Bovie Movie

Kevin Costner directed and stars in this adaptation of David Brin’s science fiction novel The Postman (1985), first published in 1982 issues of Isaac Asimov’s Science Fiction Magazine. Costner’s return to directing after his Oscar-winning Dances With Wolves(1990) is a futuristic epic depicting the aftermath of a destructive war. Some 16 years from the present day, America has been turned into a wasteland of separated communities minus a national government. A vagabond (Costner) who travels through these little villages performing Shakespeare is captured by marauders known as the Holnists, and thrown into a totalitarian labor camp run by a Hitler-like dictator, General Bethlehem (Will Patton).

Making an escape, the drifter, known to some as “Shakespeare,” stumbles across an abandoned U.S. Postal Service jeep and dons the dead postal-worker’s uniform. With a scheme simply to get food, he sets out to deliver 15-year-old mail, proclaiming himself The Postman, and discovers that residents accept his lies about a restored United States government because they desperately need something to believe in. This hope leads to the thought that perhaps the United States of America could indeed be restored, so an unusually inspired young man, Ford (Laren Tate) is deputized with the “Neither snow, nor rain…” oath to become the country’s second Postman. At the town of Pineview, the attractive Abby (Olivia Williams), who has an impotent husband, asks The Postman to impregnate her. After Abby’s husband is killed during a raid by Bethlehem, she is taken prisoner but injures Bethlehem and makes an escape. Pregnant, she spends the winter nursing the wounded Postman in a snowbound cabin. When spring comes, they emerge to discover that Ford has organized an entire squad of mail deliverers who regard The Postman as a mythical hero. The Postman reluctantly accepts his messianic role in the rebirth of the country, even as it becomes clear that the rebel force must ultimately battle and defeat the Holnist army in order to regain the American Dream.

A nuclear weapon has been stolen by the most powerful gang in Paris’ treacherous, walled-in ghetto, and it’s up to a determined cop and a vigilante criminal in search of his sister to infiltrate the sector, save the girl, and get the bomb out of the bad guys’ hands in an action-packed tale produced by Luc Besson and directed by cinematographer Pierre Morel. The year is 2010, and a massive wall has been erected to keep the violence of the Paris ghetto confined to District B13. Within these walls, gangs rules the streets and law enforcement is powerless. This time the gangs have gone too far, though, and when the authorities realize that a nuclear weapon has been smuggled into the district, specially trained policeman and martial artist Damien is assigned the task of retrieving the weapon of mass destruction before Paris goes up in flames. He’s not going to be able to do it on his own, though, and when Damien learns that breakaway bad guy Le?to’s sister has been abducted by the very same gang, the pair soon forges a tentative partnership that merges the power of law enforcement with the anything-goes attitude of the criminal element.

A workaholic architect, frustrated in his job but determined to make a better life for his family, is bestowed with a powerful universal remote that allows him more control over his life than he ever knew possible in director Frank Coraci’s high-concept fantasy comedy. On the surface, Michael Newman (Adam Sandler) seems to have it all, yet with all the demands forced upon him by his ungrateful boss (David Hasselhoff), Michael finds that setting aside time to spend with his loving wife, Donna (Kate Beckinsale), and two picture-perfect children, Ben (Joseph Castanon) and Samantha (Tatum McCann), has grown increasingly difficult. When a frustrating bout with the television remote leads the overworked husband and father to a nearby Bed, Bath & Beyond in search of a universal remote with the power to control all of his electronic devices, a curious peek into the back room leads Michael into the company of eccentric employee and talented inventor Morty (Christopher Walken). It seems that Morty has created a device that will not only allow Michael complete control over his television and stereo, but his entire life as well. As Michael discovers that the remarkable device has the power to muffle the barks of the family dog, zoom himself past an irritating quarrel with his wife, and even allow him to travel back and forth through time to different points in his life, the rush of being able to skip straight to the good parts in life soon leaves him feeling as if he’s missing out on the total experience. Only when Michael begins to realize that the he has lost control of his life and the remote is now programming him does he finally learn that life is as much about the moments he’d rather forget as it is the moments he will always remember.

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard’s former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he’s saved by Rachael (Sean Young), Tyrell’s assistant and a replicant who’s unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian’s, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director’s cut that removed Deckard’s narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon.