Bovie Movie

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he’d prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, “protected” from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O’Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who’ve been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to “westernize” himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war’s end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City…as a tourist. Bernardo Bertolucci’s first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director.

Tony Curtis stars as The Great Leslie, a hero among heroes whose purity of heart is manifested by his spotlessly white wardrobe. Leslie’s great rival, played by Jack Lemmon, is Professor Fate, a scowling, mustachioed, top-hatted, black-garbed villain. Long envious of Leslie’s record-setting accomplishments with airships and sea craft, Professor Fate schemes to win a 22,000-mile auto race from New York City to Paris by whatever insidious means possible. The problem is that Fate is his own worst enemy: each of his plans to remove Leslie from the running (and from the face of the earth) backfires. Leslie’s own cross to bear is suffragette Maggie Dubois (Natalie Wood), who also hopes to win the contest and thus strike a blow for feminism. The race takes all three contestants to the Wild West, the frozen wastes of Alaska, and, in the longest sequence, the mythical European kingdom of Carpania. This last-named country is the setting for a wild Prisoner of Zenda spoof involving Professor Fate and his look-alike, the foppish Carpanian king. When Leslie and Fate approach the finish line at the Eiffel Tower, Leslie deliberately loses to prove his love for Maggie. Professor Fate cannot stand winning under these circumstances, thus he demands that he and Leslie race back to New York. The supporting cast includes Peter Falk as Fate’s long-suffering flunkey Max, Keenan Wynn as Leslie’s faithful general factotum, Dorothy Provine as a brassy saloon singer, Larry Storch as ill-tempered bandit Texas Jack, and Ross Martin as Baron Von Stuppe. The film also yielded a hit song, Henry Mancini and Johnny Mercer’s The Sweetheart Tree. The Great Race was dedicated to “Mr. Laurel and Mr. Hardy”.

Opening with a silent “movie” of Butch Cassidy’s Hole in the Wall Gang, George Roy Hill’s comically elegiac Western chronicles the mostly true tale of the outlaws’ last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance’s schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it’s time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it.

A destitute-but-determined young woman living in turn-of-the-century England ascends the social ranks after authoring a series of successful romantic novels in French writer/director François Ozon’s first English-language feature. Romolo Garai takes on the title role in a French and Belgian co-production co-starring Sam Neill, Charlotte Rampling, and Michael Fassbender and financed by Fidélité Films, Canal+, Celluliod Dreams, France 2, and Pan-Européenne.

Although a deluxe two-disc set is available, this one-disc edition of Moulin Rouge will do for those who want just the film. This DVD boasts a widescreen anamorphic transfer that preserves the original broadcast aspect ratio of 2.35:1. English soundtracks are rendered in both Dolby Digital 5.1 and Dolby Digital Surround, and a French soundtrack has also been recorded in Dolby Digital Surround. Supplemental materials include a commentary track recorded by director Baz Luhrmann and co-screenwriter Craig Pearce, and a second commentary track recorded by Luhrmann, costume director Catherine Martin, and cinematographer Donald McAlpine. A behind-the-scenes featurette rounds out this strong release.

A Masterpiece Theatre remake of the 1970 screen adaptation of E. Nesbit’s beloved children’s book, The Railway Children follows the fortunes of three resourceful children in turn-of-the-century England. An affluent family, the Waterburys fall upon difficult times when Mr. Waterbury (Michael Kitchen) is hauled away by the police for reasons not readily apparent. Forced to move to a small village, the family is held together by Mrs. Waterbury (Jenny Agutter, who played one of the Waterbury children in the 1970 film version), who ekes out a living by selling her stories to magazines. The three Waterbury siblings — Bobbie (Jemima Rooper), Peter (Jack Blumenau), and Phyllis (Clare Thomas) — try to help their mother make ends meet and take to spending time by the railroad, where they meet a host of eccentric acquaintances. Among them are the Station Master (Clive Russell), and a magnanimous railroad maven (Richard Attenborough), both of whom take a shine to the children.