Bovie Movie

James Mangold’s Walk the Line tells the life story of country music legend Johnny Cash (Joaquin Phoenix), focusing primarily on the long courtship he had with June Carter (Reese Witherspoon). The film is structured as an extended flashback opening with Cash readying to take the stage at his historic Folsom Prison Concert. The film touches on his childhood, relating a horrific early incident from his life and establishing the troubled relationship he would have with his father (Robert Patrick). Cash joins the military and leaves home. During his time in the armed services he begins writing songs and romances a hometown girl (Ginnifer Goodwin). After the end of his duty he settles down and attempts to begin a music career, but his wife has trouble adjusting to his dreams. Cash auditions for Sam Phillips (Dallas Roberts), signs to Sun Records, and soon finds himself on tour with a roster of young soon to be legends that includes Elvis Presley (Tyler Hilton) and Jerry Lee Lewis (Waylon Malloy Payne). On this tour he meets June Carter, the daughter of the famous Carter family, and they take a liking to each other although she refuses any serious advances from him. Cash gains world wide fame thanks in part to the inspiration he gets from June, but eventually his marriage crumbles and he develops a serious drug addiction. The film is based on Cash’s autobiographies. Phoenix and Witherspoon performed all of their own singing in the movie, just as Sissy Spacek and Beverly D’Angelo did in Coal Miner’s Daughter a quarter-century before.

The rousing, true-life story of a single dad who went from living on the streets to owning his own brokerage firm is brought to the big screen by superstar Will Smith, appearing for the first time opposite his real-life son Jaden Smith. Set in early-’80s San Francisco, the film charts the hard times and eventual comeback of Chris Gardner, a suddenly single salesman who has custody of his son, but finds that providing for the two of them is a challenge in the increasingly unstable economic climate. He struggles to work his way from unpaid intern at Dean Witter to something more substantial, even as life continues to offer him setbacks. Making his Hollywood debut, Italian director Gabriele Muccino was championed by Will Smith for the project.

The DVD of Goodfellas has got to be one of the very first DVDs ever released by Warner Brothers because they make a critical error in the release. While many films offer widescreen on one side and full screen on the other, this film offers only one version — a widescreen film broken into two sides. Viewers have to flip the DVD over to watch the second half of the film; 19 chapters are on side A and the last 15 chapters are on side B. Goodfellas is a classic film, and the DVD offers a great video transfer and excellent Dolby Digital 5:1 Surround, but no DVD fan will accept the two-sided format. In terms of extras, there are very few, limited only to theatrical trailers, production notes, and cast bios. For many, this Martin Scorsese classic is a must-have for any collection, but those who can wait for a future, corrected release of this film are better off watching the widescreen VHS tape. Language option in English and French and subtitles in English, French, and Spanish.

Point of Origin, produced by HBO, marks the feature directorial debut of accomplished cinematographer Newton Thomas Sigel (Three Kings, X-Men). The film is based on an actual serial arson investigation that took place in Glendale, CA, in the late ’80s and early ’90s. Ray Liotta stars in the film as John Orr, a skilled arson investigator with a sixth sense for finding the “point of origin,” the place where a fire was started. Orr also has a knack for locating the devices used to start the fires. Keith Lang (John Leguizamo), his ambitious young prot?g?, calls Orr “Professor.” Orr is stumped by a series of big fires, some fatal, which seem to have been set by the same arsonist. A commission is appointed to investigate the case, headed up by ATF agent Mike Matasso (Colm Feore) and fireman Mike Camello (Cliff Curtis). Orr uses his influence to get Lang appointed to the panel. But Matasso and Orr are immediately at odds with each other, as the ATF man seems to resent Orr’s efforts to maintain control of the investigation. Orr is also dealing with his troubled marriage to Wanda (Bai Ling) and is having an affair with the volatile Kate (Illeana Douglas). As he gets deeper into the case, trying to get inside the head of the criminal, Orr begins to worry that the arsonist has some kind of personal involvement with him. Then the commission uncovers a link to an earlier string of fires, and uncovers evidence that the arsonist may actually be a fireman. The actual investigators, Matasso and Camello, have cameos in the film, and Camello also served as one of the film’s technical advisors. These events were also the basis for Joseph Wambaugh’s book Fire Lover: A True Story.

James Cox directs the sleazy Hollywood murder tale Wonderland, starring Val Kilmer as legendary porn star John Holmes. Using a non-linear plot structure, the film explores different perspectives of the quadruple homicide that occurred on July 1, 1981, in the Hollywood Hills. At the lowest point of his career and the height of his drug addiction, Holmes was implicated in the murders of the Wonderland gang: Ron Launius (Josh Lucas), Billy Deverell (Tim Blake Nelson), Barbara Richardson (Natasha Gregson Wagner), and Joy Miller (Janeane Garofalo). Launius’ wife, Susan (Christina Applegate), was the only survivor. Led by Detective Sam Nico (Ted Levine), the police investigation reveals a dark criminal underworld surrounding Holmes, his disapproving wife, Sharon (Lisa Kudrow), and his innocent teenage girlfriend, Dawn Schiller (Kate Bosworth). Eric Bogosian stars as notorious Hollywood nightclub owner Eddie Nash. Wonderland premiered at the 2003 Toronto Film Festival.

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie’s room, making him think there might be something to Frank’s prophesies after all. The rest of Donnie’s world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie’s quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director’s cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly’s first cut of the film.

Completed in mid-1930, Scarface, based on Armitage Trail’s novel of the same name, might have been the first of the great talkie gangster flicks, but it was held up for release until after that honor was jointly usurped by Little Caesar and Public Enemy. Paul Muni stars as prohibition-era mobster Tony Camonte, a character obviously patterned on Al Capone (whose nickname was “Scarface”). The homicidal Camonte ruthlessly wrests control of the bootlegging racket from his boss, Johnny Lovo (Osgood Perkins), and claims Lovo’s mistress, Poppy (Karen Morley), in the bargain. But while Poppy satisfies him sexually, Tony has a soft spot in his heart only for his sister Cesca (Ann Dvorak). The film’s finale is one of the longest and bloodiest of the 1930s, maintaining suspense and concern for the characters involved even though Muni has deliberately done nothing to make Tony likeable to audience. The grimness of Scarface is leavened by a few choice moments of black humor. Forced to leave a stage production of Rain in order to commit a murder, Tony returns to his theater seat and anxiously asks his buddies how the play came out. Some of the film’s funniest moments belong to Vince Barnett as the mentally deficient, illiterate gangster secretary, who at one juncture gets so mad at a caller on the phone that he shoots the receiver. Scarface features a famous “‘X’ Marks The Spot” logo, inspired by news photos of gangland murders: whenever a character is killed, the letter “X” appears on screen in one form or another. Example: When a rival gangster (played by Boris Karloff) is killed at a bowling alley, the camera cuts to his bowling ball knocking down all the pins — a strike, denoted, of course, by an “X.” Producer Howard R. Hughes couldn’t release Scarface until he toned down some of the violence, reshot certain scenes to avoid libel suits, added the subtitle “The Shame of the Nation” to the opening credits, and shoehorned in new scenes showing upright Italian-Americans banding together to wipe out gangsterism. After its first run, Scarface was completely withdrawn from distribution on Hughes’ orders; the film would not be seen again on a widespread basis until it was reissued by Universal in 1979, shorn of 8 of its original 99 minutes.

Bret Easton Ellis’ dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with black comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father’s firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald Kimble (Willem Dafoe), a police detective, questions Bateman about the disappearance of Paul Allen (Jared Leto), whom Patrick murdered several days earlier. As Kimble stays on Bateman’s trail, Bateman’s mask of studied, distant cool begins to fall apart. American Psycho also features Reese Witherspoon as Bateman’s girlfriend, as well as Samantha Mathis, Chloe Sevigny, and Guinevere Turner; the latter also co-authored the screenplay. Controversy followed the production from the start, when speculation that Leonardo Di Caprio would play Bateman sparked concerns that he would lure preteens to an R-rated movie. Di Caprio soon bowed out of the project, and original leading man Bale was reinstated. Later, a group of Toronto residents attempted to block filming in that city after Canadian serial killer Paul Bernardo claimed that Ellis’ novel inspired his murder spree.

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be “completely legitimate.” A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. “The Commission” of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn’t want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there’s Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael’s long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael’s na?ve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather’s future plans.

Two self-styled criminal masterminds find themselves in a turf battle neither much cares about in this underworld story that balances comedy against drama. Alec Baldwin plays Mackin, a career thief who picks his jobs shrewdly and carefully, and prefers to spend his downtime with his collection of rare jazz LP’s and looking after his dog. Pointy (Michael Jai White) is a young upstart gangster trying to develop a taste for refinement and the good life. When Pointy sets up Mackin, Mackin is forced to retaliate, and before long both men and their associates are in the middle of a war neither is especially interested in winning, which begins to escalate in comic fashion. The skirmish eventually attracts the attention of a female cop (Rebecca De Mornay) who’s become interested in Mackin’s method of operation. Thick As Thieves received its world premiere at the 1999 Sundance Film Festival.