Bovie Movie

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, “loose cannon” LA detective Martin Riggs and Riggs’ partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what’s going on thanks to characterless character witness Joe Pesci, he can’t touch the villain because of “diplomatic immunity.” After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4.

Internationally acclaimed director and Japanese media phenomenon Takeshi Kitano follows up his well-regarded Kikujiro with this straight-ahead gangster saga with a cross-cultural twist. The film focuses on Yamamoto (Kitano), a yakuza forced out of the country when a gang war all but wipes out his clan. Armed with a fake credit card, a forged passport, and a bag of money, he journeys to the strange and foreign land of Los Angeles to join his half-brother Ken (Claude Maki), who works as a low-rent street tough alongside fast-talking hustler Denny (Omar Epps). With brutal efficiency, the poker-faced Yamamoto starts staking out turf and organizing Ken’s mob into one of the most powerful criminal syndicates in the city. As his gang grows in number and power, he is joined by Kato (Kitano regular Susumu Terajima), his former lieutenant from Japan, who entreats Little Tokyo’s pathological crime boss Shirase (Masaya Kato) to join the group. Yamamoto seems unstoppable until his gang runs afoul of the Mafia. Soon, all that he built quickly and bloodily starts to unravel as every member in his gang is marked for death. This film was screened at the 2000 Toronto Film Festival.

Shifty timber tycoon Gregory Stark (’Ryan O’Neal’ (qv)) is being systematically blackmailed and the use of regular private detectives have proved ineffective. Stark decides to call upon the services of the renowned, reclusive Daryl Zero (’Bill Pullman (qv)), supposedly the world’s greatest detective. Stark is very surprised to find himself discussing the intimate details of the case with Zero’s amiable associate Steve Arlo (’Stiller, Ben’ (qv)) who explains Zero’s propensity for never meeting with clients. Zero, using his two ‘obs’ of objectivity and observation, quickly discovers the identity of the blackmailer but continues the case in order to discover exactly why the seemingly ordinary Gloria Sullivan (’Kim Dickens’ (qv)) is attacking Stark in this fashion. As Zero becomes more engrossed in the case and, even worse for him, becomes personally involved with Gloria he is forced to decide between the blackmailer and his client!

Inspired more by the 1960s TV series than by the original Charles Addams New Yorker cartoons, The Addams Family proved to be one of the more successful of the TV shows-turned-movies of the 1990s. The film opens on a recreation of the magazine cartoon wherein the ghoulish Addamses prepare to pour hot oil upon a group of merry Christmas carolers. After a series of vignettes which establish the characters of Gomez (Raul Julia), Morticia (Anjelica Huston), Wednesday (Christina Ricci), Pugsley (Jimmy Workman) and family servants Lurch (Carel Struycken) and Thing (Christopher Hart), the plot proper gets under way. A stranger, played by Christopher Lloyd, shows up on the Addams doorstep, claiming to be long-lost Uncle Fester. It appears, however, that Lloyd is a ringer, in cahoots with attorney Tully Alford (Dan Hedaya) to strip the Addamses of their fortune. In their usual against-the-grain fashion, the Addams Family seems to delight in the possibility that they’re being hoodwinked-indeed, not even kidnapping or death threats dampen the Addams clan’s joy of living (or should we say dying?). The Addams Family served as the directorial debut of cinematographer Barry Sonnenfeld.

A group of wanna-be filmmakers and actors concocts a scheme to make a movie with a major star without having to pay him in this comedy. Bobby Bowfinger (Steve Martin) has struggled for years to make it in Hollywood with no real success; he’s convinced that he has to make his big break soon or it will be too late. Bobby has a script, and he has a cast, including an ingenue straight off the bus from Ohio (Heather Graham), a one-time regional stage star who fondly recalls her brief moment of glory (Christine Baranski), and a hunky aspiring matinee idol (Kohl Sudduth). He also has a young associate named Dave (Jamie Kennedy), who has a low-level job at a movie studio as a gofer — which means that he has keys to every part of the lot and can “borrow” whatever they need. All they need is a star, but without any money, how do they get one? Kit Ramsey (Eddie Murphy) is a leading action star, and he is obviously beyond Bowfinger’s budget. But Bobby has an idea: what if he tricked Kit into appearing in the film without his knowing it? Steve Martin also wrote the film’s screenplay, and former Muppets performer Frank Oz directs.

British filmmaker John MacKenzie directs the crime thriller Quicksand, based on the book by Desmond Lowden. Michael Keaton plays Martin Raikes, a New York banker who goes to Monaco to investigate some questionable transactions. He discovers that the shifty bank account belongs to film producer Lela Forin (Judith Godrëche), whose next movie stars former action star Jake Mellows (Michael Caine). The production company turns out to be closely associated with a group of gangsters who wish Martin was out of the picture. They frame him for murder and make it look like his bank received a profit. Martin and Lela team up against the gangsters. Quicksand was released straight-to-video in Europe.

The first effort from director Wes Anderson since his critically beloved The Royal Tenenbaums, The Life Aquatic With Steve Zissou finds the filmmaker re-teaming with a number of familiar faces, including Bill Murray, Owen Wilson, Anjelica Huston, and Seymour Cassel. Murray plays Steve Zissou, an eccentric and renowned oceanographer who has decided to seek out and enact mortal revenge on a shark that ate one of the men on his team. Along for the ride is Ned Plimpton (Owen Wilson), a young man who has joined Zissou’s crew after showing up claiming to be the seaman’s long-lost son and Zissou’s co-producer (and estranged wife), Eleanor Angelica Huston. As the expedition ensues, the two bond and Plimpton falls for a female journalist (Cate Blanchett) who is writing a piece on Zissou. The crew meets a host of obstacles on their journey, including pirates, kidnapping, and bankruptcy. Adding a flair of whimsy to the film’s aesthetic, the sea creatures and underwater scenes in the film have been created using stop-motion animation under the direction of Henry Selick, the man behind The Nightmare Before Christmas and James and the Giant Peach. The ensemble cast also includes Willem Dafoe, Jeff Goldblum, Michael Gambon, Noah Taylor, and Bud Cort.

Based on Scott Smith’s bone-chilling blockbuster 1993 novel, A Simple Plan is a bit of a departure for horror-film director Sam Raimi. Instead of flying eyeballs and dancing corpses, A Simple Plan is a taught crime thriller in the vein of Joel Coen’s Academy Award-winning Fargo. Set during the white winters of Minnesota, this story tells the eerie tale of Hank and Jacob Mitchell (played by Bill Paxton and Billy Bob Thornton) who, along with a buddy, find a downed single-engine plane buried in the snowy woods. Inside it is a decaying pilot and a bag carrying four million dollars in one-hundred-dollar bills. The men decide to hide the money until spring when the snow is melted and the plane is found. If no one notices the missing money at that time, they will split it and live a wealthy new life. A simple plan, right? Wrong. Much like Humphrey Bogart’s The Treasure of the Sierra Madre, things can only get worse, as distrust and greed creep into the minds of the principles. They find it difficult to decide which one gets to hold the money — and even more impossible to keep from dipping into the stash until spring. And so on. It also becomes increasingly tough to keep a secret of this magnitude. And if all this doesn’t get movie-goers’ right-brains working, it seems there are suspicious characters in town who just may be able to link them to the plane, forcing the more dangerous and bloody question of what to do with those people and how to cover their tracks.