunt (Rosemary Harris) and uncle (Cliff Robertson), and dreaming of the girl next door, Mary Jane (Kirsten Dunst). On a field trip to a Columbia University lab, Peter is bitten by a genetically altered spider and overnight he gains superhuman strength, agility, and perception. At first, Peter uses his powers for material gain, winning a wrestling match with a purportedly lucrative prize. But when Peter apathetically fails to stop a burglar from robbing the wrestling arena, a tragedy follows that compels him to devote his powers to fighting crime — as the superhero Spider-Man. When he’s not busy fighting crime in a spider suit, Peter moves into an apartment with his best friend, Harry (James Franco), and begins work as a photographer at the Daily Bugle. Meanwhile, his do-gooder alter ego finds a nemesis in the form of the Green Goblin (Willem Dafoe), a super-powered, megalomaniacal villain who happens to be the alter ego of Harry’s father, weapons-manufacturing mogul Norman Osborn. Spider-Man was written by the prolific blockbuster scribe David Koepp (Jurassic Park, Panic Room).

Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch’s surrealist road movie Wild at Heart. Cage’s Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern’s Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern’s real-life mother). Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta’s thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery.