Bovie Movie

Famed producer Dino De Laurentiis tries to steal the thunder from Jaws, then the top-grossing film of all-time, in this big budget remake of King Kong. (De Laurentiis related his tactics to Tom Snyder: “When Jaws dies, nobody cries. When Kong dies, they all cry.”) Updated to the 1970s, the original Robert Armstrong character is now Fred Wilson (Charles Grodin), a big-shot oil magnate from Petrox Oil, looking for new petroleum deposits on a recently discovered Pacific island. Jack Prescott (Jeff Bridges) is a counter-culture paleontologist, stowing away on Wilson’s ship, who warns that they are headed for “Skull Island,” where prehistoric monsters still live and roam free. Also along for the ride is Dwan (Jessica Lange, in her film debut), a down-on-her-luck starlet, shipwrecked in the ocean after the sinking of a yacht. She really becomes down-on-her-luck when the group lands on the island and a giant ape, Kong, takes a shine to her. Kong kidnaps her and Dwan takes umbrage when the ape tries to remove her clothes by shouting, “You male chauvinist ape!” But Prescott comes to her aid and rescues her from the gorilla’s big mits. Wilson, seeing money to be made on Kong, locks him in the cargo hold of his ship and transports him to New York City. Once there, Kong manages to escape and wreak havoc upon the beleaguered town, before being compelled to climb up the World Trade Center for sanctuary.

A clandestine love affair sends one man’s charmed life into a tailspin in this dark, disturbing drama written and directed by Woody Allen, his first film set and shot in Great Britain and one his few films sans any humor. Chris Wilton (Jonathan Rhys-Meyers) is an Irish tennis player with an impoverished background. Just accomplished enough to make his way onto the professional circuit, but not skilled enough to be a consistent winner, he now works as an instructor at a London tennis club. The wealthy Tom Hewett (Matthew Goode), who is as impressed by Chris’s charm and good looks as he is by his game, takes a tennis lesson from the young man. Chris’s intelligence and wit also make a strong impression on Tom’s pretty sister, Chloe (Emily Mortimer), who soon falls for him. It isn’t long before Chris and Chloe are engaged to be married, a match that pleases both Tom and his father, Alec (Brian Cox), a successful businessman who believes Chris has a bright future in his firm. However, Chris also feels an overwhelming attraction to Nola Rice (Scarlett Johansson), a sexy blonde from the United States who is dating Tom. Though Nola initially puts up some resistance, Chris gently nudges her in the direction of an affair. Passion soon ignites between the two, and they have a one-time sexual encounter, even as Chris and Chloe plan their wedding. Nola resists, however, when Chris makes additional attempts to wheedle her into bed. Nola drops out of Chris’s life shortly before his wedding, but a chance meeting a few months later resurrects the relationship as Chris and Chloe try to start a family. Match Point received its world premiere in an enthusiastically received presentation at the 2005 Cannes Film Festival.

A director of contemporary comedies, Charles Shyer makes a genre leap into period costume drama with this lavish epic based on a controversial chapter of French history. Hilary Swank stars as Jeanne de la Motte Valois, a countess whose royal title has been stripped from her family by the crown in late 18th century. Determined to restore her good name and privilege, Jeanne schemes politically and sexually with a trio of co-conspirators that includes her gigolo lover, Retaux de Villette (Simon Baker), her husband, Nicolas (Adrien Brody), and a mysterious Italian count (Christopher Walken) to obtain a diamond necklace worth millions. Jeanne’s cabal concocts a series of forged letters linking Marie Antoinette (Joely Richardson) and the stunning 2,800-carat jewelry to the debauched Cardinal Louis de Rohan (Jonathan Pryce), an act that could end up restoring rank to the Valois family or fanning the flames of growing revolutionary sentiments. The Affair of the Necklace (2001) co-stars Brian Cox as the narrator Minister Breteuil.

Tobe Hooper, who directed one of the truly iconic American horror films of the 1970s, The Texas Chainsaw Massacre, offers his take on another well-remembered scare-fest of the era with this remake. Steve (Brent Roam) and Nell (Angela Bettis) are a young couple living in Los Angeles who are short on money — she’s just started work as a teacher, while he’s a medical student doing his internship. They rent a flat in the Lusman Arms, a once beautiful but now decaying (and therefore affordable) apartment building managed by the sleazy Byron McLieb (Greg Travis), who tries to pass off the ramshackle accommodations as “charming” and “historic.” Watching over the Lusman Arms beside Byron is Ned (Adam Gierasch), a greasy simpleton who serves as the building’s handyman. Steve and Nell haven’t been living at the Lusman especially long when she notices that a growing number of young women living in the building have been meeting a violent death, and with some help from good-hearted part-time actor “Jazz” Rooker (Rance Howard), she begins looking into the murders and makes some disturbing discoveries about both the building management and her fellow tenants.

Can a beautiful and internationally famous American actress find happiness with a frumpy British bookstore clerk? She can — at least for a while, it seems — in Notting Hill. William Thacker (played by Hugh Grant) is a bookseller at a shop in the Notting Hill district in West London, who shares a house with an eccentric Welsh friend, Spike (Rhys Ifans). One day, William is minding the store when in strolls Anna Scott (Julia Roberts), a lovely and well-known actress from the United States who is in London working on a film. She buys a book from William, and she is polite and charming in the way a famous actress would be with a star-struck sales clerk. Their relationship would logically end there, if William didn’t run out a few minutes later to buy some juice. While dashing back to the shop, he bumps into Anna on the street, spilling juice all over her blouse. Since he lives nearby, William politely offers to let her stop by his house to clean up; since William seems harmless enough, Anna agrees. When Anna has to stop back to pick up a bag she left at William’s house, they kiss — just in time for Spike to show up. A romance slowly blooms as his friends and family (not to mention the world at large) wonder out loud what he’s doing dating a movie star. Notting Hill reunites Hugh Grant with producer Duncan Kenworthy and screenwriter Richard Curtis, who previously worked together on the international hit Four Weddings And A Funeral.

When Catherine Spaak’s husband dies, she discovers a hitherto hidden room on their estate. The room is surrounded by mirrors and curious sexual devices; when Spaak takes a peek at hubby’s diary, she learns he was carrying on a secret life that made Sacher-Masoch and Krafft-Ebbing look like pikers. Deciding that if you can’t beat ‘em, join ‘em, Spaak begins to conduct her own kinky sex life. Doctor Jean-Louis Trintigant, who sincerely loves Spaak, tries to deflect her from whips, boots and handcuffs, but before long he too succumbs to the seductions of aberrant behavior. Libertine was originally released in Italy as La Matriarca.

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi’s Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs, and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. set gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn’t any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn acquires his late father’s flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad’s death, the mysterious space sludge infects both Peter’s Spider Man suit and ambitious street photographer Eddie Brock (Grace). His strange new suit giving him a newfound sense of power as it gradually overpowers his personality, Peter discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider Man to fend off destructive forces that are far too powerful for the likes of mortal man.

After making a striking directorial debut with her screen adaptation of The Virgin Suicides, Sofia Coppola offers a story of love and friendship blooming under unlikely circumstances in this comedy drama. Bob Harris (Bill Murray) is a well-known American actor whose career has gone into a tailspin; needing work, he takes a very large fee to appear in a commercial for Japanese whiskey to be shot in Tokyo. Feeling no small degree of culture shock in Japan, Bob spends most of his non-working hours at his hotel, where he meets Charlotte (Scarlett Johansson) at the bar. Twentysomething Charlotte is married to John (Giovanni Ribisi), a successful photographer who is in Tokyo on an assignment, leaving her to while away her time while he works. Beyond their shared bemusement and confusion with the sights and sounds of contemporary Tokyo, Bob and Charlotte share a similar dissatisfaction with their lives; the spark has gone out of Bob’s marriage, and he’s become disillusioned with his career. Meanwhile, Charlotte is puzzled with how much John has changed in their two years of marriage, while she’s been unable to launch a creative career of her own. Bob and Charlotte become fast friends, and as they explore Tokyo, they begin to wonder if their sudden friendship might be growing into something more.

Radio legend and 3-D pioneer Arch Oboler brings his story, Alter Ego, to the screen in a low-budget yarn that benefits from a strong cast and direction. Joan Ellis (Phyllis Thaxter) hears a voice in her head (in flashbacks) shortly before she is to be married. She flees to another city and even takes up with another man to rid herself of the voice, but random words bring it back at unexpected moments. The voice ultimately tells her to kill her husband-to-be, and when a psychiatrist (Edmund Gwenn) determines on the eve of her execution that Joan is possessed by a split personality, a struggle ensues to see which one will survive. Oboler uses radio techniques and tense scripting to bring his thriller to visual life.

When the notoriously evil Chucky doll and his lover gave birth, they had no idea that their spawn would grow up to be a peace-loving kind of guy; however, that’s exactly what Glen turns out to be: a gentle soul who is horrified at what he has been told about his family. After hearing the news of a film being made about his parents’ murderous legacy, Glen sets off for Hollywood, where he promptly brings Chucky and Tiffany back to life. Far from diving into doting fatherhood, Chucky is seriously disappointed in his son’s lack of inherent evil and tries his best to impart his vast knowledge of all things malevolent before Glen becomes some sort of do-gooder. Elsewhere, Tiffany finds that she will be played by Jennifer Tilly in their movie and doesn’t hesitate to let her son in on their family’s most cherished tradition — killing sprees. Directed by Don Mancini, Seed of Chucky features Brad Dourif returning as the voice of Chucky, while Tilly plays both herself and Tiffany. The offspring of the evil pair, Glen, is voiced by Lord of the Rings star Billy Boyd. Cult film director John Waters also makes an appearance, as does hip-hop artist Redman.