Bovie Movie

An old and forgotten game develops magical powers in this fantasy for the whole family. Twelve-year-old Walter Budwing (Josh Hutcherson) and his younger brother, Danny (Jonah Bobo), figure they’re going to be in for a boring time when their father (Tim Robbins), who was supposed to spend the day with them, is suddenly called away on business, and gives them strict orders not to leave the house. Walter, who doesn’t have much use for Danny, is motivated by boredom more than anything else when he agrees to play a board game Danny has found in the basement during a round of hide-and-seek. However, the boys quickly discover the space-themed game Zathura has some unusual qualities — a roll of the dice unexpectedly launches the Budwing home into outer space, and Walter and Danny are suddenly fending off menacing robots, angry aliens, and showers of interstellar debris outside the Earth’s atmosphere. As the boys try to figure out a way back home, they get some unexpected help from an earthling astronaut (Dax Shepard) who has also lost his way. Based on the book by children’s author Chris Van Allsburg — who also wrote The Polar Express and Jumanji — Zathura was directed by Jon Favreau, the actor-turned-filmmaker who enjoyed a breakthrough success with Elf.

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

The spirit of the mega-hit Ghostbusters (1984) is intentionally recalled with this effects-heavy sci-fi comedy from the same director, Ivan Reitman, co-starring Dan Aykroyd and debuting on the 17th anniversary of the earlier film’s release. When a meteor bearing single-celled organisms crashes to the Earth, the life forms are initially confined to a cave. Before long the creatures are evolving at an exponentially rapid rate, resulting in fearsome aliens running amok and possibly spelling mankind’s doom, or at least the end of man’s domination over life on Earth. Investigating the phenomenon is a community college professor, Ira Kane (David Duchovny), his geologist friend Harry Block (Orlando Jones), wannabe fireman Wayne Green (Seann William Scott), and government scientist Allison Reed (Julianne Moore). Evolution also stars Ted Levine, Ethan Suplee, and Katharine Towne.

Otherworldly villains are on the loose again, and it’s up to Earth’s interstellar police force to bring them to justice in this sequel to the sci-fi comedy blockbuster Men in Black. Agent Jay (Will Smith) has become a high-ranking member of the Men in Black, the secret government task force designed to deal with unruly visitors from other worlds, while his former cohort, Agent Kay (Tommy Lee Jones), had his memory wiped clean and now lives a simple but contented life as a mailman. However, an especially nasty alien threat has reared its not-so-ugly head; Serleena (Lara Flynn Boyle) is a shape-shifting Kylothian alien who is in pursuit of another escaped visitor who holds the key to powers that would allow her to destroy the world. Making Serleena all the more dangerous is the fact she’s taken on the appearance of a lingerie model, making her irresistible to most men. When the rampaging Serleena takes control of the MIB offices, Jay is forced to turn to the only man who can help him save the world — the former Agent Kay. After restoring Kay’s memory, the two remaining Men in Black set out to conquer Serleena with a motley band of friendly aliens, including a handful of worm creatures and a talking dog named Frank (voice of Tim Blaney). Jay, meanwhile, has his head turned by Laura (Rosario Dawson), an attractive waitress who was an unwitting witness to an alien attack. Men in Black 2 also features Rip Torn, Tony Shalhoub, David Cross, Patrick Warburton, and Johnny Knoxville.

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world’s major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien’s evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film’s lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistable to audiences, resulting in an international smash hit.

Good and evil battle for the future of 23rd century Earth in this visually striking big-budget science fiction epic. In the movie’s prologue, which is set in 1914, scientists gather in Egypt at the site of an event that transpired centuries earlier. Aliens, it seemed, arrived to collect four stones representing the four basic elements (earth, air, fire and water) - warning their human contacts that the objects were no longer safe on Earth. A few hundred years later (in the 23rd century), a huge ball of molten lava and flame is hurtling toward Earth, and scientist-holy man Victor Cornelius (Ian Holm) declares that in order to prevent it from destroying the planet, the same four elemental stones must be combined with the fifth element, as embodied by a visitor from another world named Leeloo (Milla Jovovich). However, if the force of evil presents itself to the stones instead, the Earth will be destroyed, and a sinister alien race called the Mangalores are intent upon using their representative, Zorg (Gary Oldman), to trigger the disaster. Despite her remarkable powers, Leeloo needs help with her mission, and she chooses her accomplice, military leader-turned-cab driver Korben Dallas (Bruce Willis), when she literally falls through the roof of his taxi. Writer and director Luc Besson began writing the script for The Fifth Element when he was only 16 years old, though he was 38 before he was able to bring it to the screen.

When the salvage tug Sea Star is caught unprepared in a violent storm, it slowly sinks, and the crew, led by Captain Everton (Donald Sutherland), wander upon another ship for refuge. The ship, apparently deserted, turns out to be a Russian research vessel loaded with high-tech electronics. The Sea Star crew, which includes hot-head Kelly “Kit” Foster (Jamie Lee Curtis) and Steve Baker (William Baldwin), soon find that they are not alone, and they also learn the horrible fate of the original crew. The ship had taken on an energy-based alien life-form capable of constructing bodies out of human tissue as easily as electronic parts. The life-form wants to inhabit the planet earth but first must rid the world of the virus that infects it and could kill it — man. John Bruno, special effects supervisor on Terminator 2 tries to reinvent the haunted house sub-genre in his directorial debut, much as Ridley Scott did in Alien.