Bovie Movie

Homer’s sprawling tale of love and war in ancient Greece comes to the screen in all its grandeur in this epic-scale adventure. In 1193 B.C., Paris, Prince of Troy (Orlando Bloom), has fallen in love; however, the beautiful woman who has beguiled him is Helen, Queen of Sparta (Diane Kruger), who is wed to King Menelaus (Brendan Gleeson). While Helen is hardly immune to Paris’ charms, this doesn’t blunt Menelaus’ fury when Paris steals her away from him. Menelaus’ brother Agamemnon (Brian Cox), the power-hungry king of the Mycenaeans, is eager to expand his empire through Troy to the lands of the Aegean Sea, and he uses Paris’ romantic slight against Menelaus as an excuse to wage an all-out war against the great walled city. Priam, King of Troy (Peter O’Toole), summons his armies, led by Prince Hector (Eric Bana), to meet the onslaught of Agamemnon’s forces, but while the great city has yet to yield in a battle, Agamemnon has a formidable ally — Achilles (Brad Pitt), a mighty and seemingly unstoppable warrior whose presence could tip the scales in Agamemnon’s favor. Sean Bean, Julie Christie, Saffron Burrows, and Rose Byrne highlight the film’s supporting cast.

Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman’s turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he’s grown cynical and is convinced that he has no reason to go on. Lester’s relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she’s in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she’s unattractive. Her problems aren’t helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn’t the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.

Based on the Alberto Moravia novel, Husbands and Lovers examines a modern couple’s untraditional open marriage.

New Yorkers get a crash course in the more dangerous aspects of moving to the country and buying a “handyman’s special” in this thriller from award-winning director Mike Figgis. Cooper and Leah Tilson (Dennis Quaid and Sharon Stone) are a wealthy couple who have grown tired of the high stress of life in New York City and are looking to move to someplace with more breathing room. Upstate, they find a mansion in the village of Cold Creek which has fallen into disrepair after it was repossessed. Convinced the house has great possibilities, The Tilsons buy it, and with a little hard work Cooper, Leah, and their two children are soon living in their dream home. Unknown to The Tilsons, the house used to belong to a lifelong Cold Creek resident named Dale Massie (Stephen Dorff), a ne’er-do-well who ended up behind bars. After he’s released from prison, Massie makes it clear to the new owners that he wants his home back, and before long Cooper and Leah begin learning the disturbing truth about the history of the mansion — and that many Cold Creek residents don’t take kindly to new arrivals. Cold Creek Manor also stars Juliette Lewis and Christopher Plummer.

Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film’s opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend’s mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible.

Producer Joel Silver, director Tony Scott, and screenwriters Shane Black and Greg Hicks team up for this gridiron-set action thriller. Bruce Willis stars as Joe Hallenbeck, who was once a top-of-the-line Secret Service agent but has since become an alcoholic, flea-bag detective. While performing the chores of a two-bit shamus, he discovers his wife Sarah (Chelsea Field) is having an affair with his best friend. Joe is hired to protect Cory (Halle Berry), a stripper who has been getting death threats; Joe begins to sober up when Cory is blown to smithereens. Cory’s boyfriend, Jimmy Dix (Damon Wayans), was at one time a NFL football quarterback, but was thrown out of the game for gambling and addiction to Demerol. Smelling something fishy, Joe and Jimmy begin to investigate further and discover layers of corruption in professional football circles, leading up to Sheldon Marcone (Noble Willingham), a corrupt team owner who wants to pay off legislators to legalize gambling on pro football games.

The feature-film debut of multi-talented Clive Barker, this grim and surreal project is based on the writer-director’s own novella The Hell-Bound Heart. The film opens with a chilling prologue in which globe-trotting pervert Frank (Sean Chapman) — a connoisseur of sexual depravity seeking the ultimate sensual experience — purchases a small, intricate puzzle box from an unseen dealer in an unspecified country. Upon solving the puzzle, Frank opens the door to a hellish alternate universe and is promptly torn to ribbons by a network of hooks and chains; his strewn body parts are subsequently collected by the Cenobites — grotesque, S&M-clad denizens of hell. The story continues several years later, when Frank’s brother, Larry (Andrew Robinson), moves into Frank’s abandoned house with his daughter, Kirsty (Ashley Laurence), and his new wife, Julia (Clare Higgins). An accident causes some of Larry’s blood to spill on the attic floor, which somehow triggers Frank’s hideous resurrection. His body only half-composed, Frank seeks the tacit assistance of Julia — with whom he had once had a torrid sexual liaison — in restoring him to human form. Still secretly in love with Frank, Julia assists him by seducing men from the town and bringing them back to the house so her undead lover can drain their bodies of blood. Her increasingly furtive behavior arouses the suspicions of Kirsty, who had already moved to an apartment to get away from her despised stepmother. After following Julia and her next potential victim home, Kirsty comes face-to-face with the still incomplete Frank, narrowly escaping with her life…and with the puzzle box. After losing consciousness, Kirsty awakens in the hospital, where she manages to solve the box’s intricate mechanism and summon a trio of Cenobites — including their apparent leader (played by Doug Bradley and dubbed “Pinhead” on subsequent sequels) — who are prepared to claim her. In desperation, Kirsty offers them a bargain in which they agree to spare her soul if she leads them to Frank. Kirsty soon returns home to find Julia with her father… whose behavior has become disturbingly unnatural. Realizing that her father has become Frank’s next victim — and that her uncle is now walking around in his brother’s skin — Kirsty hands Frank over to the Cenobites, who have particularly evil plans for their old friend.

Diane Lane is a wayward wife and Richard Gere is her suspicious husband in Adrian Lyne’s Unfaithful. Connie (Lane) leaves her suburban home on an errand, venturing into Manhattan during a wicked windstorm. On a trash-strewn Soho street, she literally runs into Paul Martel (Olivier Martinez), a handsome young Frenchman carrying a huge stack of books. Connie has a bad scrape on her knee, and is unable to get a cab, so Paul invites her up to his apartment. Paul is quietly flirtatious as he gives Connie some ice and a bandage for her knee. Connie phones home and explains to her son, Charlie (Erik Per Sullivan), that she’s running late. Before she leaves, Paul gives her a book of Persian poetry, The Rubaiyat of Omar Khayyam. She mentions the encounter in passing to Edward (Gere), her husband, but it’s clear that she’s obsessing about Paul, and soon she’s back in the city, with a pretext for calling him up. Soon, they are lovers, and they grow bolder and bolder in their passion. Edward begins to suspect, and eventually gets a private investigator (Dominic Chianese of The Sopranos) to follow Connie. His worst fears confirmed, Edward decides to confront Paul, a decision that will come to haunt him. While the screenplay for Unfaithful is credited to Alvin Sargent (Ordinary People) and William Broyles Jr. (Cast Away), the inspiration for Lyne’s film came from Claude Chabrol’s acclaimed 1969 film La Femme Infidele.

A Perfect Murder is based on Frederick Knott’s play Dial M for Murder, filmed by Alfred Hitchcock in 1954. Married to commodities trader Stephen Taylor (Michael Douglas), Emily Bradford (Gwyneth Paltrow) is romantically involved with artist David Shaw (Viggo Mortensen). Aware of this affair, Stephen researches David’s past, visits his loft studio, and informs David that he knows about his aliases, jail sentences, and various cons and scams directed at rich women. Then Stephen offers David $500,000 to murder Emily, and David agrees. The plan is calculated to make the murder look like an accident, but events soon go on an unscheduled course. Enter Detective Mohamed Karaman (David Suchet). Knott’s original play opened June 1952 in London, followed by a New York run that began October 1952. Several books and sources describe how Hitchcock’s film was made in 3-D but neglect to mention that, despite trade screenings in 3-D, Dial M for Murder was originally released in 1954 with ordinary, flat 2-D prints. It was finally shown to audiences in 3-D during the mid-’80s.