Bovie Movie

The plot of this Raymond Chandler-esque comedy crime caper from the Coen Brothers (Joel Coen and Ethan Coen) pivots around a case of mistaken identity complicated by extortion, double-crosses, deception, embezzlement, sex, pot, and gallons of White Russians (made with fresh cream, please). In 1991, unemployed ’60s refugee Jeff “The Dude” Lebowski (Jeff Bridges) grooves into his laid-back Los Angeles lifestyle. One of the laziest men in LA, he enjoys hanging with his bowling buddies, pompous security-store owner Walter Sobchak (John Goodman) and mild-mannered ex-surfer Donny (Steve Buscemi). However, the Dude’s life takes an alternate route the afternoon two goons break into his threadbare Venice, California, bungalow, rough him up, and urinate on his living room rug. Why? Because Jackie Treehorn (Ben Gazzara) is owed money by the wife of a certain Jeff Lebowski. However, the goons grabbed the wrong Jeff Lebowski. With the right info, they would have invaded the home of philanthropic Pasadena millionaire Jeffrey Lebowski (David Huddleston). The Dude looks up his wealthy namesake, manages to get a replacement for his rug, and meets the millionaire’s sexy young wife Bunny (Tara Reid). Later, Jeffrey (”The Big”) Lebowski calls in the Dude to deliver a $1 million ransom for the return of his kidnapped wife. Fine — except that Walter intrudes and botches the ransom drop. As events unravel, the Dude gets caught up in the schemes of Lebowski’s daughter, erotic artist Maude (Julianne Moore), encounters both cops and bad guys, and drifts through an elaborate bowling fantasy sequence titled Gutterballs. The soundtrack includes Bob Dylan, Yma Sumac, Moondog, Captain Beefheart, and the Sons of the Pioneers.

The DVD of Goodfellas has got to be one of the very first DVDs ever released by Warner Brothers because they make a critical error in the release. While many films offer widescreen on one side and full screen on the other, this film offers only one version — a widescreen film broken into two sides. Viewers have to flip the DVD over to watch the second half of the film; 19 chapters are on side A and the last 15 chapters are on side B. Goodfellas is a classic film, and the DVD offers a great video transfer and excellent Dolby Digital 5:1 Surround, but no DVD fan will accept the two-sided format. In terms of extras, there are very few, limited only to theatrical trailers, production notes, and cast bios. For many, this Martin Scorsese classic is a must-have for any collection, but those who can wait for a future, corrected release of this film are better off watching the widescreen VHS tape. Language option in English and French and subtitles in English, French, and Spanish.

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award.

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg’s study of the sexual dimension of man’s relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film’s American release. But though some have leveled charges of pornography, James’ descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film’s point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore’s superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes.

Booted from the hoosegow just days before the eagerly anticipated guards-versus-inmates ball hockey championship, Ricky (Rob Wells), Julian (John Paul Tremblay), and Bubbles (Mike Smith) hatch a plan to pull off the biggest heist of their criminal career as Sunnyvale Trailer Park’s most incompetent criminals make their way to the big screen. Christened “The Big Dirty,” the trio’s ambitious plan to steal large quantities of untraceable change soon hits a hitch when sidetracked Ricky prepares to make the ultimate commitment to longtime girlfriend Lucy and Julian crosses her new boss with disastrous results. It seems that in addition to having her bust-size upgraded while the trio was incarcerated, Lucy also landed a job working at the nearby Gentleman’s Club. When Julian goes to the club and falls for shapely dancer Wanda, temperamental proprietor Sonny quickly loses his cool. With the day of the Big Dirty fast approaching, the boys do their best to train hair-brained criminal assistants Cory and Trevor in the fine art of the heist. Of course anyone who knows he Trailer Park Boys knows well that even their most foolproof plans have a way of springing a leak, and somewhere between the helicopter chase, the shootout, and the booze-soaked game of Sunnyvale Chicken waged against trailer park supervisor Mr. Lahey and his cheeseburger-chomping assistant Randy everything seems to just fall apart.

In this adaptation of Ian Fleming’s 1955 novel, James Bond (Roger Moore) must thwart Sir Hugo Drax (Michel Lonsdale), who plans to wipe out all of humankind and replace it with a super race that he has cultivated in a massive space station. The girl in the case is American secret agent Holly Goodhead, intelligently played by Lois Chiles. “Jaws,” the steel-mouthed henchman played by Richard Kiel in The Spy Who Loved Me (1977), makes a return appearance in Moonraker, turning good guy (complete with a girlfriend of his own) in the process. Bernard Lee makes his last appearance as “M” in this most costly of James Bond’s 1970s escapades.

The sons of a Chicago fireman who gave his life in the performance of his duties, firefighting brothers Kurt Russell and William Baldwin carry their lifelong sibling rivalry into their work. Russell is convinced that Baldwin hasn’t got what it takes to remain in the fire department. Baldwin is transferred to a “safe” assignment, assisting arson investigator Robert DeNiro, who is trying to make sense of a series of fires involving an oxygen-induced ball of fire called a backdraft. The investigation reveals a link between corrupt alderman J. T. Walsh and imprisoned pyromaniac Donald Sutherland. The trail of evidence leads Baldwin to suspect that his brother Russell, a much-decorated hero, may be the “inside” man setting up the arsons.

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late ’60s and early ’70s.

This (13th) time around, “007″ receives the usual call to come and visit “Mother” when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby’s. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare.

Lauren Weisberger’s best-selling novel about a young woman who stumbles into the hectic worlds of high fashion and publishing comes to the big screen in this comedy. Andrea “Andy” Sachs (Anne Hathaway) is a bright young woman from the Midwest who has just graduated from college and wants to work as a magazine writer. Andy has applied for a job at “Runway,” America’s most prestigious fashion journal; though Andy has little to no interest in the garment trade, they are one of the only magazines in New York with a job opening — second assistant to editor Miranda Priestly (Meryl Streep). As Andy quickly learns, Miranda is a diva with plenty of power within the magazine business and she isn’t afraid to use it, and though Andy lands the job (primarily by being in the right place at the right time), she soon learns that working for Miranda could test the patience of a saint thanks to her endless demands and refusal to acknowledge the end of a work day. Andy struggles to hold on to the job and her sanity, knowing that a recommendation from Miranda can open nearly any door at any magazine, but can she handle the pressure without losing her mind along the way? The Devil Wears Prada also stars Stanley Tucci, Emily Blunt, and Adrian Grenier.