Bovie Movie

Adapted from Umberto Eco’s best-selling novel, director Jean-Jacques Annaud’s The Name of the Rose is a 14th century murder-mystery thriller starring Sean Connery as a Sherlock Holmes-esque Franciscan monk called William of Baskerville. When a murder occurs at a secluded Benedictine Abbey, William is called in to investigate. As he and his apprentice, Adson von Melk (Christian Slater), delve deeper and deeper into the case, more dead bodies begin to turn up. Eventually, Bernardo Gui, an inquisitor played by F. Murray Abraham gets involved, but he may not have the best intentions. Sean Connery’s performance earned him the award for Best Actor at the 1988 British Academy Awards.

This high-octane semi-sequel to Sam Raimi’s cult hit The Evil Dead has nearly eclipsed its predecessor’s reputation thanks to an endless barrage of hyperkinetic camera acrobatics, rapid-fire editing and “splatstick” gore effects … not to mention a truly goofy performance by Bruce Campbell. Nearly the entire storyline of the previous film has been re-shot and presented in a drastically condensed form within the first few minutes: rock-jawed but clueless “hero” Ash (Campbell) now visits the mountain cabin only with girlfriend Linda (played here by Denise Bixler). Upon arrival at the cabin, Ash discovers the Sumerian Book of the Dead, the ritual dagger and a reel-to-reel tape containing the professor’s translations of the book’s hieroglyphics. The incantations summon an unseen, growling spirit from within the woods, which bursts into the cabin and takes possession of Linda’s soul. Ash is forced to decapitate her with a shovel, after which he buries her in the forest. At first dawn, Ash tries to make his escape, but is promptly set upon by the spirits, given a solid thrashing and nearly possessed himself, saved only by the arrival of sunlight. Cut off from the outside world, Ash is forced to hole up in the cabin and wait for the next demonic onslaught — which arrives sooner than expected, led by Linda’s rotting corpse. After being bitten by Linda’s chatty decapitated head, Ash’s hand becomes independent of his body and begins pummeling him repeatedly. The story then jumps to a local airport, where the professor’s daughter Annie (Sarah Berry) and her partner Ed Getley (Richard Domeier) have just arrived with the missing pages to the Necronomicon. They employ a cranky pair of local rednecks, Jake (Dan Hicks) and Bobbie Joe (Kassie Wesley), as guides to lead them through the dense woods to the cabin … where, at that very moment, Ash is removing his belligerent hand with a chainsaw, creating yet another ambulatory foe. Driven to the brink of insanity, Ash fires blindly at a noise outside, unaware that the new arrivals are Annie and company. Bobbie Joe is injured by the gunshot, which incurs the wrath of Jake, who knocks Ash senseless and locks him in the fruit cellar. Believing her father was murdered by Ash, Annie plays the rest of the professor’s recording to learn the truth, and discovers her possessed mother was buried in the same cellar — and not exactly resting in peace. This touches off a string of unbelievably gruesome (and hysterically funny) events, including Henrietta’s transformation into a stop-motion creature (reminiscent of a Ray Harryhausen creation), Ed’s sudden metamorphosis into a toothy, levitating ghoul, and Ash’s climactic confrontation with the forest demon itself. The obvious glee with which Raimi and company present this cavalcade of slime-drenched monstrosities and Three Stooges pratfalls makes it impossible to take seriously as a horror film, but Evil Dead 2 is nevertheless essential viewing among connoisseurs of truly demented cinema. The film’s sardonic coda opened the way for a slightly less successful sequel, Army of Darkness.

Directing his first film since 1998’s Lethal Weapon 4, Richard Donner helmed this big-budget adaptation of Michael Crichton’s novel of the same name. Featuring a script by first-time screenwriter George Nolfi, Timeline begins in France in the near future. A group of students from Yale are there studying a medieval site, when their professor, played by Billy Connolly, mysteriously goes missing. To make matters more enigmatic, the students are then taken back to the United States by a shadowy technology company called ITC, led by Robert Doniger (David Thewlis). The eccentric Doniger explains that because of a machine that his company built, their professor is trapped in 14th century France. In order to rescue him, two of the students, Chris Hughes (Paul Walker) and Kate Erickson (Frances O’Connor), along with Andre Marek (Gerard Butler), an archeological site manager, must travel to France, circa 1357, amid archaic war, deadly diseases, and other unexpected pitfalls. Meanwhile, David Stern (Ethan Embry), a third student, stays behind to keep an eye on the shady Doniger.

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce’s struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects.