Bovie Movie

Oceanic wise guys meet up with a small fish who has a big attitude in this computer-animated comedy. Don Lino (voice of Robert De Niro) is the patriarch of a family of sharks who lord over a bustling aquatic community based along a massive underwater reef. Don Lino has two sons, Frankie (voice of Michael Imperioli) and Lenny (voice of Jack Black); Frankie is a carnivorous tough guy who takes after his father, but Lenny is, at heart, a kind soul who has earned the ire of his dad by becoming a vegetarian. One of Don Lino’s cronies is Sykes (voice of Martin Scorsese), who runs a “whale wash” where Oscar (voice of Will Smith) scrubs aquatic mammals for a living. Oscar is a small but ambitious fish who dreams of making something of himself, and when a dropped anchor accidentally kills Frankie, Oscar is suddenly (if mistakenly) celebrated as “the shark killer.” Oscar’s overnight fame attracts the attentions of Lola (voice of Angelina Jolie), a slinky dragon fish who woos Oscar away from his steady date, Angie (voice of Ren?e Zellweger); however, Oscar strikes up a friendship with Lenny and has to decide what to do when Don Lino and Sykes decides it’s time to “take care” of the “different” shark. Also popping up in Shark Tale’s all-star voice cast are Peter Falk, Vincent Pastore, Ziggy Marley, and Katie Couric.

The return of director Terrence Malick to feature filmmaking after a twenty year sabbatical, this World War II drama is an elegiac rumination on man’s destruction of nature and himself, based on James Jones’ semi-autobiographical novel, his follow-up to From Here to Eternity. James Caviezel stars as Private Witt, a deserter living in peace and harmony with the natives of a Pacific island paradise. Captured by the Navy, Witt is debriefed by a senior officer (Sean Penn) and returned to an active duty unit preparing for what will be the Battle of Guadalcanal. As Witt goes ashore in the company of his fellow soldiers, they meet diverse fates. Sergeant Keck (Woody Harrelson) is killed by an exploding grenade. Captain John Gaff (John Cusack) is an intelligent, sober leader facing the destruction of his command because his commanding officer Colonel Tall (Nick Nolte) is bucking for a general’s star. Sergeant McCron (John Savage) loses his mind. Private Bell (Ben Chaplin) gets a “Dear John” letter from his beloved wife. However, as the U.S. troops advance up grassy slopes toward entrenched Japanese positions, it is Witt’s voiced-over ruminations on life, death, and nature that are the real heart and soul of The Thin Red Line (1998). Adrien Brody appears as Private Fife, the major character of Jones’ novel and the author’s alter-ego, although Fife has been relegated to a minor supporting role by Malick’s filmed adaptation.

A few innocent women experience a nightmare before Christmas in this bloody thriller. Billy Lenz, a severely maladjusted child, finally snaps under years of brutal treatment by his family, killing and eating them in an explosion of violence on Christmas Eve. For years, the Lenz house stands vacant, but in time it’s purchased and renovated as the new home for a college sorority. A few days before Christmas, a handful of sorority sisters — Dana (Lacey Chabert), Melissa (Michelle Trachtenberg), Kelli (Katie Cassidy), and Heather (Mary Elizabeth Winstead) — are enjoying a quiet evening with their house mother, Barbara MacHenry (Andrea Martin), exchanging gifts and swapping stories before heading home for holiday break. While Barbara remembers the story of Billy’s crimes, the atmosphere is peaceful until the young women receive the first in a series of disturbing telephone calls. Before long, they learn that Billy has escaped after years in a mental institution, and has come back to the house where he grew up to once again spill blood for the Christmas season. Black Christmas is a remake of the 1974 horror film of the same name by director Bob Clark, who later made a less-threatening film about the Yuletide season, A Christmas Story; Andrea Martin, who plays the house mother, also appeared in the 1974 film as one of the sorority girls.

The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro Gonz?lez I??rritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan’s other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon’s range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she’s bleeding severely, while police are convinced the attack is the work of terrorists. In Japan, Chieko (Rinko Kikuchi) is a teenage deaf-mute whose mother recently committed suicide. This despairing, confused girl experiences such rage and frustration that she causes her volleyball team to lose a match, and later yanks her underwear off and begins exposing herself to boys in a crowded restaurant. Chieko’s father then struggles to reach past the emotional distance which separates him and his daughter. Babel earned Alejandro Gonz?lez I??rritu the prize for Best Director at the 2006 Cannes Film Festival.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

In Death Proof — director Tarantino’s take on such peddle-to-the-metal shockers as White Line Fever — Kurt Russell stars as an engine-revving psychopath who prefers to take out his beautiful victims at 200 mph. Originally released into theaters on a double bill with Robert Rodriguez’s Planet Terror under the Grindhouse banner, Death Proof finds a group of ladies out on the town pitted against a mysterious figured named Stuntman Mike (Russell), whose vintage Dodge Charger has been partially modified to withstand even the most extreme auto collision. Though the maniacal driver himself always comes out relatively unscathed, the same certainly can’t be said for the poor young lass in his passenger seat — or anyone unfortunate enough to be on the road when the urge to kill strikes for that matter. With a list of potential road-kill candidates that includes Rose McGowan, Jordan Ladd, Rosario Dawson, and Vanessa Ferlito, Death Proof takes viewers on an adrenaline-infused drive that’s as sexy as it is shocking.

Director Stephen Frears’ tense adaptation of Jim Thompson’s novel The Grifters was one of a number of revival film noirs in the first half of the ’90s. Updating the setting to contemporary Los Angeles, the film follows a trio of con artists who are intent on out-foxing each other. Roy Dillon (John Cusack) is a simple, two-bit con, whose life is thrown into turmoil when his estranged mother Lilly (Anjelica Huston) returns home in an attempt to evade the law. Lilly doesn’t warm to Roy’s girlfriend Myra Langtry (Annette Bening), who is too similar to herself. Soon, the two women are competing for Roy in a battle that is more of a power struggle than a pursuit of affection, and the battle quickly turns dangerous. Huston was nominated for an Academy Award for her work.

Tim Burton directs the fantasy drama Big Fish, based on the book Big Fish: A Novel of Mythic Proportions by Southern writer/illustrator Daniel Wallace. Billy Crudup plays William Bloom, a young man who never really knew his dying father, Edward (Albert Finney) outside of the tall tales he told about growing up, making his way, and meeting his mother (played as a young woman by Alison Lohman and in older age by Jessica Lange). During Edward’s last days, William and his wife Josephine (Marion Cotillard) hold bedside vigil as the old man recollects elaborate memories of his youth (in which he is played by Ewan McGregor). Still doubting the the legends and folklore, William makes a journey to meet a mysterious woman (Helena Bonham Carter) from whom Edward had bought property. Steve Buscemi and Danny De Vito also star.