Bovie Movie

Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the Toast of Tinseltown. While Lockwood and Lamont personify smoldering passions on screen, in real life the down-to-earth Lockwood can’t stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O’Connor), Don’s best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R. F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That’s all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle “The Dueling Cavalier”? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter: put as charitably as possible, she has a voice that sounds like fingernails on the blackboard. The disastrous preview of the team’s first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin’ in the Rain is a delight. But with the addition of MGM’s catalog of Arthur Freed-Nacio Herb Brown songs — You Were Meant for Me, You Are My Lucky Star, The Broadway Melody, and of course the title song — the film becomes one of the greatest Hollywood musicals ever made.

Based on a novel by Elleston Trevor, director John Moore’s The Flight of the Phoenix is a remake of a 1965 film of the same name starring film icon James Stewart. The story revolves around the plight of Captain Frank Towns (Dennis Quaid), a pilot whose C-119 cargo plane full of oil workers could not withstand the violent winds of a desert sandstorm. Stranded in the harsh terrain of Mongolia’s Gobi Desert (a departure from the original, in which the plane crashed in the Sahara), Frank and his navigator face an equal challenge in maintaining order among the survivors. The group of oilmen had planned on an uneventful trip to shut off a group of rigs falling below their productivity expectations — not fending for their very lives. Before long, some men are revealed as cowards, while others exhibit a surprising show of strength, all the while hoping that the wreckage of the original plane can be salvaged before a Lord of the Flies situation occurs. Miranda Otto is featured in a supporting role, as well as Giovanni Ribisi and Tyrese Gibson.

Donnie (Jake Gyllenhaal) is a bright and charming high-school student who also has a dark and willfully eccentric side; he does little to mask his contempt for many of his peers and enjoys challenging the authority of the adults around him. Donnie is also visited on occasion by Frank, a monstrous six-foot rabbit that only Donnie can see who often urges him to perform dangerous and destructive pranks. Late one night, Frank leads Donnie out of his home to inform him that the world will come to an end in less than a month; moments later, the engine of a jet aircraft comes crashing through the ceiling of Donnie’s room, making him think there might be something to Frank’s prophesies after all. The rest of Donnie’s world is only marginally less bizarre, as he finds himself dealing with his confused parents (Mary McDonnell and Holmes Osborne), his college-age sister (Maggie Gyllenhaal), his perplexed analyst (Katherine Ross), a rebellious English teacher (Drew Barrymore), a sleazy self-help expert (Patrick Swayze), and the new girl at school who is attracted by Donnie’s quirks (Jena Malone). Donnie Darko was the first feature film from writer and director Richard Kelly; Drew Barrymore, who plays teacher Karen Pomeroy, also lent her support to the project as executive producer. A director’s cut played in select theaters on a limited basis in the summer of 2004, featuring original music cues and trimmed scenes originally in Kelly’s first cut of the film.

Director John Woo brings Hong Kong-style martial arts action to this comic book-flavored sequel that eschews the complicated plot and political maneuverings of its predecessor in favor of pure, adrenaline-charged thrills. Tom Cruise returns as Ethan Hunt, an operative for the top-secret government agency IMF (Impossible Missions Force). Fellow agent Sean Ambrose (Dougray Scott) has gone rogue, stealing a sample of a deadly synthetic virus named Chimera that could rapidly wipe out the world’s population. Ambrose’s plan is to sell Chimera to the highest bidder in exchange for shares of stock in the winner’s company. Summoned by the new IMF chief (Anthony Hopkins in an uncredited cameo role), Ethan is assigned to recruit the help of Ambrose’s former lover Nyah Nordoff-Hall (Thandie Newton), a gorgeous woman who left Ambrose broken-hearted and who may be able to quickly regain his confidence. Once he meets and spends a night with Nyah, however, Ethan is smitten, and now must both capture Ambrose and keep Nyah alive as she infiltrates a nest of vipers. Sophisticated disguises, gun battles, and high-speed chases are the order of the day, very much in the James Bond mold. Mission: Impossible 2 is based on a story by Star Trek: The Next Generation writers Ronald D. Moore and Brannon Braga, with a script polish by Robert Towne.

Two low-level American crooks head to Australia, where they match wits with a kangaroo (who appears to have an intellectual edge on his pursuers) in this broad comedy. Charlie Carbone (Jerry O’Connell) is a hairdresser from Brooklyn whose best friend, Louis Booker (Anthony Anderson), scrapes together a living moving stolen merchandise. Charlie’s stepfather, Sal Maggio (Christopher Walken), is a crime kingpin who has loaned Charlie a lot of money and wants to know when he’ll get it back; Sal’s not especially fond of Louis, especially after he and Charlie accidentally lead the police to a storehouse of burgled goods owned by Sal. Charlie owes Sal a big favor, and Sal wants Charlie and Louis out of his hair for a while, so Sal sends them to Australia, where they’re to deliver a large amount of cash to a mysterious Mr. Smith (Marton Csokas). En route to their meeting in the outback, Charlie and Louis accidentally run over a kangaroo, and the half-bright tourists decide to dress the dead marsupial in sunglasses and Louis’ favorite jacket for snapshots. However, the animal wasn’t as dead as they imagined, and it soon hops away, shortly after Louis realizes the payment to Mr. Smith was in the pocket. Now Louis and Charlie are out to find the fast-moving critter, with the help of Jessie (Estella Warren), a wildlife expert; Mr. Jimmy (David Ngoombujarra), a wilderness guide; and Blue (Bill Hunter), a pilot familiar with the outback.

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make “the comedy that would end all comedies.” The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he’s buried a fortune in stolen loot, “under the Big W.” The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie “Rochester” Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture’s biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn’t meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture’s premiere.

The Man of Steel returns to the big screen with this continuation of the icon’s film legacy that picks up after the events of the first two Christopher Reeve films. Some time has passed since the events of Superman II and the world has gotten used to life without Superman (Brandon Routh) ever since his puzzling disappearance years earlier. Upon his return, he finds a Metropolis that doesn’t need him anymore, while Lois Lane (Kate Bosworth) has moved on with another young suitor Richard White (James Marsden) in the meantime. As the hero begins to tackle the fact that life on Earth has continued without him, he is forced to face his old arch-nemesis Lex Luthor (Kevin Spacey) and restore the life that was once his. Directed by Bryan Singer from a script by the writing team of X-Men 2, Superman Returns marks a return to the screen for the man in tights, whose production history has seen many failed attempts including a famous near-miss from Tim Burton and Kevin Smith with Nicolas Cage in the lead role, along with another from director McG and writer J.J. Abrams (Lost). Singer eventually won the prestigious gig when he pitched the idea to not tackle the origin story again, but continue with director Richard Donner’s original vision.

The year is 1936. A professor who studies archeology named Inidana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it.

A grieving mother, Telly Paretta, is struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist and her husband tell her that she has created eight years of memories of a son she never had. But when she meets the father of one of her son’s friend who is having the same experience, Telly embarks on a mission to prove her son’s existence and her sanity.

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late ’60s and early ’70s.