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A small group of teen girls in 1692 Salem, Massachusetts caught in an innocent conjuring of love potions to catch young men are forced to tell lies that Satan had invaded them and forced them to participate in the rites and are then forced to name those involved. Thrown into the mix are greedy preachers and other major landowners trying to steal others’ land and one young woman (Ryder) infatuated with a married man (Day-Lewis) and determined to get rid of his innocent wife (Allen). Arthur Miller wrote the events and the subsequent trials where those who demanded thier innocence were executed, those who would not name names were incarcerated and tortured, and those who admitted their guilt were immediately freed as a parable of the Congressional Communist witch hunts led by Senator Joe McCarthy in 1950’s America.

Society scion Newland Archer is engaged to May Welland, but his well-ordered life is upset when he meets May’s unconventional cousin, the Countess Olenska. At first, Newland becomes a defender of the Countess, whose separation from her abusive husband makes her a social outcast in the restrictive high society of late-19th Century New York, but he finds in her a companion spirit and they fall in love.

A chronicle of the early days of James T. Kirk and his fellow USS Enterprise crew members.

Susanna is rushed to the hospital. Afterwards she discusses this with a psychiatrist. She had been having some delusions. She had also been having an affair with the husband of her parents’ friend. The doctor suggests that combining a bottle of aspirin and a bottle of vodka was a suicide attempt. This she denies. He recommends a short period of rest at Claymoore. Claymoore is a private mental hospital full of noisy, crazy people. Georgina is a pathological liar. Polly has been badly scarred by fire. Daisy won’t eat in the presence of other people. Lisa is a sociopath, the biggest exasperation for the staff - like Nurse Valerie - and the biggest influence on the other girls in the hospital. Lisa has a history of escapes, so gaining access to personal medical files is not a problem… Susanna’s boyfriend Toby is concerned that she seems too comfortable living with her institutionalized friends…

A man (Bentley) who makes his living composing other people’s suicide notes enters into a romance with the sister (Ryder) of a recent client.

Lucas is a promising kid, bright, inquisitive, knowledgeable, industrious, but for a boy aged 14 those qualities don’t count for much socially, his daily life in high school is a brave but hopeless struggle against cruel ridicule (nicknamed ‘leukoplakia’) and abuse on account of his frail figure, ‘miniature’ size and athletic ineptitude, while any demonstration of precocious erudition is frowned upon by his ignorant, dumber peers and seniors, fortunately with one remarkable exception: the studly football team captain, generally known as Cappie, gallantly protects the ’shrimp’ and as soon as he gets to know Lucas appreciates his mind and courage, eager to learn from him. The arrival of an attractive new girl in his school and neighborhood proves a mixed blessing: Maggie becomes his best friend and companion, admiring his many talents, but inevitably she soon falls for Cappie the other way, so now his ‘big brother’ and protector seems little Lucas’s rival, however hard the hunk tries to stay friends…

The fourth film in the Alien series, directed by Jean-Pierre Jeunet (Delicatessen, The City of Lost Children) at a cost of 70 million dollars, takes place aboard an immense ship, the Auriga, where General Perez (Dan Hedaya) heads a staff of seven science officers and 42 enlisted, all employed by United Systems Military (replacing the Company of the earlier films). The time is 200 years after the events of Alien 3. Scientists researching the aliens need hosts, and they rely on space mercenaries who make spacecraft raids to acquire bodies. The research requires an Alien Queen specimen, so Ellen Ripley (Sigourney Weaver) has been cloned from preserved blood samples. The scientific team then removes the baby Alien Queen from Ripley’s chest. Since the Ripley clone has alien DNA mixed into her genetic structure, she is not totally human. Later, a commercial freighter, the Betty, arrives with a crew of mercenaries — Elgyn (Michael Wincott), pilot Hillard (Kim Flowers), paralyzed mechanic Vriess (Dominique Pinon), space jock Johner (Ron Perlman), and junior mechanic Annalee Call (Winona Ryder) — who deliver a load of human hosts with alien eggs. Problems begin when the mercenaries take over the Auriga, and aliens escape to massacre humans. As the aliens attack, Ripley and the mercenaries try to reach the Betty in order to escape. Cinematography by Darius Khondji features the same ENR process he used on Seven, adding silver to the printing process to heighten contrasts, making the dark colors richer. An electric-blue tint was employed during the underwater firefight between the mercenaries and the aliens. For the more physical aspects of her role, Ryder got in shape with six hours of daily workouts. Although all previous films in the series were shot at London’s Pinewood Studios, filming of Alien Resurrection took place West Los Angeles soundstages with special effects in California and Paris.

Jim Jarmusch’s deadpan comedy-of-the-night is a collection of five vignettes taking place in the enclosed space of a cab ride, each occurring simultaneously in five different cities and five different time zones — Los Angeles, New York City, Paris, Rome, and Helsinki. The Los Angeles episode takes place at dusk, as high-powered casting agent Victoria (Gena Rowlands) gets a ride from L.A. International Airport with tomboy driver Corky (Winona Ryder), who would rather go on driving her cab than take up Victoria’s offer to make her a superstar. In New York City, novice East German cabbie Helmut Grokenberger (Armin Mueller-Stahl) has difficulty working the foot pedals to his hack, and his passenger, YoYo (Giancarlo Esposito), ends up driving himself to Brooklyn, picking up the shrill-voiced Angela (Rosie Perez) along the way. In Paris, an African cab driver (Isaach De Bankol?) ejects a collection of drunken African diplomats from his cab and picks up a beautiful but surly blind girl (B?atrice Dalle). In Rome, cab driver Gino (Roberto Benigni) engages in a heartfelt monologue confessing his past sexual exploits to his passenger, a priest who is dying of a heart attack in the back seat. The film winds down in the last melancholy vignette, taking place in Helsinki, as taxi driver Mika (Matti Pellonp??) picks up three inebriated workmen who regale him with hard-luck stories. But Mika has a much harsher story of his own to tell.

A guy’s life is turned around by an email, which includes the names of everyone he’s had sex with and ever will have sex with. His situation gets worse when he encounters a femme fatale (Ryder) who targets men guilty of sex crime.

Dear Diary: Veronica Sawyer is sick of being part of the Heathers, the most powerful clic of Westerberg High; making fun of Martha Dunnstock (”Dumptruck”), the fat girl, or doing some stupid polls is something she’ll never get used to. Meanwhile she meets JD, a cool rebel guy who wouldn’t mind shooting a gun at school just to make his point. Remington University’s party is where Veronica has to go as a Heather, and there’s where she gets her ultimatum as a Heather from Heather Chandler, the head of the Heathers. So Veronica and her lover JD “accidentally” kill Heather Chandler and manage to cover it up by making a suicide note. Will this be just the beginning of the assasination-turned-suicide serie of Westerberg High which nor the FBI, the CIA or the PTA would be able to stop? Or will Veronica be able to pull herself together and stop her psychotic lover from killing absolutely EVERYONE at school?

Is the time approaching when a persona in its entirety could be a mere fabrication of modern culture and technology? Or did Hollywood enter that time long ago? Either way Viktor Taransky (Al Pacino) finds himself growing more and more aware of the media-obsessed culture in which he tries to earn his living. Taransky is a film director struggling to survive in an industry that doesn’t require or want his artistic vision. When first he meets a stranger whose vision is considered somewhat questionable, he doesn’t realize the potential of the idea to digitally incorporate a character into his otherwise unsalvageable film. However, in time, not only the director and the entire studio, but American pop culture at large will grow to embrace Simone. As Taransky earns popularity and acclaim via the success of the digitally constructed actress he “discovered,” he struggles to define his own identity as an artist and a person, and finds that lying to cover up Simone’s non-existence is altering his life entirely. His ex-wife and former employer Elaine (Catherine Keener) notices the difference in his personality, upsetting their daughter Lainey (Evan Rachel Wood) and her hopes of their reconciliation. Meanwhile, stray paparazzi turned private investigators threaten to make public incriminating evidence, which could destroy the limelight Taransky enjoys while “hiding” Simone. Amazingly, what Simone doesn’t say or do creates all the more buzz, and causes Taransky to face the reality of his industry. Written and directed by Andrew Niccol (Gattaca), Simone takes a satirical approach to an otherwise fantastical comedy.

When a schooner is wrecked off Whitby the only survivor is Count Dracula who has arrived with large amounts of Transylvanian soil to take up residence in Carfax Abbey. He takes the life or Lucy, who is engaged to Dr. Seward, who runs the local asylum. Lucy’s friend Mina, and her fiancé Jonathan Harker, a solicitor, also make contact with Dracula. But almost immediately, Lucy dies from loss of blood, and just possibly this may not be a coincidence. The group calls on the aid of Prefessor Van Helsing, noted supernatural expert, and together they pursue the vampire.

The Deetz’s gothic daughter discovers the Maitands in the attic and befriends them. She finds their after life handbook which is eventually confiscated by the family’s interior decorator who is fascinated by the paranormal, and during a seance,conjures up the Maitlands. Most of the trouble starts as the free lance bio-excorist, Beetlejuice gets involved.