Bovie Movie

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould’s square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis’s goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city’s criminal activities in the process. Caprice also gains proprietary rights to Manlis’s girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy’s next move to is unite the rest of the city’s crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice’s criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy’s long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they’ve been keeping an eye on. The various bad guys, heavily made up to resemble Gould’s cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe.

Superstars Mel Gibson and Danny Glover return with director Richard Donner for Lethal Weapon 3, the third in the phenomenally successful action series. In this film, Roger Murtaugh (Danny Glover) is only eight days away from retirement and his partner Martin Riggs (Mel Gibson) once again manages to get them both into hot water with the both LAPD and the bad guys, who this time are Jack Travis (Stuart Wilson) and a gang of hoodlums selling armor-piercing bullets. Joe Pesci returns as the fast-talking schmuck Leo Getz. A new addition to the cast is Rene Russo as Lorna Cole, a sergeant from internal affairs sent to investigate Riggs and Murtaugh, but who ultimately ends up falling in love with the caffienated Riggs.

Robin Hood, Douglas Fairbanks’ biggest (though not necessarily best) production of the silent era, represents the first time that many familiar of the elements of the Robin Hood legend were presented on screen. To bring the project to full fruition, Fairbanks and his wife Mary Pickford purchased the old Jesse Hampton studio in Santa Monica, and on that site constructed a near-lifesized replica of 12th century Nottingham. The humongous castle set was so awesome that Fairbanks became worried that his own performance might be dwarfed. It wasn’t: take our word for it. When first we meet Robin Hood, he is still the Earl of Huntington, preparing to joust with his bitter enemy Sir Guy of Gisbourne (Paul Dickey). Despite Sir Guy’s propensity for cheating, the Earl is victorious. Shortly thereafter, Huntington rides off to the crusades with Richard the Lionhearted (Wallace Beery). Upon learning that Prince John (Sam De Grasse), goaded on by Sir Guy, has usurped his brother Richard’s throne, Huntington returns to Nottingham in a new guise: dashing righter-of-wrongs Robin Hood. While robbing from the rich, giving to the poor, and bedevilling the villains, Robin romances the fetching Maid Marian (Enid Bennett). The film’s singular highlight is Fairbanks’ slide down a two-story tapestry, a bit of bravado accomplished by hiding a playground slide behind the huge cloth. As in all of Fairbanks’ films, Charlie Stevens, a grandson of Geronimo and Doug’s “mascot”, appears in several minor roles. Also appearing is Alan Hale Sr. as Little John, a role he’d repeat in the 1938 Errol Flynn Robin Hood, not to mention the 1950 swashbuckler Rogues of Sherwood Forest. Long thought lost, Douglas Fairbanks in Robin Hood (as the film was so copyrighted) was rediscovered in the early 1960s. Most current prints fail to do justice to Arthur Edeson’s glistening photography; also, some versions are stretch-framed to slow down the action to “normal” speed, a process that retards the marvelously fast pace instilled by star Fairbanks and director Allan Dwan. We recommend that you seek out a good-quality, tinted print of Robin Hood, processed at the slightly faster-than-life speed at which it was originally filmed.

Borrowing liberally from the French film La Totale, this is an action picture, domestic comedy, and political thriller rolled into a crowd-pleasing ball of entertainment. Producer James Cameron wrote and directed the film. Henry Tasker (Arnold Schwarzenegger) is a workaholic computer salesman neglecting his mousy wife Helen (Jamie Lee Curtis), a legal secretary. Simon (Bill Paxton) seduces Helen with the lie that he is a secret agent; he’s really a used car salesman. Harry suspects that Helen is cheating on him, and he sends a few colleagues to kidnap them. Helen then discovers that Harry is a secret agent by night, working for a shadowy group called the Omega Sector. Harry and his partner Gib (Tom Arnold) are trying to find four nuclear warheads that have disappeared from a former Soviet republic.

Vin Diesel returns as the nocturnally gifted antihero Riddick in this sequel to the 2000 cult item Pitch Black. Riddick, on the run from the law and evading mercenaries eager to claim the price on his head, seeks refuge on the planet of Helion, only to discover he’s walked into a world in chaos. Helion has been seized by the Lord Marshall (Colm Feore), leader of the Necromongers, a race of bloodthirsty warriors determined to wipe out humanity throughout the universe. Aereon (Judi Dench), leader of Helion’s “elementals,” pleads with Riddick to join them in their fight for survival; Riddick agrees, hoping to fill out some of the blank chapters in his history along the way. As he plots his battle strategy against the Necromongers, Riddick becomes reacquainted with Kyra (Alexa Davalos), whom he knew as a girl but has since grown into a strong and beautiful woman eager to join him in the fight against the Lord Marshall.

Bruce Willis returns as misfit cop John McClane in the third film in the Die Hard series. McClane has fallen on hard times; after moving to New York City and breaking up with his wife, he’s developed a drinking problem and has been suspended from the NYPD. However, his past comes back to haunt him in the form of Simon (Jeremy Irons), a terrorist bomber who has been using McClane as his contact as he plants a series of bombs in public places and gives McClane inane “clues” to their whereabouts in the form of riddles and bizarre games. McClane soon discovers he’s been involved in Simon’s scheme as part of a personal grudge; while associated with an international terrorist group, Simon is also the brother of the man McClane threw off the side of a skyscraper several years back (in the original Die Hard). Now McClane, with the help of a Harlem shopkeeper named Zeus (Samuel L. Jackson), has to find out where Simon has planted the bombs, guess where he’ll strike next, and try to find his base of operations before more bombs go off and thousands of people die. The supporting cast features Graham Greene and Colleen Camp; singer Sam Phillips made her acting debut as a member of Simon’s terrorist group (Phillips never speaks, so as to not to reveal her Texas accent).

This film is a ’90s version of the classic Robin Hood story, with Kevin Costner starring as the good-guy thief. Costner is joined in his efforts against the murdering Sheriff of Nottingham (Alan Rickman) by Morgan Freeman who plays a philosophizing Moor, and by Nick Brimble, who plays Little John (anything but little). After Robin barely survives a watery skirmish with Little John, the two become allies and Robin joins forces with Little John’s band of robber thieves to overcome the evils of the dastardly Nottingham sheriff.

Matthew McConaughey stars as explorer and adventurer Dirk Pitt in this adaptation of the best-selling novel by Clive Cussler. Pitt thinks he may have found both a fortune and the answer to a long-standing mystery when he discovers a rare coin in the waters of a river in West Africa. During the Civil War, an ironclad battleship with a valuable cargo went missing, and Pitt’s theory is that the coin places the ship somewhere in the Sahara Desert. Pitt and his goofy sidekick, Al Giordino (Steve Zahn), set out to find it, but along the way they make the acquaintance of Dr. Eva Rojas (Pen?lope Cruz), a scientist and physician who is trying to determine the source of a strange and deadly disease sweeping the nation. As Eva joins Dirk and Al, they begin to wonder if the mysteries they’re trying to uncover might be somehow linked. Sahara was only the second of Cussler’s Dirk Pitt adventures to be adapted for the screen; the first, 1980’s Raise the Titanic, was publicly dismissed by the author.

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late ’60s and early ’70s.

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, “loose cannon” LA detective Martin Riggs and Riggs’ partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what’s going on thanks to characterless character witness Joe Pesci, he can’t touch the villain because of “diplomatic immunity.” After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4.