Bovie Movie

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he’s transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes — as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien.

Four men are changed forever by an act of mercy — changes which have a profound impact many years later — in this blend of horror and science fiction based on a novel by Stephen King. Jonesy (Damian Lewis), Henry (Thomas Jane), Pete (Timothy Olyphant), and Beaver (Jason Lee) were four friends who, as schoolboys, rescued a boy with Down’s Syndrome, Duddits (Donnie Wahlberg), from a savage beating at the hands of bullies. Their experience with Duddits left the boys profoundly changed, as they discovered they had developed psychic powers which allowed them to wordlessly communicate with one another, read the minds of others, and see events in the future. The four remained close friends into adulthood, and meet every year for a weekend get-together at a remote hunting lodge. However, one year Jonsey is approached by the spirit of Duddits, which leads him into a severe auto accident, though his wounds heal with mysterious speed and are gone by the time he and the guys get together a few months later. As the guys drink and swap stories, a desperately ill hunter makes his way into the cabin, whose body has become the host for a horrible wormlike creature, which breaks free and soon goes on a killing spree, leaving only Henry alive. In the wake of this attack comes a massive snowstorm, and Henry learns that these events are the first signs of a major attack by a powerful alien force which can assume any form it wishes. As duplicitous military leader Col. Abraham Curtis (Morgan Freeman) comes in to quell the menace, Henry finds himself in communication with the late Jonsey, whose previous near-death experience gives him an unexpected advantage in stemming the alien tide.

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a “sunburn” from its bright lights to prove it. Neary’s wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a “logical” explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the “truth” about UFOs. Neary’s obsession eventually puts him in contact with others who’ve had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker Fran?ois Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe’s theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil’s Tower, Wyoming. In 1980, a “Special Edition” was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act.

A boy’s best friend is his robot in this animated adventure from Brad Bird, best known for his TV work on such series as The Simpsons, King of the Hill, and The Critic. Set in 1957, The Iron Giant focuses on Hogarth (voice of Eli Marienthal), an imaginative nine-year-old boy who daydreams of alien invasions and doing battle with Communist agents. One day, Hogarth hears a local fisherman talk about something that surpasses anything he could dream up: a fifty-foot robot that fell from the sky into a nearby lake. Needless to say, Hogarth’s mom, Annie (voice of Jennifer Aniston) finds this a little hard to swallow, but when Hogarth finds the robot (voice of Vin Diesel) and fishes him out of the water, his pal Dean (voice of Harry Connick Jr.), a beatnik sculptor who also runs a junkyard, offers to help by hiding the robot with his salvage. A government agent named Kent Mansley (voice of Christopher McDonald) soon gets wind that there’s a mechanical invader of unknown origins in the neighborhood and wants to wipe out the potential threat. However, the robot (which loves to eat metal and is learning to talk) turns out to be friendly, and the boy in turn tries to teach his new pal the ways of humans. The Iron Giant is loosely based on the book The Iron Man by late British poet Ted Hughes, previously adapted for the stage by rock musician Pete Townshend, who executive produced the film.

Acclaimed director David Fincher’s promising career was lucky to survive this astonishingly wrong-headed, almost universally despised second sequel to Alien (1979). The film careens into oblivion virtually from the beginning, as Lt. Ellen Ripley (Sigourney Weaver) is the only survivor of a crash-landing on a hellish, God-forsaken prison planet. Not only does the crash kill little Newt, completely obviating the entire point of the superior Aliens (1986), but Fincher then compounds his betrayal of that film’s fans by having Ripley attend the girl’s gruesome autopsy and barely bat an eye as the child’s chest is bloodily ripped open with a steel bonesaw. Things just go downhill from there, as the rather unthreatening rapists and murderers harass Ripley and curse a great deal before being torn apart by large fans, having their heads crushed by the unconvincing CGI alien, and finally volunteering to be murdered by the beast rather than letting the evil Company get hold of it. Fincher does the best he can with a terrible script, and there are some nice supporting turns by Charles S. Dutton, Charles Dance, and Brian Glover, but nothing could redeem the film’s first 15 minutes. By the time Ripley takes a suicidal swan-dive into a vat of molten lead, cradling a baby alien as it explodes from her chest, many viewers will not know whether to reach for the remote control or a warm bath and a razorblade. A loathsome experience by any standard, Alien 3 still made enough money for Weaver to return as a Ripley clone in Alien Resurrection (1997).

“In space, no one can hear you scream.” A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott’s sci-fi horror classic. On the way home from a mission for the Company, the Nostromo’s crew is woken up from hibernation by the ship’s Mother computer to answer a distress signal from a nearby planet. Capt. Dallas’ (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane’s stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company.

A lonely little girl makes a very unusual friend — a ukulele-playing alien who likes to toss around small automobiles — in this antic animated comedy from Walt Disney Studios. Lilo (voice of Daveigh Chase) is a young Hawaiian girl being raised by her teenaged sister Nani (voice of Tia Carrere) after the unexpected death of their parents in an auto accident. While Nani tries to hold their household together, Lilo is a child with unusual interests and a distinctive sense of humor, which makes it hard for her to bond with her peers, as well as her big sister. Nani decides Lilo might be happier if she had a pet, so the sisters go to the animal shelter to adopt a dog; however, the critter which catches Lilo’s fancy is a fuzzy blue creature she names Stitch (voice of Chris Sanders). Nani isn’t so sure Stitch is really a dog, and it turns out she’s right; Stitch is actually “Genetic Experiment 626,” a mutation created by extraterrestrial mad scientist Dr. Jumba (voice of David Ogden Stiers) to be used a weapon. Stitch is an intelligent but gleefully destructive little creature with superhuman strength who has escaped to Earth and crash-landed in the Hawaiian islands, but Lilo sees him simply as a fellow misfit and attempts to teach him to behave like her favorite American icon, Elvis Presley. Meanwhile, Nani struggles to keep Lilo and Stitch on their best behavior as stern social worker Cobra Bubbles (voice of Ving Rhames) tries to determine if Nani is fit to raise a child, while Dr. Jumba and Pleakley (voice of Kevin McDonald) attempt to capture “Experiment 626″ and bring him back home. Chris Sanders, who provides the voice of Stitch, also co-wrote and co-directed the film, which features numerous Elvis Presley tunes on the soundtrack, as well as a new recording of “Burning Love” by country star Wynonna.

This quirky science fiction comedy is a characteristic feature by iconoclastic director Tim Burton, known to moviegoers for Beetlejuice, Edward Scissorhands, and The Nightmare Before Christmas. The storyline affectionately harkens back to the deadpan sincerity of such ’50s and ’60s science-fiction films as The Day the Earth Stood Still and War of the Worlds. Flying saucers have been reliably seen over the capitals of the world, and the whole world awaits with bated breath to see what will transpire. Among those waiting is the President of the United States (Jack Nicholson), who is assured by his science advisor (Pierce Brosnan) that the coming aliens are utterly peaceful. This advice is hotly contested by the military (led by Rod Steiger), who advices the President to annihilate them. When the aliens land, they are seen to be green, garish, and very cheerful. But appearances prove deceiving when the “friendly” aliens abruptly disintegrate the entire U.S. Congress. Hollywood notables appear in vast quantities in roles (and sub-plots) of all sizes in this zany feature.

George Lucas draws the Star Wars film series to a close with this dark sci-fi adventure which sets the stage for the events of the first film and brings the saga full circle. After a fierce battle in which Obi-Wan (Ewan McGregor) and Anakin (Hayden Christensen) join Republic forces to help free Chancellor Palpatine (Ian McDiarmid) from the evil Count Dooku (Christopher Lee) and his minions, Anakin is drawn into Palpatine’s confidence. Palpatine has designs on expanding his rule, and with this in mind he plants seeds of doubt in Anakin’s mind about the strength and wisdom of the Jedis. Anakin is already in a quandary about how to reveal to others the news of his secret marriage to Padmé Amidala (Natalie Portman) now that she is pregnant, and visions which foretell her death in childbirth weigh heavy on his mind. As Anakin finds himself used by both the Jedis and the Republic for their own purposes — particularly after Mace Windu (Samuel L. Jackson) expresses his distrust of the young Jedi — he turns more and more to the Force for help, but begins to succumb to the temptations of its dark side. Many of the Star Wars series regulars returned for Star Wars: Episode III — Revenge of the Sith, including Frank Oz as the voice of Yoda, Anthony Daniels as C-3PO, Kenny Baker as R2-D2, and Peter Mayhew as Chewbacca.

The spirit of the mega-hit Ghostbusters (1984) is intentionally recalled with this effects-heavy sci-fi comedy from the same director, Ivan Reitman, co-starring Dan Aykroyd and debuting on the 17th anniversary of the earlier film’s release. When a meteor bearing single-celled organisms crashes to the Earth, the life forms are initially confined to a cave. Before long the creatures are evolving at an exponentially rapid rate, resulting in fearsome aliens running amok and possibly spelling mankind’s doom, or at least the end of man’s domination over life on Earth. Investigating the phenomenon is a community college professor, Ira Kane (David Duchovny), his geologist friend Harry Block (Orlando Jones), wannabe fireman Wayne Green (Seann William Scott), and government scientist Allison Reed (Julianne Moore). Evolution also stars Ted Levine, Ethan Suplee, and Katharine Towne.