Bovie Movie

At the end of Highlander, Juan Ramirez (Sean Connery) died and Connor MacLeod (Christopher Lambert) was rendered mortal. “Highlander 2: The Quickening begins in 1999 when Connor solves the problem of an ever-depleting ozone layer on the earth by devising a giant shield around the entire planet. The earth is saved, except for the fact that it is now a continual 99 degrees, and the earth is plunged into 24 hours of darkness. 40 years later, Connor is an elderly man with liver spots, heading out for the opera. Then there is a flashback of Connor recalling his halcyon days on the planet Zeist hundreds of years earlier. Back on Zeist, Connor and Ramirez led a futile coup against the ruling dictator, Katana (Michael Ironside), that caused them to be banished to Earth. Back in the future, Katana sends a pair of wacky goons to kill Connor. When Connor lops off their heads, he is now young again…and immortal. Just the right time to meet the attractive scientist Louise Marcus (Virginia Madsen), who has discovered that the shield around the earth is no longer needed since the ozone layer has repaired itself. But, unfortunately, the shield is in the clutches of an evil cartel who wants to control the earth’s resources. Connor and Louise team up to battle the cartel while Katana sends out more emissaries to get Connor. Ramirez, although supposedly dead, also makes an appearance in the 21st century — garbed in full Scottish regalia.

In this spin on the traditional romantic comedy, Harris K. Tellemacher, a Shakespeare-quoting, Los Angeles TV weatherman is looking for something meaningful for his life. The Los Angeles Freeway sign informs him that the weather will change his life in two ways, and Harris begins to search for the meaning behind that message.

This Steven Spielberg-directed exploration into a long-ago episode in African-American history recounts the trial that followed the 1839 rebellion aboard the Spanish slave ship Amistad and captures the complex political maneuverings set in motion by the event. Filmed in New England and Puerto Rico, the 152-minute drama opens with a pre-credit sequence showing Cinque (Djimon Hounsou) and the other Africans in a violent takeover of the Amistad. Captured, they are imprisoned in New England where former slave Theodore Joadson (Morgan Freeman), viewing the rebels as “freedom fighters,” approaches property lawyer Baldwin (Matthew McConaughey), who attempts to prove the Africans were “stolen goods” because they were kidnapped. Running for re-election, President Martin Van Buren (Nigel Hawthorne) overturns the lower court’s decision in favor of the Africans. Former President John Quincy Adams (Anthony Hopkins) is reluctant to become involved, but when the case moves on to the Supreme Court, Adams stirs emotions with a powerful defense. The storyline occasionally cuts away to Spain where the young Queen Isabella (Anna Paquin) plays with dolls; she later debated the Amistad case with seven U.S. presidents. The character portrayed by Morgan Freeman is a fictional composite of several historical figures. For authentic speech, the Africans speak the Mende language, subtitled during some scenes but not others.

Thorold Stone’s family was among those who vanished three months ago, and he is still stung by that fact. Since childhood, he has always been logical and suspicious, and, of course, he’s uncertain whether Franco Macalousso is the Messiah he claims he is. Stone works for Len Parker, who runs One Nation Earth, the organization that rounds up the Haters who stand in Macalousso’s way. Soon, however, he realises that the Christians have been framed, and he has been set up. To prove Macalusso’s true colours, he must band with his own enemies - the Haters themselves, led by Helen Hannah.

Military police detectives Paul Brenner and Sarah Sunhill investigate a horrifically bizarre rape and murder of a respected female Pysch-Ops officer who is also the daughter of a renowned retiring general. Yet the case becomes more complicated when the autopsy showed no evidence of sexual assault. Furthermore, that is but the beginning of the twists when they discover the victim’s secret life, her past and a disturbing determination by senior staff to keep this investigation short and quiet.

Robert Redford directed this adaptation of a novel by Steven Pressfield that uses golf as a metaphor for one man’s spiritual and philosophical journeys. Rannulph Junuh (Matt Damon) was a gifted amateur golfer from Savannah, GA, until traumatic experiences during World War I shattered his confidence and sent him into a spiral of alcoholism. In 1931, Adele Invergordon (Charlize Theron), a beautiful heiress who once loved Junuh, inherits a spectacular but financially ailing golf course after the suicide of her father. To attract customers, she proposed a high-stakes match between the two most famous golfers of the day, Bobby Jones (Joel Gretsch) and Walter Hagen (Bruce McGill). Local businessmen sponsoring the match insist that a local golfer be added to the card, and Junuh is drafted for the position, but it soon becomes obvious that his game is just a shadow of its former glory. When things seem hopeless, a mysterious gentleman named Bagger Vance (Will Smith) volunteers to serve as Junuh’s caddy and coach, using a mixture of ancient wisdom and past-life knowledge to help Junah “remember” the swing he’s lost. Jack Lemmon narrates the story, and J. Michael Moncrief plays Lemmon’s character as a boy.

Robert Ford, who’s idolized Jesse James since childhood, tries hard to join the reforming gang of the Missouri outlaw, but gradually becomes resentful of the bandit leader.

The idealist William Wilberforce maneuvers his way through Parliament in 19th century England, endeavoring to end the British transatlantic slave trade.

Axle Foley, while investigating a car theft ring, comes across something much bigger than that: the same men who shot his boss are running a counterfeit money ring out of a theme park in Los Angeles.

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie’s far-fetched scheme to rob the “money train” that collects the subway’s daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie’s and John’s harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film’s main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can’t Jump (1992), but Joseph Ruben’s unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor.