Bovie Movie

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful individuals, each representing a planet in the solar system. These seven, along with the protagonist, the guide and the guide’s assistant, divest themselves of their worldly goods and form a group of nine who will seek out the Holy Mountain, in order to displace the gods who live there and become immortal.

Oliver Stone’s breakthrough as a director, Platoon is a brutally realistic look at a young soldier’s tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late ’60s. He’s shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks “in country,” Taylor begins to see the na?vet? of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood’s first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films.

This military drama is based on the true story of Carl Brashear, who was the first African-American to serve as a diver in the United States Navy. Brashear (played by Cuba Gooding Jr.) was born to a poor farming family in the deep South, and joined the Navy in hopes of bettering himself. When Brashear applies for diving school, he first encounters Master Chief Billy Sunday (Robert De Niro), a gruff and tyrannical diving instructor who holds absolute sway over his charges. Sunday does little at first to encourage Brashear’s ambitions, and the would-be diver discovers racism in the military is an ugly fact of life when his white comrades refuse to share barracks with him. But Brashear’s courage and determination make an impression on Sunday, and the two men become allies as Brashear must fight prejudice, military bureaucracy, and even a crippling injury in order to realize his dreams. Originally announced under the title Navy Diver, Men of Honor also features Hal Holbrook, David Keith, Michael Rapaport, Charlize Theron, and Powers Boothe; Bill Cosby served as an executive producer for the project.

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi’s Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs, and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. set gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn’t any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn acquires his late father’s flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad’s death, the mysterious space sludge infects both Peter’s Spider Man suit and ambitious street photographer Eddie Brock (Grace). His strange new suit giving him a newfound sense of power as it gradually overpowers his personality, Peter discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider Man to fend off destructive forces that are far too powerful for the likes of mortal man.

Pat Proft directed this satire on The Fugitive with a plot parody of the 1993 Harrison Ford movie, which in turn was inspired by the 1963-67 ABC television series with David Janssen. Violinist Ryan Harrison (Leslie Nielsen) romances the wife (Kelly Le Brock) of his benefactor (Michael York), a man murdered by mercenaries. Naturally, Ryan gets blamed. Headed for Death Row, he’s on a bus involved in a train accident and escapes in order to locate the real killer — a one-armed, one-legged, one-eyed man. Tracking Ryan is Lt. Fergus Falls (Richard Crenna). Other movies lampooned here include Titanic, Clear and Present Danger, Chinatown, Mission Impossible, and North by Northwest.

A South African mercenary and a Mende fisherman find their fates forever intertwined as they embark on a quest to obtain a rare and highly coveted pink diamond in director Edward Zwick’s frantic adventure drama. Ripped from his family farm and forced to toil away in the sweltering South African diamond fields, Solomon Vandy (Djimon Hounsou) discovered an extraordinary rough stone of immeasurable value. Danny Archer (Leonardo DiCaprio) is a hired gun who specializes in the sale of so-called “blood diamonds” that are used to finance rebellions and terrorist organizations, and is currently serving time for smuggling. As a bloody civil war rages in Sierra Leone and Archer learns that Vandy has safely hidden the diamond in a place where no one would ever suspect, the pair enlist the aid of disillusioned American journalist Maddy Bowen (Jennifer Connelly) in recovering the treasure that has the power to save Vandy’s family and provide the desperate Archer with a much-needed chance for redemption.

The town of Big Whisky is full of normal people trying to lead quiet lives. Cowboys try to make a living. Sheriff ‘Little Bill’ tries to build a house and keep a heavy-handed order. The town whores just try to get by.Then a couple of cowboys cut up a whore. Unsatisfied with Bill’s justice, the prostitutes put a bounty on the cowboys. The bounty attracts a young gun billing himself as ‘The Schofield Kid’, and aging killer William Munny. Munny reformed for his young wife, and has been raising crops and two children in peace. But his wife is gone. Farm life is hard. And Munny is no good at it. So he calls his old partner Ned, saddles his ornery nag, and rides off to kill one more time, blurring the lines between heroism and villainy, man and myth.

David Spade plays Joe, whose search for his family has him hittin’ the road and keepin’ it real with every lowlife he meets, including a sweet hottie (Brittany Daniel), a janitor (Christopher Walken), and a pychotic cannibal (Brian Thompson) with whom he has a brief interlude. Through it all, Joe keeps on truckin’ . . . all the way to L.A., where a shock jock DJ (Dennis Miller) targets Joe as the butt of his show. But Joe’s plucky spirit encourages listeners to cheer him on and help him find a better family than the one he thought he wanted. Rock on!

The day after they get the word they’ll go home in two weeks, a group of soldiers from Spokane are ambushed in an Iraqi city. Back stateside we follow four of them - a surgeon who saw too much, a teacher who’s a single mom and who lost a hand in the ambush, an infantry man whose best friend died that day, and a soldier who keeps reliving the moment he killed a civilian woman. Each of the four has come home changed, each feels dislocation. Group therapy, V.A. services, halting gestures from family and colleagues, and regular flashbacks keep the war front and center in their minds. They’re angry, touchy, and explosive: can a warrior find peace back home?

During the civil war, injured Yankee soldier, John McBurney is rescued on the verge of death by a teenage girl from a southern boarding school. She manages to get him back to the school, and at first the all-female staff and pupils are scared. As he starts to recover, one by one he charms them and the atmosphere becomes filled with jealousy and deceit.