Bovie Movie

Based on James Dickey’s novel, this film tells the story of an ill-fated canoe trip in deep backwoods America, where the people are as scary as the country is beautiful.

Damien, the anti-Christ, is a thirty-something CEO of a huge multinational corporation and the new ambassador for Great Britain (Scotland, England & Wales), but he lusts for control of the world. The Dark One’s only enemies are seven monks sworn to Damien’s destruction with sacred daggers forged for that one purpose. As the monks hunt Damien, he orders the systematic elimination of recently born boys, who he believes are the Second Coming of Christ. Will good or evil triumph?

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O’Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn’t fare as well, as O’Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym “Anneka di Lorenzo”), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal’s script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jet?e. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.

A model (played by Margaux Hemingway) is raped by her younger sister’s (Mariel Hemingway) teacher. He gets off on a technicality and proceeds to attempt to rape the younger sister.

A Neo Nazi skinhead, named Derek Vineyard (Edward Norton) goes to jail for 3 years after committing a murder of 2 black guys. In the meanwhile, his younger brother, Danny Vineyard (Edward Furlong) goes in the same way and makes the same mistakes (racism and hatred) his eldest brother did (this is the result of the Neo Nazi environment he grows up into, and the influence Derek left behind). While Derek is in jail he realize that he choose the wrong path. after coming back from jail, Derek try to convince his brother not to go in his own way.

Two killers turn the tables on a trio of robbers when they find themselves in a hostage situation. Surrounded by the police, the robbers must become the heroes before the killers execute everyone.

Camden College. Sean Bateman (James Van Der Beek) is the younger brother of depraved Wall Street broker Patrick Bateman. He’s also a drug dealer who owes a lot of money to “fellow” dealer Rupert Guest (Clifton Collins, Jr.), as well as a well-known womanizer, for he sleeps with nearly half of the female population on campus. Lauren Hynde (Shannyn Sossamon) is, technically, a virgin. She’s saving herself for her shallow boyfriend, Victor Johnson (Kip Pardue), who’s left the States to backpack across Europe. Her slutty roommate, Lara (Jessica Biel), has the hots for Victor as well. Paul Denton (Ian Somerhalder), who used to date Lauren, is openly bisexual and attracted to Mitchell Allen (Thomas Ian Nicholas), who’s dating Candice (Clare Kramer) to prove to Paul that he’s not gay. Sean loves Lauren. Paul loves Sean. And Lauren may love Sean.