Bovie Movie

“In space, no one can hear you scream.” A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott’s sci-fi horror classic. On the way home from a mission for the Company, the Nostromo’s crew is woken up from hibernation by the ship’s Mother computer to answer a distress signal from a nearby planet. Capt. Dallas’ (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane’s stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company.

For many years now, at Bill and Ted University of the future, the people of the world have been excellent to each other. But fed-up with Bill and Ted’s peaceful world and even more fed up with heavy metal, Chuck De Nomolos decides to do something about it. De Nomolos creates cyborg versions of Bill and Ted, who travel back to 1990 with orders to kill the human versions of Bill and Ted, win the Battle of the Bands, and pave the way for De Nomolos to take over the future. In 1990, Bill and Ted are sent to hell by the cyborgs. Cyborg Bill and cyborg Ted make time with the real Bill and Ted’s girlfriends Joanna and Elizabeth and prepare to take the human Bill and Ted’s place in the Battle of the Bands. With the help of their friend Rufus, the human Bill and Ted are forced to find a way out of hell, deal with the Grim Reaper, and talk to God himself, in their mission to get to the Battle of the Bands and stop the two cyborgs.

The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him.

The second prequel to the original Star Wars trilogy takes place ten years after the events depicted in Star Wars: Episode I — The Phantom Menace. Now 20, young Anakin Skywalker (Hayden Christensen) is an apprentice to respected Jedi knight Obi-Wan Kenobi (Ewan McGregor). Unusually powerful in the Force, Anakin is also impatient, arrogant, and headstrong — causing his mentor a great deal of concern. The pair are ordered to protect Padme Amidala (Natalie Portman), the former queen of the planet Naboo, now representing her world in the Galactic Senate. Someone is trying to assassinate her on the eve of a vote enabling Supreme Chancellor Palpatine (Ian McDiarmid) to build a military force that will safeguard against a growing separatist movement led by mysterious former Jedi Count Dooku (Christopher Lee). After another attempt on Padme’s life, Obi-Wan and Anakin separate. The young Jedi and Padme fall in love as he escorts her first to the security of Naboo and then to his home world of Tatooine, where the fate of his mother leads him to commit an ominous atrocity. Meanwhile, Obi-Wan travels to the secretive planet Kamino and the asteroid-ringed world of Geonosis, following bounty hunter Jango Fett (Temuera Morrison) and his son, Boba (Daniel Logan), who are involved in an operation to create a massive army of clones. A vicious battle ensues between the clones and Jedi on one side and Dooku’s droids on the other, but who is really pulling the strings in this galactic conflict? In late 2002, the movie was released in IMAX theaters as Star Wars: Episode II — Attack of the Clones: The IMAX Experience, with a pared-down running time of 120 minutes in order to meet the technical requirements of the large-screen format.

Austin Powers is a 60’s spy who is cryonically frozen and released in the 1990’s. The world is a very different place for Powers. Unfortunately for Austin, everyone is no longer sex-mad. Although he may be in a different decade, his mission is still the same. He has teamed up with Vanessa Kensington to stop the evil Dr. Evil, who was also frozen in the past. Dr. Evil stole a nuclear weapon and is demanding a payment of (when he realises its the 90’s) 100 billion dollars. Can Austin Powers stop this madman? or will he caught up with Evil’s henchman, with names like Alotta Fagina and Random Task? Only time will tell!

Fleeing the evil Galactic Empire, the rebels abandon their new base on Hoth. Princess Leia, Han Solo and the droids R2-D2 and C-3P0 escape in the damaged Millenium Falcon, but are later captured by Lord Darth Vader on Bespin. Skywalker, meanwhile, follows Ben Kenobi’s posthumous command and receives Jedi training by Yoda on Dagobah. Will Skywalker manage to rescue his friends from the dark lord?

A flying saucer orbits the 1950s Earth. It lands in Washington, DC, on the Mall. The lone occupant steps out and is shot by a jumpy soldier. Gort, a large and very powerful robot appears to save him and is able to melt tanks with the slightest bit of his power. The wounded alien orders Gort to stop his rampage and is taken to a hospital from which he escapes in order to learn more about this planet, even moving in as a boarder with an Earth family. When they begin to suspect him, he reveals himself, along with the news that Gort is a member of a race of super-robot enforcers invented to keep the peace of the galaxy that will destroy the Earth if provoked.

Deckard is a Blade Runner, a police man of the future who hunts down and terminates replicants, artificially created humans. He wants to get out of the force, but is drawn back in when 4 “skin jobs”, a slang term for replicants, hijack a ship back to Earth. The city that Deckard must search for his prey is a huge, sprawling, bleak vision of the future. This film questions what it is to be human, and why life is so precious.

Nearly 10 years have passed since Sarah Connor was targeted for termination by a cyborg from the future. Now her son, John, the future leader of the resistance, is the target for a newer, more deadly terminator. Once again, the resistance has managed to send a protector back to attempt to save John and his mother Sarah.

Austin Powers — fashion photographer, denizen of Swingin’ London, international espionage agent, and bane of dental hygienists everywhere — returns in his second screen adventure. Powers (once again played by Mike Myers), a 1960s superspy stranded in the 1990s, discovers that his nemesis, criminal genius Dr. Evil (also Mike Myers), has somehow stolen his “mojo” (the secret to his otherwise inexplicable sex appeal) and traveled back in time to the 1960s as part of his latest fiendish scheme. Powers must also travel back in time to retrieve it, but if Austin doesn’t quite fit into 1998, he’s been there just long enough not to fit in in 1968 anymore, either. Powers also discovers that Dr. Evil has new allies this time: Mini-Me (Verne Troyer), a clone of Dr. Evil one-eighth his size but just as nasty; Fat Bastard (Myers yet again), whose name describes him just fine; and vixenish assassin Robin Swallows (Gia Carides). Powers’ lack of mojo also proves troublesome when he’s paired with his new partner, saucy CIA operative Felicity Shagwell (Heather Graham). Other characters returning from the first film include Elizabeth Hurley as Vanessa Kensington, Robert Wagner as Number Two, Michael York as Basil Exposition, Seth Green as Scott Evil, and Mindy Sterling as Frau Farbissina. Austin Powers: The Spy Who Shagged Me also includes cameo appearances from Tim Robbins, Jerry Springer, Woody Harrelson, and Burt Bacharach with his current songwriting partner, Elvis Costello.